Parallel eyes | Shortlisted Project - PhMuseum 2020 Photographers Grant - PhMuseum

Parallel eyes

  • Nailed frame exposed on lightbox of “Stendalì” by Cecilia Mangini. In 1960 she produced a documental movie about the "funeral lament" tradition in Martano, Lecce province. I nailed the picture to introduce backthe presence of the death body and the social and psycological importance of the ritual for the community.

  • Preparation of the “focara” a bonfire of 25 metre hight built in Novoli (Apulia) to celebrate Saint Antoni the 16 of January. This ritual was a pagan one a nd the usage of the fire is common in all fertilizations rituals in the winter time.

  • Relationship between menkind and nature was convicted as witchcraft and banned from south italian culture. I took this picture at "I massi della vecchi" (the old lady stones)a place composed by menhir and megalithic rocks used according to the legend for spells of witches or faires.

  • Menhir, Salento. They represent collective burials but as well sacreted place of celebration in pagan time.

  • Nailed intervantion of Franco Pinna picture of “la macara di Colobraro”, a witch able to enchant spider, snakes and other poisonous animals.

  • Manipulated negative of a picture of a wood in Basilicata where took place "il matrimonio degli alberi", "the marriage of the trees" , a pagan ritual to celebrate in a simbolic way the union between sky and heart.

  • Painting intervention on Franco Pinna picture of "il gioco della falce", the game of schyte. Pinna worked a lot in Basilicata to document the rituals and cerimonies still present in the area. I painted the picture to introduce the magical-ritual aspect of this event in his photo.

  • Campanacci of San Mauro: an old tradition with pagan origins still celebrated in Basilicata. Time ago the bells where use a methaforic tool to feltilize the land and wish a prosper harvest.

  • Chiara Samugheo picture of a Tarantata crisis: analog intervention of paper and painting. Chiara Samugheo was one of the first photographer to document the phenomenon of person beated by tarantula spider in Apulia. The poison of the spider provokated a status of possession comparable to the voodo practise.

  • Small wood sculpure of an unkwon human representation. It was stored at the Museum of peasant civilization in San Mauro Forte, Basilicata

  • Set up picture of a "Tarantata " with nailed intervention. According to the Middle Age tradition people e stung by the bite of the "tarantula" often went to lakes, rivers or the sea side to cure the melancholia provoketed by the bite of the spider.

  • Painting intervation on a picture of Chiara Samugheo of a Tarantata during her cerimony of cure in Sant Paul Church in Galatina

  • Painting intervation on a picture of Chiara Samugheo of a Tarantata during her cerimony of cure in Sant Paul Church in Galatina.

  • According to Ernesto De Martino, who studied thephenomenon of taranta bite and the possession, women were ofter afected by"hysteria" for their work, social and sexual condition. I set up a picture to symbolically represent this medical point of view of women and South Italy society

  • Painting on a negative of a wood in Puglia used for pagan rituals

  • I set up a picture to underline the connection between the spider and women in "taranta" possession ritual

