Plexus

  • The Source, 2020 | Leftovers from some of my grandfather's pigeons, which he had to slaughter.

  • Eugen, 2018 | Last picture of my grandmother’s father alive.

  • Chance and Effect, 2019 | Dead bird, found in summer last year in the attic.

  • The Door, 2018 | The ceiling in the old stables of my grandparents’ house, which my grandfather casted as a young man, using old doors for the mould.

  • Entrance, 2019 | The Attic.

  • First Signs, 2019 | Pole behind a war memorial, at the border of the forest close to my grandparents’ house.

  • Making a Home, 2019 | Sculpture from own and friends’ hair, collected over the course of one and a half years, photographed in my grandmother’s blackberry bushes, which took over the garden after her death.

  • Plexus, 2019 | Core of a mycelium encompassing the whole cellar of the house.

  • The Spiral, 2019 | Four ball pythons enveloping one of my grandfather’s model houses, taken from his model-landscape, which he altered and rebuilt every year. The figurines and houses are in the family collection since more than 100 years. His “Krippenlandschaft” is open to visitors in fall and winter, who come from all over the world to see it. During spring and summer, we refresh the greens.

  • The Black Hole, 2019 | A page of a magazine found in the attic, called “Fuer alle Welt” (translated: “For the whole World”), ca. 1911.

  • Grandma, 2018 | When my grandmother died some years ago, I became aware of the many things I forgot to ask her when she was still alive.

  • Portrait of A. Hitler, 2018 | Backside of a found portrait from the family archive.

  • In the Walls, in the Blood, 2019 | Mice from an infestation in my grandparents’ house.

  • Anticipation, 2019 | Jewellery Box carved by my great-grandfather before his disappearance.

  • Dissection, 2020

  • Conversations, 2018

  • Mother Tongue, 2019 | Disfigured feather duster used by my grandmother to clean the house back then, probably also used by my grandfather's mother.

  • Gate, 2018 | Mirror from the corridor, of which I was scared as a child, fearing an evil version of myself would pull me in and take my place in the real world.

  • Instruction, 2019 | Instruction from an architectural kit found in a storage room in my grandparents’ house.

  • Invocation, 2019 | Reconstructed building from the found architectural kit and instruction,improvised due to many parts being broken or missing. During the attempt to reconstruct it, the building was destroyed twice.

