Metrics & Tears
The photographic essay "Metrics & Tears" unveils an experiment that the artist has lived in his own flesh: the experience of a physical correction. With remnants of trauma, this process is presented not only as an overt torture, but also as a reflection around ways of seeing. Here, the photographic device appears as 'mentor' or corrector of what and how we see: the gaze that conforms with the implicit coordinates of the machine. It is important to know that lab and technical devices are not only objects, but also theories. The design of a device itself, implies some sort of previous truth. When we capture the world, we imprint on it a perspective, a scenography, an aesthetic purpose.
Along his trip throughout the Argentine foothills of the Andes in the provinces of Salta and Catamarca, the author discovers a landscape where the redemption of an image of the physical corrections he went through becomes feasible. His interest moves away from the touristic and the ethnographic perspectives to a rather introspective and poetic glance. In the gathering of artifacts and landscapes, a unique language is woven, a mesh of signs that trace a new system. By including in the same geological coordinates, the imposing geometric structures of the scientific objects and the extensive surface of the mountainous ground, a single space is revealed in unity. A new gaze conspires in favor of the mystery dissolving the threatening metrics and their rectification powers.
Mariana Robles
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When we capture the world, we imprint on it a perspective, a scenography, an aesthetic purpose.\r<\/p><p>Along his trip throughout the Argentine foothills of the Andes in the provinces of Salta and Catamarca, the author discovers a landscape where the redemption of an image of the physical corrections he went through becomes feasible. His interest moves away from the touristic and the ethnographic perspectives to a rather introspective and poetic glance. In the gathering of artifacts and landscapes, a unique language is woven, a mesh of signs that trace a new system. By including in the same geological coordinates, the imposing geometric structures of the scientific objects and the extensive surface of the mountainous ground, a single space is revealed in unity. A new gaze conspires in favor of the mystery dissolving the threatening metrics and their rectification powers.\r<\/p><p>Mariana Robles<\/p>","body_raw":"Metrics & Tears\r\n\r\nThe photographic essay \"Metrics & Tears\" unveils an experiment that the artist has lived in his own flesh: the experience of a physical correction. With remnants of trauma, this process is presented not only as an overt torture, but also as a reflection around ways of seeing. Here, the photographic device appears as 'mentor' or corrector of what and how we see: the gaze that conforms with the implicit coordinates of the machine. It is important to know that lab and technical devices are not only objects, but also theories. The design of a device itself, implies some sort of previous truth. When we capture the world, we imprint on it a perspective, a scenography, an aesthetic purpose.