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The idea of \u201cla questione Meridionale\u201d, \u201cthe south Italian issue\u201d born at that precise moment: while Italy was pushing to be an example of modern and technologic country, the way of living of South Italy, the rituals and traditions were considered intolerant for economic and social reasons. \r<\/p><p>The result of a process started by Ernesto De Martino at that time is the conviction of our culture as a subculture, backward, ignorant and completely dominated by the irrationality and religion. \r<\/p><p>\u201cParallel Eyes\u201d is my personal research about the culture I belong: my aim is to build a \u201cparallel gaze\u201d to open to a more complex analyses South Italian culture and to re-consider in visual, historical and sociological terms the construction of identity of a culture. \r<\/p><p>I started a complex process that include 2 bodies of work: one consists in the manipulation of archive materials produced in the \u201950 and \u201960 by the photographers and videomakers of the \u201cspedizioni scientifiche\u201d of De Martino with to use different photographic technique like digital and analog manipulation, painting of negatives etc. On the other size I am working on documenting the rituals still existing in South Italy. I introduce back in the images the magical-ritual aspect that in the past has been deleted by the scientific approach of the photographers.<\/p>","body_raw":"In between 1950 and 1960 South Italy, the place I am coming from, it was studied, classified, judged by a group of anthropologists, filmmakers and photographers. The idea of \u201cla questione Meridionale\u201d, \u201cthe south Italian issue\u201d born at that precise moment: while Italy was pushing to be an example of modern and technologic country, the way of living of South Italy, the rituals and traditions were considered intolerant for economic and social reasons. \r\nThe result of a process started by Ernesto De Martino at that time is the conviction of our culture as a subculture, backward, ignorant and completely dominated by the irrationality and religion. \r\n\u201cParallel Eyes\u201d is my personal research about the culture I belong: my aim is to build a \u201cparallel gaze\u201d to open to a more complex analyses South Italian culture and to re-consider in visual, historical and sociological terms the construction of identity of a culture. \r\nI started a complex process that include 2 bodies of work: one consists in the manipulation of archive materials produced in the \u201950 and \u201960 by the photographers and videomakers of the \u201cspedizioni scientifiche\u201d of De Martino with to use different photographic technique like digital and analog manipulation, painting of negatives etc. On the other size I am working on documenting the rituals still existing in South Italy. I introduce back in the images the magical-ritual aspect that in the past has been deleted by the scientific approach of the photographers.","social_approval":1,"is_shortlisted":1,"is_other":0,"is_good":0,"is_strong":0,"is_ongoing":1,"is_unpublished":0,"sent_first_email_reminder":1,"awaiting_payment":1,"has_started_payment":0,"has_started_paypal_payment":0,"is_public":0,"media_ok":0,"has_tracked":1,"amount_paid":20,"original_price":20,"external_id":null,"payment_id":"5TT85979RE894124T","session_id":null,"token":null,"grant_order_id":15652,"submitted_at":"2021-09-10T17:38:34.000000Z","affiliate_id":null,"is_forced_public":1,"address_1":"Via Francesco Lo Re 22","city":"Lecce","region":"LE","country":"IT","postcode":"73100","codice_fiscale":"RLLLSS82C58E506Q","started_at":"2019-01-01T00:00:00.000000Z","ended_at":null,"created_at":"2021-08-31T15:16:42.000000Z","updated_at":"2021-09-16T17:07:52.000000Z","place":null,"publications":[],"categories":[],"tags":[{"id":38545,"tag":"visual colonialism","created_at":"2021-09-10T14:48:48.000000Z","updated_at":"2021-09-10T14:48:48.000000Z","pivot":{"grant_submission_id":37712,"tag_id":38545}},{"id":1585,"tag":"archive","created_at":"2015-12-07T17:05:48.000000Z","updated_at":"2015-12-07T17:05:48.000000Z","pivot":{"grant_submission_id":37712,"tag_id":1585}},{"id":21,"tag":"documentary","created_at":"2015-12-07T17:05:37.000000Z","updated_at":"2015-12-07T17:05:37.000000Z","pivot":{"grant_submission_id":37712,"tag_id":21}},{"id":38546,"tag":"visual