Blood Orange_Naranja de Sangre | Shortlisted Project - PHmuseum 2020 Photographers Grant - PHmuseum

Blood Orange_Naranja de Sangre

  • 001_The scratch_From the series "Blood orange_Naranja de sangre"

  • 002_Act of levitation_From the series "Blood orange_Naranja de sangre"

  • 003_The drowned_From the series "Blood orange_Naranja de sangre"

  • 004_The fear of fright_From the series "Blood orange_Naranja de sangre"

  • 005_Huma milkshake_From the series "Blood orange_Naranja de sangre"

  • 006_The mountain_From the series "Blood orange_Naranja de sangre"

  • 007_The mimetist_From the series "Blood orange_Naranja de sangre"

  • 008_Transcendental meditation_From the series "Blood orange_Naranja de sangre"

  • 009_Indigo child_From the series "Blood orange_Naranja de sangre"

  • 010_Centaur_From the series "Blood orange_Naranja de sangre"

  • 011_Maria Juana_From the series "Blood orange_Naranja de sangre"

  • 012_Rivers of blood_From the series "Blood orange_Naranja de sangre"

  • 013_Mental reading_From the series "Blood orange_Naranja de sangre"

  • 014_The spider II_From the series "Blood orange_Naranja de sangre"

  • 015_Pink demon_From the series "Blood orange_Naranja de sangre"

  • 016_Exhibition montage photography in the Museum of Contemporary Art of Mexico Assembly photography of the individual exhibition "Blood Orange" at the Museum of Contemporary Art of Mexico 2020. The project includes photo sculpture, video, installation, texts and performance. Video installation: <a href="https://www.youtube.com/watch?v=PAP_3XS6MyE" target="_blank">https://www.youtube.com/watch?v=PAP_3XS6MyE</a>

  • 017_Exhibition montage photography in the Museum of Contemporary Art of Zagreb Assembly photography of the individual exhibition "Blood Orange" at the Museum of Contemporary Art of Zagreb 2020. The project includes photo sculpture, video, installation, texts and performance.

  • 018_Exhibition montage photography in the Museum of Contemporary Art of Zagreb Assembly photography of the individual exhibition "Blood Orange" at the Museum of Contemporary Art of Zagreb 2020. The project includes photo sculpture, video, installation, texts and performance.

  • 019_Exhibition montage photography in the Museum of Contemporary Art of Zagreb Video installation: <a href="https://lizaambrossio.com/too-strong-for-fantasy/" target="_blank">https://lizaambrossio.com/too-strong-for-fantasy/</a>

  • 020_Exhibition montage photography in the Museum of Contemporary Art of Mexico The dimensions of the work are variable, depending on the exhibition space, in its ideal production, each image measures in proportion around 200 x 135cm. There are two forms of production of work, the economic one is printed on a matte paper without texture on 6mm foam board, then it is cut from the back and presented, the institutional and collector's version is printed on white aluminum and cut with laser, generating a sculpture photo..A video is included in the photo installation.