\r\n\r\nAlong his trip throughout the Argentine foothills of the Andes in the provinces of Salta and Catamarca, the author discovers a landscape where the redemption of an image of the physical corrections he went through becomes feasible. His interest moves away from the touristic and the ethnographic perspectives to a rather introspective and poetic glance. In the gathering of artifacts and landscapes, a unique language is woven, a mesh of signs that trace a new system. By including in the same geological coordinates, the imposing geometric structures of the scientific objects and the extensive surface of the mountainous ground, a single space is revealed in unity. A new gaze conspires in favor of the mystery dissolving the threatening metrics and their rectification powers.\r\n\r\nMariana 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Marcos has a degree from the School of Photographic Art.","long_bio":"<p>Marcos Goymil (1976) is an Argentinean photographic-based artist, whose work is rooted in the narratives we constantly tell ourselves. By deconstructing situations to better understand them, he deals with visual processes of restoration towards giving them new possibilities of life. Marcos has a degree from the School of Photographic Art and trained in the workshops and seminars of Humberto Rivas, Lucas di Pascuale, Francesco Jodice, Proyecto Imaginario, Erik Kessels and Jon Cazenave.\r<\/p><p>His work has been shown in numerous individual and collective exhibitions in Argentina and is also included in several public and private collections. In 2007 he was awarded the Petrobras Award for Contemporary Photography. He was awarded a Villa Maria patronage in 2016 and also received an award from the Museum Bonfiglioli in Villa Maria. In 2018 he received the First Prize AAMEC of Contemporary Photography by Museo Emilio Caraffa in Cordoba. Since 2011 he has been teaching courses in different institutions. He lives and works in Villa Maria, Argentina.\r<\/p><p>Training\/Education \r<\/p><p>1997-1999 \r<\/p><p>Superior Technician in Photography, Instituto Municipal de Arte Fotogr\u00e1fico y T\u00e9cnicas Audiovisuales de Avellaneda (IMDAFTA) Avellaneda, Buenos Aires \r<\/p><p>2020\r<\/p><p>Online Live Workshop \u201cPersonality before portfolio\u201d with Erik Kessels, La Hydra (Mexico)\r<\/p><p>2019\r<\/p><p>Workshop with Eduardo Stup\u00eda, Proyecto Imaginario Federal (Villa General Belgrano)\r<\/p><p>2019\r<\/p><p>Workshop \u201cLa imagen ritual\u201d with Jon Cazenave, Festival Internacional de Fotograf\u00eda de Valdivia, Chile\r<\/p><p>2017 \r<\/p><p>Seminars and Photographics Workshops, Proyecto Imaginario (Buenos Aires)\r<\/p><p>2016\r<\/p><p>Workshop for the analysis and production of Visual Arts with Lucas Di Pascuale, Museo Fernando Bonfiglioli (Villa Mar\u00eda)\r<\/p><p>2008\r<\/p><p>Seminar \u201cTerritory and landscape\u201d with Line Lavesque and Fran\u00e7ois Letorneaux, Festival de fotograf\u00eda SCAN (Tarragona \u2013 Espa\u00f1a)\r<\/p><p>2008\r<\/p><p>Workshop \u201cArtistic Creation\u201d with Francesco Jodice, Casa Encendida (Madrid, Espa\u00f1a)\r<\/p><p>2007\r<\/p><p>Portrait Workshop whith Humberto Rivas, Espai Fotografics Can Baste\r<\/p><p>(Barcelona - Espa\u00f1a)\r<\/p><p>2002\r<\/p><p>Course Fotograf\u00eda de Autor with Humberto Rivas, Escola de Fotograf\u00eda del Centre de la Imatge i