atropology","created_at":"2021-09-10T14:48:48.000000Z","updated_at":"2021-09-10T14:48:48.000000Z","pivot":{"grant_submission_id":37712,"tag_id":38546}}],"blocks":[{"id":418004,"grant_submission_id":37712,"story_block_id":null,"image_id":546785,"position":-1,"created_at":"2021-09-10T13:55:29.000000Z","updated_at":"2021-09-10T14:48:48.000000Z","caption":"Nailed frame exposed on lightbox of \u201cStendal\u00ec\u201d by Cecilia Mangini. In 1960 she produced a documental movie about the \"funeral lament\" tradition in Martano, Lecce province. I nailed the picture to introduce backthe presence of the death body and the social and psycological importance of the ritual for the community.","caption_raw":"Nailed frame exposed on lightbox of \u201cStendal\u00ec\u201d by Cecilia Mangini. In 1960 she produced a documental movie about the \"funeral lament\" tradition in Martano, Lecce province. I nailed the picture to introduce backthe presence of the death body and the social and psycological importance of the ritual for the community.","deleted_at":null,"image":{"id":546785,"filename":"\/users\/30704\/grant-submissions\/37712\/qz81ch0f3b7d67af.jpg","has_tried_to_detect_moderation_labels":0,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2021-09-10T13:55:29.000000Z","updated_at":"2021-09-10T13:55:29.000000Z"},"story_block":null},{"id":418018,"grant_submission_id":37712,"story_block_id":null,"image_id":546799,"position":0,"created_at":"2021-09-10T13:56:07.000000Z","updated_at":"2021-09-10T14:48:48.000000Z","caption":"Preparation of the \u201cfocara\u201d a bonfire of 25 metre hight built in Novoli (Apulia) to celebrate Saint Antoni the 16 of January. This ritual was a pagan one a nd the usage of the fire is common in all fertilizations rituals in the winter time.","caption_raw":"Preparation of the \u201cfocara\u201d a bonfire of 25 metre hight built in Novoli (Apulia) to celebrate Saint Antoni the 16 of January. This ritual was a pagan one a nd the usage of the fire is common in all fertilizations rituals in the winter time.","deleted_at":null,"image":{"id":546799,"filename":"\/users\/30704\/grant-submissions\/37712\/qz81dj7f4fc05fe1.jpg","has_tried_to_detect_moderation_labels":0,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2021-09-10T13:56:07.000000Z","updated_at":"2021-09-10T13:56:07.000000Z"},"story_block":null},{"id":418008,"grant_submission_id":37712,"story_block_id":null,"image_id":546789,"position":1,"created_at":"2021-09-10T13:55:48.000000Z","updated_at":"2021-09-10T14:48:48.000000Z","caption":"Relationship between menkind and nature was convicted as witchcraft and banned from south italian culture.\r\nI took this picture at \"I massi della vecchi\" (the old lady stones)a place composed by menhir and megalithic rocks used according to the legend for spells of witches or faires.","caption_raw":"Relationship between menkind and nature was convicted as witchcraft and banned from south italian culture.\r\nI took this picture at \"I massi della vecchi\" (the old lady stones)a place composed by menhir and megalithic rocks used according to the legend for spells of witches or faires.","deleted_at":null,"image":{"id":546789,"filename":"\/users\/30704\/grant-submissions\/37712\/qz81cz94be35ccde.jpg","has_tried_to_detect_moderation_labels":0,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2021-09-10T13:55:48.000000Z","updated_at":"2021-09-10T13:55:48.000000Z"},"story_block":null},{"id":418017,"grant_submission_id":37712,"story_block_id":null,"image_id":546798,"position":2,"created_at":"2021-09-10T13:56:05.000000Z","updated_at":"2021-09-10T14:48:48.000000Z","caption":"Menhir, Salento. 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They represent collective burials but as well sacreted place of celebration in pagan time.","deleted_at":null,"image":{"id":546798,"filename":"\/users\/30704\/grant-submissions\/37712\/qz81dh60134e7b57.jpg","has_tried_to_detect_moderation_labels":0,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2021-09-10T13:56:05.000000Z","updated_at":"2021-09-10T13:56:05.000000Z"},"story_block":null},{"id":418005,"grant_submission_id":37712,"story_block_id":null,"image_id":546786,"position":3,"created_at":"2021-09-10T13:55:30.000000Z","updated_at":"2021-09-10T14:48:48.000000Z","caption":"Nailed intervantion of Franco Pinna picture of \u201cla macara di Colobraro\u201d, a witch able to enchant spider, snakes and other poisonous animals.","caption_raw":"Nailed intervantion of Franco Pinna picture of \u201cla macara di Colobraro\u201d, a witch able to enchant spider, snakes and other poisonous animals.","deleted_at":null,"image":{"id":546786,"filename":"\/users\/30704\/grant-submissions\/37712\/qz81ci538df82fd2.jpg","has_tried_to_detect_moderation_labels":0,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2021-09-10T13:55:30.000000Z","updated_at":"2021-09-10T13:55:30.000000Z"},"story_block":null},{"id":418020,"grant_submission_id":37712,"story_block_id":null,"image_id":546801,"position":4,"created_at":"2021-09-10T13:56:28.000000Z","updated_at":"2021-09-10T14:48:48.000000Z","caption":"Manipulated negative of a picture of a wood in Basilicata where took place \"il matrimonio degli alberi\", \"the marriage of the trees\" , a pagan ritual to celebrate in a simbolic way the union between sky and heart.","caption_raw":"Manipulated negative of a picture of a wood in Basilicata where took place \"il matrimonio degli alberi\", \"the marriage of the trees\" , a pagan ritual to celebrate in a simbolic way the union between sky and heart.","deleted_at":null,"image":{"id":546801,"filename":"\/users\/30704\/grant-submissions\/37712\/qz81e37cb34b56a6.jpg","has_tried_to_detect_moderation_labels":0,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2021-09-10T13:56:28.000000Z","updated_at":"2021-09-10T13:56:28.000000Z"},"story_block":null},{"id":418013,"grant_submission_id":37712,"story_block_id":null,"image_id":546794,"position":5,"created_at":"2021-09-10T13:55:59.000000Z","updated_at":"2021-09-10T14:48:48.000000Z","caption":"Painting intervention on Franco Pinna picture of \"il gioco della falce\", the game of schyte. 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Time ago the bells where use a methaforic tool to feltilize the land and wish a prosper harvest.","deleted_at":null,"image":{"id":546793,"filename":"\/users\/30704\/grant-submissions\/37712\/qz81da8e1c376f27.jpg","has_tried_to_detect_moderation_labels":0,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2021-09-10T13:55:58.000000Z","updated_at":"2021-09-10T13:55:58.000000Z"},"story_block":null},{"id":418011,"grant_submission_id":37712,"story_block_id":null,"image_id":546792,"position":7,"created_at":"2021-09-10T13:55:52.000000Z","updated_at":"2021-09-10T14:48:48.000000Z","caption":"","caption_raw":null,"deleted_at":null,"image":{"id":546792,"filename":"\/users\/30704\/grant-submissions\/37712\/qz81d36a32ca75f7.jpg","has_tried_to_detect_moderation_labels":0,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2021-09-10T13:55:52.000000Z","updated_at":"2021-09-10T13:55:52.000000Z"},"story_block":null},{"id":418016,"grant_submission_id":37712,"story_block_id":null,"image_id":546797,"position":8,"created_at":"2021-09-10T13:56:02.000000Z","updated_at":"2021-09-10T14:48:48.000000Z","caption":"","caption_raw":null,"deleted_at":null,"image":{"id":546797,"filename":"\/users\/30704\/grant-submissions\/37712\/qz81de6bb2291c80.jpg","has_tried_to_detect_moderation_labels":0,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2021-09-10T13:56:02.000000Z","updated_at":"2021-09-10T13:56:02.000000Z"},"story_block":null},{"id":418009,"grant_submission_id":37712,"story_block_id":null,"image_id":546790,"position":9,"created_at":"2021-09-10T13:55:50.000000Z","updated_at":"2021-09-10T14:48:48.000000Z","caption":"Chiara Samugheo picture of a Tarantata crisis: analog intervention of paper and painting.\r\nChiara Samugheo was one of the first photographer to document the phenomenon of person beated by tarantula spider in Apulia. The poison of the spider provokated a status of possession comparable to the voodo practise.","caption_raw":"Chiara Samugheo picture of a Tarantata crisis: analog intervention of paper and painting.