{"id":36691,"grant_id":16,"user_id":26823,"grant_submission_status_id":4,"grant_result_type_id":null,"cover_block_id":405456,"story_id":36344,"place_id":null,"title":"Blood Orange_Naranja de Sangre","excerpt":"","excerpt_raw":"","body":"<p>BLOOD ORANGE\r<\/p><p>\u00ab I have the suspicion that to be truly free, it is necessary to see your father die and kill your mother. Or was it the other way around? A section of my mind remains in the dark. My hands sweat, my heartbeat accelerates, a chill runs through my body. I feel the anguish, the temptation and the desire of those who have to commit a crime. Or has it already happened? I can\u2019t take my eyes off. Everything is affectively confusing, amorphous, strange (...) Am I haunted? Or am I the witch? My feet are burning\u00bb.\r<\/p><p>Liza Ambrossio\r<\/p><p>It all starts with a mental image: an orange that bleeds.\u2028Tainted with the aesthetics of the Japanese counterculture and the Aztec rituals of human sacrifice as a form of poetics, and where cannibalism is presented as a sign to demonstrate contempt for exasperation, I mix performance, space intervention, videos, installations, practices psychological manipulation, science fiction, eroguru, and witchcraft. Blood Orange is made after years of a nomadic life by different countries that have allowed me to build a narrative based on my lucid nightmares, and the practice of free association trying to investigate my discomfort in the culture for various contemporary conflicts based on individual terror and the hypothesis of the possession of a psychological disorder that I have called \u201cparanoid sleep psychosis\u201d based on experiments and research in neuroscience, neurophysiology and art history.\r<\/p><p>I think there are ways to show that hereditary traumas through genetic loading can be glimpsed in dreams and symptoms or apparently unexplained diseases of the body as a way of reading a person\u2019s physical future and behavior in certain cultures, I even consider that it is applicable to entire generations; According to my theory, all the decisions we make in the past, and even people of our same genetic line, have a blood weight that leads us inexorably towards the future.\r<\/p><p>Blood Orange is a contemporary portrait of the chaos that appeals to sublimate the emotional death that I decided to give to my whole family in order to heal from the hatred, anger and sadness\u2028 I felt for the macho orthodoxy in which I was educated. I relate a necessary exile, which has filled me with obsessions related to the encounter and the search for my demons. I don\u2019t know why\u2028 I was chosen, and I\u2019m generally too busy to ask myself. I have simply assumed them. I am very ambitious, I have many dreams, distressing dreams, from which I need to free myself.\r<\/p><p>Until I meet any of my goals I have no peace. I have already\u2028 been able to throw everything away: honor, pride, love, security, happiness, everything, as long as I collaborate to build part of my work and myself. The heart of this work contains a ritual language that is convulsively expressed around change, evil and the cursed, mental illness, loneliness, freedom and destiny.\r<\/p><p>Faced with the feeling of being uprooted and the need to connect with the deepest origins of humanity, I draw a narrative using\u2028 the force of instinct and emotional survival in the framework of\u2028 a world whose laws of life are equally shaded by love and the violence. A world where the felt and the lived sometimes merge\u2028 in a magical or tragic way. This universe is an affront to terror and dehumanization because, according to my beliefs, passion is itself an act of defiance.<\/p>","body_raw":"BLOOD ORANGE\r\n\r\n\u00ab I have the suspicion that to be truly free, it is necessary to see your father die and kill your mother. Or was it the other way around? A section of my mind remains in the dark. My hands sweat, my heartbeat accelerates, a chill runs through my body. I feel the anguish, the temptation and the desire of those who have to commit a crime. Or has it already happened? I can\u2019t take my eyes off. Everything is affectively confusing, amorphous, strange (...) Am I haunted? Or am I the witch? My feet are burning\u00bb.\r\n\r\nLiza Ambrossio\r\n\r\nIt all starts with a mental image: an orange that bleeds.