la tecnolog\u00eda Multimedia de la Universitat Polit\u00e9cnica de Catalunya (Terrassa, Espa\u00f1a)\r<\/p><p>Professional Experience \r<\/p><p>2018 \r<\/p><p>Professor en el Seminario Fotograf\u00eda y sociedad. Introducci\u00f3n a la historia de las pr\u00e1cticas fotogr\u00e1ficas. Universidad Nacional de Villa Mar\u00eda (Villa Mar\u00eda, C\u00f3rdoba)\r<\/p><p>2018 -2012 \r<\/p><p>Teacher Curso de Fotograf\u00eda Digital Nivel Inicial y Nivel Avanzado en la Escuela de Bellas Artes Fernando Fader (Bell Ville \u2013 C\u00f3rdoba)\r<\/p><p>2017 \r<\/p><p>Teacher Taller de creaci\u00f3n de proyectos fotogr\u00e1ficos en el Museo de Bellas Artes Fernando Bonfiglioli (Villa Mar\u00eda)\r<\/p><p>2017\r<\/p><p>Teacher Seminario sobre Fotograf\u00eda Contempor\u00e1nea en la Alianza Francesa (Santa Rosa, La Pampa)\r<\/p><p>2016 \r<\/p><p>Teacher Seminario de Historia de la Fotograf\u00eda en el Museo de Bellas Artes Fernando Bonfiglioli (Villa Mar\u00eda)\r<\/p><p>2016\r<\/p><p>Teacher Seminario sobre Fotograf\u00eda Contempor\u00e1nea en el Museo de Bellas Artes Fernando Bonfiglioli (Villa Mar\u00eda)\r<\/p><p>2015-2012\r<\/p><p>Professor en las asignaturas Lenguaje Visual, Fotografia Aplicada, Efectos Especiales en la Carrera Tecnico Superior en Fotografia Digital \u2013 F5 Fotoescuela (Villa Maria, Argentina)\r<\/p><p>Previous Prizes \r<\/p><p>2020\r<\/p><p>Selected Portfolio Review with Jon Uriarte, M\u00f3nica Allende, Julieta Escard\u00f3 y Gloria Crespo, Fiebre Photobook virtual, Espa\u00f1a.\r<\/p><p>2020\r<\/p><p>Selected Fiebre Lab with Ver\u00f3nica Fieras, Alejandro Cartagena y Cristina de Middel, Fiebre Photobook virtual, Espa\u00f1a.\r<\/p><p>2019\r<\/p><p>National Grant, National Fund for the Arts, Buenos Aires\r<\/p><p>2019\r<\/p><p>Selected workshop \u201cLa imagen ritual\u201d with Jon Cazenave, Festival Internacional de Fotograf\u00eda de Valdivia, Chile\r<\/p><p>2019 \r<\/p><p>Especial Mention Festival Argi Arantzazu, Pa\u00eds Vasco, Espa\u00f1a\r<\/p><p>2018\r<\/p><p>First AAMEC Award for Contemporary Photography, Museo of Fine Arts Emilio Caraffa, C\u00f3rdoba\r<\/p><p>2018 - Selected in the Festival de fotograf\u00eda Scan Tarragona (Tarragona, Espa\u00f1a)\r<\/p><p>2018 \u2013 Selected Fundaci\u00f3n Lariviere Photobook Prize in Buenos aires Photo 2018 (Buenos Aires)\r<\/p><p>2018 \u2013 Selected in the Latinoamerican Photobook Prize, Centro de fotograf\u00eda de Montevideo (Uruguay)\r<\/p><p>2017\r<\/p><p>Grant Proyecto Imaginario, Buenos Aires, Argentina\r<\/p><p>2016\r<\/p><p>Second \u201cVilla Mar\u00eda Escrita con luz\u201d, Museum of Fine Arts Fernando Bonfiglioli, Villa Mar\u00eda, Argentina\r<\/p><p>Patronage Award of Fine Arts, Villa Mar\u00eda, Argentina\r<\/p><p>2009\r<\/p><p>Finalist El cultural Prize (PhotoEspa\u00f1a), Madrid, Espa\u00f1a\r<\/p><p>2008\r<\/p><p>Grant for Workshop of artistic creation with Francesco Jodice in Casa Encendida, Madrid, Espa\u00f1a \r<\/p><p>2007\r<\/p><p>Fourth Petrobras Award for Contemporary Photography, Buenos Aires\r<\/p><p>Previous Exhibitions\r<\/p><p>Individual\r<\/p><p>2018\r<\/p><p>\u201cLa m\u00e9trica y la l\u00e1grima\u201d, Museum of Photography Palacio Dionisi, C\u00f3rdoba, Argentina.