\r\nChiara Samugheo was one of the first photographer to document the phenomenon of person beated by tarantula spider in Apulia. The poison of the spider provokated a status of possession comparable to the voodo practise.","deleted_at":null,"image":{"id":546790,"filename":"\/users\/30704\/grant-submissions\/37712\/qz81d2882839a20a.jpg","has_tried_to_detect_moderation_labels":0,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2021-09-10T13:55:50.000000Z","updated_at":"2021-09-10T13:55:50.000000Z"},"story_block":null},{"id":418015,"grant_submission_id":37712,"story_block_id":null,"image_id":546796,"position":10,"created_at":"2021-09-10T13:56:01.000000Z","updated_at":"2021-09-10T14:48:48.000000Z","caption":"Small wood sculpure of an unkwon human representation. It was stored at the Museum of peasant civilization in San Mauro Forte, Basilicata","caption_raw":"Small wood sculpure of an unkwon human representation. It was stored at the Museum of peasant civilization in San Mauro Forte, Basilicata","deleted_at":null,"image":{"id":546796,"filename":"\/users\/30704\/grant-submissions\/37712\/qz81dceca939f8e2.JPG","has_tried_to_detect_moderation_labels":0,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2021-09-10T13:56:01.000000Z","updated_at":"2021-09-10T13:56:01.000000Z"},"story_block":null},{"id":418006,"grant_submission_id":37712,"story_block_id":null,"image_id":546787,"position":11,"created_at":"2021-09-10T13:55:42.000000Z","updated_at":"2021-09-10T14:48:48.000000Z","caption":"Set up picture of a \"Tarantata \" with nailed intervention. According to the Middle Age tradition people e stung by the bite of the \"tarantula\" often went to lakes, rivers or the sea side to cure the melancholia provoketed by the bite of the spider.","caption_raw":"Set up picture of a \"Tarantata \" with nailed intervention. According to the Middle Age tradition people e stung by the bite of the \"tarantula\" often went to lakes, rivers or the sea side to cure the melancholia provoketed by the bite of the spider.","deleted_at":null,"image":{"id":546787,"filename":"\/users\/30704\/grant-submissions\/37712\/qz81cucdce2f2181.jpg","has_tried_to_detect_moderation_labels":0,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2021-09-10T13:55:42.000000Z","updated_at":"2021-09-10T13:55:42.000000Z"},"story_block":null},{"id":418019,"grant_submission_id":37712,"story_block_id":null,"image_id":546800,"position":12,"created_at":"2021-09-10T13:56:26.000000Z","updated_at":"2021-09-10T14:48:48.000000Z","caption":"Painting intervation on a picture of Chiara Samugheo of a Tarantata during her cerimony of cure in Sant Paul Church in Galatina","caption_raw":"Painting intervation on a picture of Chiara Samugheo of a Tarantata during her cerimony of 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She obtained a Master in \u201cCreative Photography\u201d in 2009 at the school EFTI in Madrid. She participated in solo and group exhibitions in Spain, Italy, Brasil","long_bio":"<p>Alessia Rollo is a conceptual photographer. She obtained a Master in \u201cCreative Photography\u201d in 2009 at the school EFTI in Madrid. She participated in solo and group exhibitions in Spain, Italy and Brazil and worked with the \u201cMedia Lab Prado\u201d in the making of the Fluxstudio Performance Project. She was selected for the international art residency Default \u2013 Masterclass in residence in 2011, for a residency at the MO.ta in Ljubljana in 2013 and for the Biennale of Young Artists of the Mediterranean in 2015.<\/p>","long_bio_raw":"Alessia Rollo is a conceptual photographer. She obtained a Master in \u201cCreative Photography\u201d in 2009 at the school EFTI in Madrid. She participated in solo and group exhibitions in Spain, Italy and Brazil and worked with the \u201cMedia Lab Prado\u201d in the making of the Fluxstudio Performance Project. She was selected for the international art residency Default \u2013 Masterclass in residence in 2011, for a residency at the MO.ta in Ljubljana in 2013 and for the Biennale of Young Artists of the Mediterranean in 2015.","display_name":null,"website_url":"https:\/\/alessiarollo.it","profile_type_id":2,"show_age":0,"twitter_handle":null,"facebook_handle":null,"linkedin_handle":null,"skype_handle":null,"google_plus_handle":null,"pinterest_handle":null,"instagram_handle":"alesrollo","vimeo_handle":null,"youtube_handle":null,"telephone":null,"company_name":null,"address_1":null,"address_2":null,"city":null,"region":null,"country":null,"postcode":null,"vat_id":null,"codice_fiscale":null,"codice_destinatario":null,"pec_destinatario":null,"show_explicit_content":"0","created_at":"2018-01-29T09:12:14.000000Z","updated_at":"2021-09-13T10:47:06.000000Z"}}}