\u2028Tainted with the aesthetics of the Japanese counterculture and the Aztec rituals of human sacrifice as a form of poetics, and where cannibalism is presented as a sign to demonstrate contempt for exasperation, I mix performance, space intervention, videos, installations, practices psychological manipulation, science fiction, eroguru, and witchcraft. Blood Orange is made after years of a nomadic life by different countries that have allowed me to build a narrative based on my lucid nightmares, and the practice of free association trying to investigate my discomfort in the culture for various contemporary conflicts based on individual terror and the hypothesis of the possession of a psychological disorder that I have called \u201cparanoid sleep psychosis\u201d based on experiments and research in neuroscience, neurophysiology and art history.\r\n\r\nI think there are ways to show that hereditary traumas through genetic loading can be glimpsed in dreams and symptoms or apparently unexplained diseases of the body as a way of reading a person\u2019s physical future and behavior in certain cultures, I even consider that it is applicable to entire generations; According to my theory, all the decisions we make in the past, and even people of our same genetic line, have a blood weight that leads us inexorably towards the future.\r\n\r\nBlood Orange is a contemporary portrait of the chaos that appeals to sublimate the emotional death that I decided to give to my whole family in order to heal from the hatred, anger and sadness\u2028 I felt for the macho orthodoxy in which I was educated. I relate a necessary exile, which has filled me with obsessions related to the encounter and the search for my demons. I don\u2019t know why\u2028 I was chosen, and I\u2019m generally too busy to ask myself. I have simply assumed them. I am very ambitious, I have many dreams, distressing dreams, from which I need to free myself.\r\n\r\nUntil I meet any of my goals I have no peace. I have already\u2028 been able to throw everything away: honor, pride, love, security, happiness, everything, as long as I collaborate to build part of my work and myself. The heart of this work contains a ritual language that is convulsively expressed around change, evil and the cursed, mental illness, loneliness, freedom and destiny.\r\n\r\nFaced with the feeling of being uprooted and the need to connect with the deepest origins of humanity, I draw a narrative using\u2028 the force of instinct and emotional survival in the framework of\u2028 a world whose laws of life are equally shaded by love and the violence. A world where the felt and the lived sometimes merge\u2028 in a magical or tragic way. This universe is an affront to terror and dehumanization because, according to my beliefs, passion is itself an act of defiance.","social_approval":1,"is_shortlisted":1,"is_other":0,"is_good":0,"is_strong":0,"is_ongoing":0,"is_unpublished":0,"sent_first_email_reminder":0,"awaiting_payment":1,"has_started_payment":1,"has_started_paypal_payment":0,"is_public":0,"media_ok":0,"has_tracked":1,"amount_paid":25,"original_price":25,"external_id":"cs_live_a1yi4aGetzfBUKfPcfL1rINRTH8DFGImFp8ILDIgIXjwuzKm5bVQO0vBdG","payment_id":"pi_1InOMsD9Te8dh8Es7ZKC5tha","session_id":null,"token":"wxsq2rGsVgg0ieOTjTeOpnROS0xMy9jN","grant_order_id":14573,"submitted_at":"2021-05-04T13:35:08.000000Z","affiliate_id":null,"is_forced_public":1,"address_1":null,"city":null,"region":null,"country":"FR","postcode":null,"codice_fiscale":null,"started_at":"2017-01-01T00:00:00.000000Z","ended_at":"2021-01-01T00:00:00.000000Z","created_at":"2021-04-25T10:19:33.000000Z","updated_at":"2021-05-06T13:16:21.000000Z","place":null,"publications":[],"categories":[],"tags":[{"id":157,"tag":"portrait","created_at":"2015-12-07T17:05:38.000000Z","updated_at":"2015-12-07T17:05:38.000000Z","pivot":{"grant_submission_id":36691,"tag_id":157}},{"id":127,"tag":"love","created_at":"2015-12-07T17:05:38.000000Z","updated_at":"2015-12-07T17:05:38.000000Z","pivot":{"grant_submission_id":36691,"tag_id":127}},{"id":3156,"tag":"witch","created_at":"2015-12-07T17:06:08.000000Z","updated_at":"2015-12-07T17:06:08.000000Z","pivot":{"grant_submission_id":36691,"tag_id":3156}},{"id":37954,"tag":"lizaaambrossio","created_at":"2021-05-04T12:40:07.000000Z","updated_at":"2021-05-04T12:40:07.000000Z","pivot":{"grant_submission_id":36691,"tag_id":37954}},{"id":1441,"tag":"psychology","created_at":"2015-12-07T17:05:47.000000Z","updated_at":"2015-12-07T17:05:47.000000Z","pivot":{"grant_submission_id":36691,"tag_id":1441}},{"id":22919,"tag":"orange","created_at":"2019-02-27T20:39:12.000000Z","updated_at":"2019-02-27T20:39:12.000000Z","pivot":{"grant_submission_id":36691,"tag_id":22919}},{"id":58,"tag":"body","created_at":"2015-12-07T17:05:37.000000Z","updated_at":"2015-12-07T17:05:37.000000Z","pivot":{"grant_submission_id":36691,"tag_id":58}},{"id":123,"tag":"mother","created_at":"2015-12-07T17:05:38.000000Z","updated_at":"2015-12-07T17:05:38.000000Z","pivot":{"grant_submission_id":36691,"tag_id":123}},{"id":37089,"tag":"aztec","created_at":"2021-02-18T06:18:11.000000Z","updated_at":"2021-02-18T06:18:11.000000Z","pivot":{"grant_submission_id":36691,"tag_id":37089}},{"id":37955,"tag":"japannese","created_at":"2021-05-04T12:40:07.000000Z","updated_at":"2021-05-04T12:40:07.000000Z","pivot":{"grant_submission_id":36691,"tag_id":37955}}],"blocks":[{"id":405449,"grant_submission_id":36691,"story_block_id":null,"image_id":530400,"position":-1,"created_at":"2021-05-02T14:35:52.000000Z","updated_at":"2021-05-04T13:26:26.000000Z","caption":"001_The scratch_From the series \"Blood orange_Naranja de sangre\"","caption_raw":"001_The scratch_From the series \"Blood orange_Naranja de sangre\"","deleted_at":null,"image":{"id":530400,"filename":"\/users\/26823\/grant-submissions\/36691\/qshhvr2a1bfcff7b.jpg","has_tried_to_detect_moderation_labels":0,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2021-05-02T14:35:52.000000Z","updated_at":"2021-05-02T14:35:52.000000Z"},"story_block":null},{"id":405447,"grant_submission_id":36691,"story_block_id":null,"image_id":530398,"position":0,"created_at":"2021-05-02T14:35:52.000000Z","updated_at":"2021-05-04T13:26:26.000000Z","caption":"002_Act of levitation_From the series \"Blood orange_Naranja de sangre\"","caption_raw":"002_Act of levitation_From the series \"Blood orange_Naranja de sangre\"","deleted_at":null,"image":{"id":530398,"filename":"\/users\/26823\/grant-submissions\/36691\/qshhvr2202d107b0.jpg","has_tried_to_detect_moderation_labels":0,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2021-05-02T14:35:52.000000Z","updated_at":"2021-05-02T14:35:52.000000Z"},"story_block":null},{"id":405445,"grant_submission_id":36691,"story_block_id":null,"image_id":530396,"position":1,"created_at":"2021-05-02T14:35:51.000000Z","updated_at":"2021-05-04T13:26:26.000000Z","caption":"003_The drowned_From the series \"Blood orange_Naranja de sangre\"","caption_raw":"003_The drowned_From the series \"Blood orange_Naranja de 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sangre\"","deleted_at":null,"image":{"id":530415,"filename":"\/users\/26823\/grant-submissions\/36691\/qshhvsc0ab94595f.jpg","has_tried_to_detect_moderation_labels":0,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2021-05-02T14:35:53.000000Z","updated_at":"2021-05-02T14:35:53.000000Z"},"story_block":null},{"id":405457,"grant_submission_id":36691,"story_block_id":null,"image_id":530408,"position":5,"created_at":"2021-05-02T14:35:52.000000Z","updated_at":"2021-05-04T13:26:26.000000Z","caption":"007_The mimetist_From the series \"Blood orange_Naranja de sangre\"","caption_raw":"007_The mimetist_From the series \"Blood orange_Naranja de sangre\"","deleted_at":null,"image":{"id":530408,"filename":"\/users\/26823\/grant-submissions\/36691\/qshhvs061a970492.jpg","has_tried_to_detect_moderation_labels":0,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2021-05-02T14:35:52.000000Z","updated_at":"2021-05-02T14:35:52.000000Z"},"story_block":null},{"id":405450,"grant_submission_id":36691,"story_block_id":null,"image_id":530401,"position":6,"created_at":"2021-05-02T14:35:52.000000Z","updated_at":"2021-05-04T13:26:26.000000Z","caption":"008_Transcendental meditation_From the series \"Blood orange_Naranja de sangre\"","caption_raw":"008_Transcendental meditation_From the series \"Blood orange_Naranja de sangre\"","deleted_at":null,"image":{"id":530401,"filename":"\/users\/26823\/grant-submissions\/36691\/qshhvra6a4768681.jpg","has_tried_to_detect_moderation_labels":0,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2021-05-02T14:35:52.000000Z","updated_at":"2021-05-02T14:35:52.000000Z"},"story_block":null},{"id":405456,"grant_submission_id":36691,"story_block_id":null,"image_id":530407,"position":7,"created_at":"2021-05-02T14:35:52.000000Z","updated_at":"2021-05-04T13:26:26.000000Z","caption":"009_Indigo child_From the series \"Blood orange_Naranja de sangre\"","caption_raw":"009_Indigo child_From the series \"Blood orange_Naranja de 