\r<\/p><p>2016\r<\/p><p>\u201cEscenarios en el turismo industrial\u201d, Museum of Fine Arts Fernando Bonfiglioli, Villa Mar\u00eda, Argentina.\r<\/p><p>2015\r<\/p><p>\u201cEscenarios en el turismo industrial\u201d, Verm\u00fa Gallery, Santa Rosa, Argentina.\r<\/p><p>Group (selection)\r<\/p><p>2019\r<\/p><p>108\u00b0 National Salon of visual arts, Casa Nacional del Bicentenario, Buenos Aires, Argentina\r<\/p><p>2019\r<\/p><p>FOLA Pampa Energ\u00eda 2019 Prize, Fototeca Latinoamericana, Buenos Aires, Argentina\r<\/p><p>2019\r<\/p><p>\u201cUniversos cercanos\u201d, Casa Nacional del Bicentenario, Buenos Aires, Argentina\r<\/p><p>2019\r<\/p><p>\u201cImaginario compartido\u201d, Espacio de Fotograf\u00eda M\u00e1ximo Arias, Mendoza, Argentina\r<\/p><p>2018 \r<\/p><p>\u201cVI Prize AAMEC Award for Contemporary Photography\u201d, Museum o Fine Arts Emilio Caraffa, C\u00f3rdoba, Argentina\r<\/p><p>2018\r<\/p><p>\u201cSiluetas y lazos\u201d, Museum of the National University of Tucum\u00e1n, Tucum\u00e1n, Argentina\r<\/p><p>2018\r<\/p><p>\u201cRitmos de una colecci\u00f3n\u201d, Museum of Fine Arts Fernando Bonfiglioli, Villa Mar\u00eda, Argentina\r<\/p><p>2018\r<\/p><p>\u201cLa Pesquisa\/Artistas en cruce\u201d, Museum of Fine Arts Fernando Bonfiglioli, Villa Mar\u00eda, Argentina\r<\/p><p>2016 \r<\/p><p>\u201c11\u00b0 Concurso Nacional UADE de Artes Visuales\u201d, UADE University, Buenos Aires, Argentina\r<\/p><p>2016\r<\/p><p>\u201cVilla Mar\u00eda, escrita con luz\u201d, Museum of Fine Arts Fernando Bonfiglioli, Villa Mar\u00eda, Argentina\r<\/p><p>2016\r<\/p><p>\u201cV Prize AAMEC Award for Contemporary Photography\u201d, Museum of Fine Arts Emilio Caraffa, C\u00f3rdoba, Argentina\r<\/p><p>2014\r<\/p><p>103\u00b0 National Salon of visual arts, Casa Nacional del Bicentenario, Buenos Aires, Argentina\r<\/p><p>2009 \r<\/p><p>\u201cXXI Premio Concurso de Fotograf\u00eda de Arquitectura\u201d, Colegio Oficial de Arquitectos de Castilla La Mancha, Toledo, Espa\u00f1a\r<\/p><p>2009\r<\/p><p>\u201cEast Festival\u201d, August Art\u2019s Gallery, Londres, Inglaterra<\/p>","long_bio_raw":"Marcos Goymil (1976) is an Argentinean photographic-based artist, whose work is rooted in the narratives we constantly tell ourselves. By deconstructing situations to better understand them, he deals with visual processes of restoration towards giving them new possibilities of life. Marcos has a degree from the School of Photographic Art and trained in the workshops and seminars of Humberto Rivas, Lucas di Pascuale, Francesco Jodice, Proyecto Imaginario, Erik Kessels and Jon Cazenave.\r\nHis work has been shown in numerous individual and collective exhibitions in Argentina and is also included in several public and private collections. In 2007 he was awarded the Petrobras Award for Contemporary Photography. He was awarded a Villa Maria patronage in 2016 and also received an award from the Museum Bonfiglioli in Villa Maria. In 2018 he received the First Prize AAMEC of Contemporary Photography by Museo Emilio Caraffa in Cordoba. Since 2011 he has been teaching courses in different institutions. He lives and works in Villa Maria, Argentina.