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sangre\"","deleted_at":null,"image":{"id":530399,"filename":"\/users\/26823\/grant-submissions\/36691\/qshhvr56d006af81.jpg","has_tried_to_detect_moderation_labels":0,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2021-05-02T14:35:52.000000Z","updated_at":"2021-05-02T14:35:52.000000Z"},"story_block":null},{"id":405452,"grant_submission_id":36691,"story_block_id":null,"image_id":530403,"position":14,"created_at":"2021-05-02T14:35:52.000000Z","updated_at":"2021-05-04T13:29:17.000000Z","caption":"016_Exhibition montage photography in the Museum of Contemporary Art of Mexico\r\n\r\nAssembly photography of the individual exhibition \"Blood Orange\" at the Museum of Contemporary Art of Mexico 2020. The project includes photo sculpture, video, installation, texts and performance.\r\n\r\nVideo installation:\r\n<a href=\"https:\/\/www.youtube.com\/watch?v=PAP_3XS6MyE\" target=\"_blank\">https:\/\/www.youtube.com\/watch?v=PAP_3XS6MyE<\/a>","caption_raw":"016_Exhibition montage photography in the Museum of Contemporary Art of Mexico\r\n\r\nAssembly photography of the individual exhibition \"Blood Orange\" at the Museum of Contemporary Art of Mexico 2020. The project includes photo sculpture, video, installation, texts and performance.\r\n\r\nVideo installation:\r\nhttps:\/\/www.youtube.com\/watch?v=PAP_3XS6MyE","deleted_at":null,"image":{"id":530403,"filename":"\/users\/26823\/grant-submissions\/36691\/qshhvr1f777b98ee.jpg","has_tried_to_detect_moderation_labels":0,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2021-05-02T14:35:52.000000Z","updated_at":"2021-05-02T14:35:52.000000Z"},"story_block":null},{"id":405458,"grant_submission_id":36691,"story_block_id":null,"image_id":530409,"position":15,"created_at":"2021-05-02T14:35:52.000000Z","updated_at":"2021-05-04T13:26:27.000000Z","caption":"017_Exhibition montage photography in the Museum of Contemporary Art of Zagreb\r\n\r\nAssembly photography of the individual exhibition \"Blood Orange\" at the Museum of Contemporary Art of Zagreb 2020. 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There are two forms of production of work, the economic one is printed on a matte paper without texture on 6mm foam board, then it is cut from the back and presented, the institutional and collector's version is printed on white aluminum and cut with laser, generating a sculpture photo..A video is included in the photo installation.","caption_raw":"020_Exhibition montage photography in the Museum of Contemporary Art of Mexico\r\n\r\nThe dimensions of the work are variable, depending on the exhibition space, in its ideal production, each image measures in proportion around 200 x 135cm. There are two forms of production of work, the economic one is printed on a matte paper without texture on 6mm foam board, then it is cut from the back and presented, the institutional and collector's version is printed on white aluminum and cut with laser, generating a sculpture photo..A video is included in the photo installation.","deleted_at":null,"image":{"id":530411,"filename":"\/users\/26823\/grant-submissions\/36691\/qshhvs8bf2f91c35.jpg","has_tried_to_detect_moderation_labels":0,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2021-05-02T14:35:52.000000Z","updated_at":"2021-05-02T14:35:52.000000Z"},"story_block":null}],"cover_block_image":{"id":405456,"grant_submission_id":36691,"story_block_id":null,"image_id":530407,"position":7,"created_at":"2021-05-02T14:35:52.000000Z","updated_at":"2021-05-04T13:26:26.000000Z","caption":"009_Indigo child_From the series \"Blood orange_Naranja de sangre\"","caption_raw":"009_Indigo child_From the series \"Blood orange_Naranja de sangre\"","deleted_at":null,"image":{"id":530407,"filename":"\/users\/26823\/grant-submissions\/36691\/qshhvs19a37fd4c9.jpg","has_tried_to_detect_moderation_labels":0,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2021-05-02T14:35:52.000000Z","updated_at":"2021-05-02T14:35:52.000000Z"}},"user":{"id":26823,"firstname":"Liza","lastname":"Ambrossio","username":"lizaambrossio","can_skip_grant_payment":0,"is_unsubscribed_from_grant_emails":0,"disabled_at":null,"gender":"female","has_agreed_to_newsletter":1,"has_agreed_to_newsletter_at":null,"timezone":null,"is_legacy":0,"is_collateral_juror":0,"legacy_id":null,"accepted_tandcs_may18_at":"2018-09-16 