\r\n\r\nTraining\/Education \r\n1997-1999 \r\nSuperior Technician in Photography, Instituto Municipal de Arte Fotogr\u00e1fico y T\u00e9cnicas Audiovisuales de Avellaneda (IMDAFTA) Avellaneda, Buenos Aires \r\n\r\n2020\r\nOnline Live Workshop \u201cPersonality before portfolio\u201d with Erik Kessels, La Hydra (Mexico)\r\n2019\r\nWorkshop with Eduardo Stup\u00eda, Proyecto Imaginario Federal (Villa General Belgrano)\r\n2019\r\nWorkshop \u201cLa imagen ritual\u201d with Jon Cazenave, Festival Internacional de Fotograf\u00eda de Valdivia, Chile\r\n2017 \r\nSeminars and Photographics Workshops, Proyecto Imaginario (Buenos Aires)\r\n2016\r\nWorkshop for the analysis and production of Visual Arts with Lucas Di Pascuale, Museo Fernando Bonfiglioli (Villa Mar\u00eda)\r\n2008\r\nSeminar \u201cTerritory and landscape\u201d with Line Lavesque and Fran\u00e7ois Letorneaux, Festival de fotograf\u00eda SCAN (Tarragona \u2013 Espa\u00f1a)\r\n2008\r\nWorkshop \u201cArtistic Creation\u201d with Francesco Jodice, Casa Encendida (Madrid, Espa\u00f1a)\r\n2007\r\nPortrait Workshop whith Humberto Rivas, Espai Fotografics Can Baste\r\n(Barcelona - Espa\u00f1a)\r\n2002\r\nCourse Fotograf\u00eda de Autor with Humberto Rivas, Escola de Fotograf\u00eda del Centre de la Imatge i la tecnolog\u00eda Multimedia de la Universitat Polit\u00e9cnica de Catalunya (Terrassa, Espa\u00f1a)\r\n\r\nProfessional Experience \r\n2018 \r\nProfessor en el Seminario Fotograf\u00eda y sociedad. Introducci\u00f3n a la historia de las pr\u00e1cticas fotogr\u00e1ficas. Universidad Nacional de Villa Mar\u00eda (Villa Mar\u00eda, C\u00f3rdoba)\r\n2018 -2012 \r\nTeacher Curso de Fotograf\u00eda Digital Nivel Inicial y Nivel Avanzado en la Escuela de Bellas Artes Fernando Fader (Bell Ville \u2013 C\u00f3rdoba)\r\n2017 \r\nTeacher Taller de creaci\u00f3n de proyectos fotogr\u00e1ficos en el Museo de Bellas Artes Fernando Bonfiglioli (Villa Mar\u00eda)\r\n2017\r\nTeacher Seminario sobre Fotograf\u00eda Contempor\u00e1nea en la Alianza Francesa (Santa Rosa, La Pampa)\r\n2016 \r\nTeacher Seminario de Historia de la Fotograf\u00eda en el Museo de Bellas Artes Fernando Bonfiglioli (Villa Mar\u00eda)\r\n2016\r\nTeacher Seminario sobre Fotograf\u00eda Contempor\u00e1nea en el Museo de Bellas Artes Fernando Bonfiglioli (Villa Mar\u00eda)\r\n2015-2012\r\nProfessor en las asignaturas Lenguaje Visual, Fotografia Aplicada, Efectos Especiales en la Carrera Tecnico Superior en Fotografia Digital \u2013 F5 Fotoescuela (Villa Maria, Argentina)\r\n\r\nPrevious Prizes \r\n2020\r\nSelected Portfolio Review with Jon Uriarte, M\u00f3nica Allende, Julieta Escard\u00f3 y Gloria Crespo, Fiebre Photobook virtual, Espa\u00f1a.\r\n2020\r\nSelected Fiebre Lab with Ver\u00f3nica Fieras, Alejandro Cartagena y Cristina de Middel, Fiebre Photobook virtual, Espa\u00f1a.\r\n2019\r\nNational Grant, National Fund for the Arts, Buenos Aires\r\n2019\r\nSelected workshop \u201cLa imagen ritual\u201d with Jon Cazenave, Festival Internacional de Fotograf\u00eda de Valdivia, Chile\r\n2019 \r\nEspecial Mention Festival Argi Arantzazu, Pa\u00eds Vasco, Espa\u00f1a\r\n2018\r\nFirst AAMEC Award for Contemporary Photography, Museo of Fine Arts Emilio Caraffa, C\u00f3rdoba\r\n2018 - Selected in the Festival de fotograf\u00eda Scan Tarragona (Tarragona, Espa\u00f1a)\r\n2018 \u2013 Selected Fundaci\u00f3n Lariviere Photobook Prize in Buenos aires Photo 2018 (Buenos Aires)\r\n2018 \u2013 Selected in the Latinoamerican Photobook