23:52:23","last_logged_in_at":"2021-05-06T14:06:01.000000Z","last_logged_in_country":"FR","registered_country":null,"is_not_spam":0,"created_at":"2017-04-14T18:07:57.000000Z","updated_at":"2021-05-06T14:06:01.000000Z","deleted_at":null,"profile":{"id":26804,"user_id":26823,"born_in_id":145478,"based_in_id":147409,"currently_in_id":147409,"nationality_id":116,"avatar":"\/users\/26823\/avatars\/pfb86x142eddad24.jpg","cover_image":null,"born_at":"1993-03-24T00:00:00.000000Z","profession":null,"bio":"Her body of work mixes macabre archive photographs with cryptic paintings, performance, intervention, videos, psychology, lucid nightmares and science fiction.","long_bio":"<p>Liza Ambrossio (1993, MX-FR)\r<\/p><p>Is a multi-disciplinary artist who lives and works mainly between Spain, France, and Mexico. She began her artistic practice at the age of sixteen when she asked a ancient maid from her mother\u2019s house to steal the photographs from the family albums looking for traces of a dark past for which there seemed to be no evidence. At the same time in her native Mexico City, Ambrossio portrayed her transition from adolescence to adulthood looking for ways to survive from a distance during a chaotic and stormy process of emancipation from her family. After the suicide of her roommate and best friend from adolescence, she inherited his job as a \u201cnota roja\u201d photographer (police press), covering murders, accidents and torture by drug traffickers at dawn for a local newspaper. Ambrossio goes on a journey of psychic and physical discovery flooded with disturbances, magic, trauma, dreams, and visions. In these moments, she discovers that the hell inside contains the same hell that explodes outside.\r<\/p><p>After concluding her university studies at the Facultad de Ciencias Politicas y Sociales in the UNAM, Mexico City, specializing in political journalism and film at U.T (USA), she received multiple scholarships in the United States and Europe, among them; the Descubrimientos scholarship for the Master in Photography and artistic projects at the PIC. A school awarded by the PHotoEspa\u00f1a festival and the editorial house La Fabrica in Madrid, Spain.\r<\/p><p>Her universe breathes a real attempt to understand the powers and weaknesses of the mind as a way to scrutinize the human experience, which goes through the past, present, and future time. Ambrossio is incorporating symbols alluding to witchcraft, eroguru, mythology, memories, and legends that she mixes with her written narrative, photographs, objects, installations, sounds, performance, and videos that she unites by free association, schemes promoted by her own theories related to psychological manipulation and its influence on the continuation or rupture of the power professed by the different social structures. Their approaches have an intense but anarchic relationship with chance and instinct and imply the destabilization of female canons that threaten the possibility of exceeding ethnic, sexual, moral, religious, and political limits.\r<\/p><p>She is the author of \u201cThe rage of devotion_La ira de la devoci\u00f3n\u201d considered by the British Journal of Photography and El Pa\u00eds as one of the most exalted and risky photo books of the year 2018, her work has been exhibited in Europe, the United States, South Korea, and Mexico. Including sites such as the Somerset House in the UK, the Palazzo Palmieri in Italy, the G\u00f6teborgs Konstmuseum in Sweden, the Museum of Contemporary Art (MACQ) in Mexico, the Museum of Contemporary Art of Zagreb (msu) in Croatia, and the Museum National of Contemporary Art (\u0395\u039c\u03a3\u03a4), in Greece also international fairs such as Art Basel, JustMad, Photo London and UNSEEN. Ambrossio\u2019s imaginary has been reviewed by The British Journal of Photography, The Magnum Foundation, El Pa\u00eds, El Mundo, Der Greif, GUP, Unseen magazine, Vogue Italy, L\u2019Officiel, Fire-cracker and Lens Culture. She has received the FNAC Nuevo Talento award in Spain, Voies Off in Arles, France the same year 2018, the Flash Forward in Canada, the PhEST in Italy, and the PHmuseum New Generation Grant in the United Kingdom during 2019, In 2020 she was awarded by the annual photography residence from the Mus\u00e9e du Quai Branly \u2013 Jacques Chirac in Par\u00eds, France. Ambrossio is currently a member of the Acad\u00e9mie fran\u00e7aise, also she was recently nominated for the prestigious Prix Pictet in Switzerland and works in her second photo book \u201cBlood Orange_Naranja de Sangre\u201d with the German publishing house Kehrer Verlag.