Prize, Centro de fotograf\u00eda de Montevideo (Uruguay)\r\n2017\r\nGrant Proyecto Imaginario, Buenos Aires, Argentina\r\n2016\r\nSecond \u201cVilla Mar\u00eda Escrita con luz\u201d, Museum of Fine Arts Fernando Bonfiglioli, Villa Mar\u00eda, Argentina\r\nPatronage Award of Fine Arts, Villa Mar\u00eda, Argentina\r\n2009\r\nFinalist El cultural Prize (PhotoEspa\u00f1a), Madrid, Espa\u00f1a\r\n2008\r\nGrant for Workshop of artistic creation with Francesco Jodice in Casa Encendida, Madrid, Espa\u00f1a \r\n2007\r\nFourth Petrobras Award for Contemporary Photography, Buenos Aires\r\n\r\nPrevious Exhibitions\r\nIndividual\r\n2018\r\n\u201cLa m\u00e9trica y la l\u00e1grima\u201d, Museum of Photography Palacio Dionisi, C\u00f3rdoba, Argentina.\r\n2016\r\n\u201cEscenarios en el turismo industrial\u201d, Museum of Fine Arts Fernando Bonfiglioli, Villa Mar\u00eda, Argentina.\r\n2015\r\n\u201cEscenarios en el turismo industrial\u201d, Verm\u00fa Gallery, Santa Rosa, Argentina.\r\n\r\nGroup (selection)\r\n2019\r\n108\u00b0 National Salon of visual arts, Casa Nacional del Bicentenario, Buenos Aires, Argentina\r\n2019\r\nFOLA Pampa Energ\u00eda 2019 Prize, Fototeca Latinoamericana, Buenos Aires, Argentina\r\n2019\r\n\u201cUniversos cercanos\u201d, Casa Nacional del Bicentenario, Buenos Aires, Argentina\r\n2019\r\n\u201cImaginario compartido\u201d, Espacio de Fotograf\u00eda M\u00e1ximo Arias, Mendoza, Argentina\r\n2018 \r\n\u201cVI Prize AAMEC Award for Contemporary Photography\u201d, Museum o Fine Arts Emilio Caraffa, C\u00f3rdoba, Argentina\r\n2018\r\n\u201cSiluetas y lazos\u201d, Museum of the National University of Tucum\u00e1n, Tucum\u00e1n, Argentina\r\n2018\r\n\u201cRitmos de una colecci\u00f3n\u201d, Museum of Fine Arts Fernando Bonfiglioli, Villa Mar\u00eda, Argentina\r\n2018\r\n\u201cLa Pesquisa\/Artistas en cruce\u201d, Museum of Fine Arts Fernando Bonfiglioli, Villa Mar\u00eda, Argentina\r\n2016 \r\n\u201c11\u00b0 Concurso Nacional UADE de Artes Visuales\u201d, UADE University, Buenos Aires, Argentina\r\n2016\r\n\u201cVilla Mar\u00eda, escrita con luz\u201d, Museum of Fine Arts Fernando Bonfiglioli, Villa Mar\u00eda, Argentina\r\n2016\r\n\u201cV Prize AAMEC Award for Contemporary Photography\u201d, Museum of Fine Arts Emilio Caraffa, C\u00f3rdoba, Argentina\r\n2014\r\n103\u00b0 National Salon of visual arts, Casa Nacional del Bicentenario, Buenos Aires, Argentina\r\n2009 \r\n\u201cXXI Premio Concurso de Fotograf\u00eda de Arquitectura\u201d, Colegio Oficial de Arquitectos de Castilla La Mancha, Toledo, Espa\u00f1a\r\n2009\r\n\u201cEast Festival\u201d, August Art\u2019s Gallery, Londres, Inglaterra","display_name":null,"website_url":"https:\/\/marcosgoymil.com.ar\/","profile_type_id":1,"show_age":0,"twitter_handle":null,"facebook_handle":null,"linkedin_handle":null,"skype_handle":null,"google_plus_handle":null,"pinterest_handle":null,"instagram_handle":"marcos_goymil\/","vimeo_handle":null,"youtube_handle":null,"telephone":null,"company_name":null,"address_1":null,"address_2":null,"city":null,"region":null,"country":null,"postcode":null,"vat_id":null,"codice_fiscale":null,"codice_destinatario":null,"pec_destinatario":null,"show_explicit_content":"0","created_at":"2020-12-11T20:55:20.000000Z","updated_at":"2022-12-23T15:56:58.000000Z"}}}