<\/p>","long_bio_raw":"Liza Ambrossio (1993, MX-FR)\r\n\r\nIs a multi-disciplinary artist who lives and works mainly between Spain, France, and Mexico. She began her artistic practice at the age of sixteen when she asked a ancient maid from her mother\u2019s house to steal the photographs from the family albums looking for traces of a dark past for which there seemed to be no evidence. At the same time in her native Mexico City, Ambrossio portrayed her transition from adolescence to adulthood looking for ways to survive from a distance during a chaotic and stormy process of emancipation from her family. After the suicide of her roommate and best friend from adolescence, she inherited his job as a \u201cnota roja\u201d photographer (police press), covering murders, accidents and torture by drug traffickers at dawn for a local newspaper. Ambrossio goes on a journey of psychic and physical discovery flooded with disturbances, magic, trauma, dreams, and visions. In these moments, she discovers that the hell inside contains the same hell that explodes outside.\r\n\r\nAfter concluding her university studies at the Facultad de Ciencias Politicas y Sociales in the UNAM, Mexico City, specializing in political journalism and film at U.T (USA), she received multiple scholarships in the United States and Europe, among them; the Descubrimientos scholarship for the Master in Photography and artistic projects at the PIC. A school awarded by the PHotoEspa\u00f1a festival and the editorial house La Fabrica in Madrid, Spain.\r\n\r\nHer universe breathes a real attempt to understand the powers and weaknesses of the mind as a way to scrutinize the human experience, which goes through the past, present, and future time. Ambrossio is incorporating symbols alluding to witchcraft, eroguru, mythology, memories, and legends that she mixes with her written narrative, photographs, objects, installations, sounds, performance, and videos that she unites by free association, schemes promoted by her own theories related to psychological manipulation and its influence on the continuation or rupture of the power professed by the different social structures. Their approaches have an intense but anarchic relationship with chance and instinct and imply the destabilization of female canons that threaten the possibility of exceeding ethnic, sexual, moral, religious, and political limits.\r\n\r\nShe is the author of \u201cThe rage of devotion_La ira de la devoci\u00f3n\u201d considered by the British Journal of Photography and El Pa\u00eds as one of the most exalted and risky photo books of the year 2018, her work has been exhibited in Europe, the United States, South Korea, and Mexico. Including sites such as the Somerset House in the UK, the Palazzo Palmieri in Italy, the G\u00f6teborgs Konstmuseum in Sweden, the Museum of Contemporary Art (MACQ) in Mexico, the Museum of Contemporary Art of Zagreb (msu) in Croatia, and the Museum National of Contemporary Art (\u0395\u039c\u03a3\u03a4), in Greece also international fairs such as Art Basel, JustMad, Photo London and UNSEEN. Ambrossio\u2019s imaginary has been reviewed by The British Journal of Photography, The Magnum Foundation, El Pa\u00eds, El Mundo, Der Greif, GUP, Unseen magazine, Vogue Italy, L\u2019Officiel, Fire-cracker and Lens Culture. She has received the FNAC Nuevo Talento award in Spain, Voies Off in Arles, France the same year 2018, the Flash Forward in Canada, the PhEST in Italy, and the PHmuseum New Generation Grant in the United Kingdom during 2019, In 2020 she was awarded by the annual photography residence from the Mus\u00e9e du Quai Branly \u2013 Jacques Chirac in Par\u00eds, France. Ambrossio is currently a member of the Acad\u00e9mie fran\u00e7aise, also she was recently nominated for the prestigious Prix Pictet in Switzerland and works in her second photo book \u201cBlood Orange_Naranja de Sangre\u201d with the German publishing house Kehrer Verlag.","display_name":"Liza Ambrossio","website_url":"https:\/\/lizaambrossio.com","profile_type_id":2,"show_age":0,"twitter_handle":null,"facebook_handle":"ambrossioliza","linkedin_handle":null,"skype_handle":null,"google_plus_handle":null,"pinterest_handle":null,"instagram_handle":"lizaambrossio","vimeo_handle":"user66654129","youtube_handle":null,"telephone":null,"company_name":null,"address_1":null,"address_2":null,"city":null,"region":null,"country":null,"postcode":null,"vat_id":null,"codice_fiscale":null,"codice_destinatario":null,"pec_destinatario":null,"show_explicit_content":"0","created_at":"2017-04-14T18:07:57.000000Z","updated_at":"2021-05-04T13:38:43.000000Z"}}}