{"id":24124,"grant_id":12,"user_id":47041,"grant_submission_status_id":4,"grant_result_type_id":null,"cover_block_id":264248,"story_id":25762,"place_id":null,"title":"Plexus","excerpt":null,"excerpt_raw":null,"body":"<p>\u2018Plexus\u2019 is a photographic case study through archival still lifes, highlighting the effects of inherited trauma and postmemory, and providing a familiar terrain to explore the influence of the family in the discovery of psychological and cultural processes within history. In this work, I investigate the complex routes of my ancestors using my family home and archive. Finding documents and artifacts which lost their history and became indecipherable, I add my own narrative to what is left unknown, to create a metaphor transgressing personal and national boundaries.\r<\/p><p>When trying to put these found fragments together, the term 'remembering' becomes literal: I piece together the limbs of a body of events I have never fully seen or experienced, to understand the past, the present, and ultimately, the impact this kind of baggage has had on myself, the people around me, and the viewers alike. I use the objects and architecture of the house as parabolic proxies, turning them into gates connecting the past and the present. This creation of dream-like environments and symbols interlinks all that is remembered and simultaneously forgotten.\r<\/p><p>Even though history never repeats in the same way, I can observe cyclical patterns reappearing, and catch myself repeating the behaviours of my mother and grandmother that so greatly ended up influencing me. With this body of work, I want to raise awareness for the aftermaths of conflicts generations later and examine how collective memory is shaped and influenced. Creating a new sense of identity through confronting the past, spanning across four generations, provides grounds for a detailed investigation of postmemory, mental health, war, and history.<\/p>","body_raw":"\u2018Plexus\u2019 is a photographic case study through archival still lifes, highlighting the effects of inherited trauma and postmemory, and providing a familiar terrain to explore the influence of the family in the discovery of psychological and cultural processes within history. In this work, I investigate the complex routes of my ancestors using my family home and archive. Finding documents and artifacts which lost their history and became indecipherable, I add my own narrative to what is left unknown, to create a metaphor transgressing personal and national boundaries.\r\n\r\nWhen trying to put these found fragments together, the term 'remembering' becomes literal: I piece together the limbs of a body of events I have never fully seen or experienced, to understand the past, the present, and ultimately, the impact this kind of baggage has had on myself, the people around me, and the viewers alike. I use the objects and architecture of the house as parabolic proxies, turning them into gates connecting the past and the present. This creation of dream-like environments and symbols interlinks all that is remembered and simultaneously forgotten.\r\n\r\nEven though history never repeats in the same way, I can observe cyclical patterns reappearing, and catch myself repeating the behaviours of my mother and grandmother that so greatly ended up influencing me. With this body of work, I want to raise awareness for the aftermaths of conflicts generations later and examine how collective memory is shaped and influenced. Creating a new sense of identity through confronting the past, spanning across four generations, provides grounds for a detailed investigation of postmemory, mental health, war, and history.","social_approval":0,"is_shortlisted":1,"is_other":0,"is_good":null,"is_strong":0,"is_ongoing":1,"is_unpublished":0,"sent_first_email_reminder":0,"awaiting_payment":1,"has_started_payment":1,"has_started_paypal_payment":0,"is_public":0,"media_ok":0,"has_tracked":1,"amount_paid":30,"original_price":0,"external_id":"cs_live_0cn49VjCCTpH1rrr2d0GEx3eRusRwlR28eih5Xm1n9OQI4E1Wt3tt3AG","payment_id":"pi_1GDi1zEzbGXaFe0gCzlBkth3","session_id":null,"token":"S4fB8UAJxgmAiGl1B6CPBoaV03soLJIP","grant_order_id":6235,"submitted_at":"2020-02-19T02:12:23.000000Z","affiliate_id":null,"is_forced_public":1,"address_1":null,"city":null,"region":null,"country":null,"postcode":null,"codice_fiscale":null,"started_at":"2018-01-01T00:00:00.000000Z","ended_at":null,"created_at":"2020-02-18T22:52:43.000000Z","updated_at":"2020-02-19T14:51:55.000000Z","place":null,"publications":[],"categories":[],"tags":[{"id":523,"tag":"still 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alive.","deleted_at":null,"image":{"id":385485,"filename":"\/users\/47041\/grant-submissions\/24124\/q5xbmy10fb9ed2af.jpg","has_tried_to_detect_moderation_labels":1,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2020-02-19T00:49:47.000000Z","updated_at":"2021-03-04T10:07:34.000000Z"},"story_block":null},{"id":264244,"grant_submission_id":24124,"story_block_id":null,"image_id":385480,"position":1,"created_at":"2020-02-19T00:49:46.000000Z","updated_at":"2020-02-19T02:10:09.000000Z","caption":"Chance and Effect, 2019 | Dead bird, found in summer last year in the attic.","caption_raw":"Chance and Effect, 2019 | Dead bird, found in summer last year in the 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mould.","deleted_at":null,"image":{"id":385487,"filename":"\/users\/47041\/grant-submissions\/24124\/q5xbmy52ba190312.jpg","has_tried_to_detect_moderation_labels":1,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2020-02-19T00:49:47.000000Z","updated_at":"2021-03-04T10:07:36.000000Z"},"story_block":null},{"id":264242,"grant_submission_id":24124,"story_block_id":null,"image_id":385478,"position":3,"created_at":"2020-02-19T00:49:45.000000Z","updated_at":"2020-02-19T02:10:09.000000Z","caption":"Entrance, 2019 | The Attic.","caption_raw":"Entrance, 2019 | The Attic.","deleted_at":null,"image":{"id":385478,"filename":"\/users\/47041\/grant-submissions\/24124\/q5xbmx9124f69f79.jpg","has_tried_to_detect_moderation_labels":1,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2020-02-19T00:49:45.000000Z","updated_at":"2021-03-04T10:07:36.000000Z"},"story_block":null},{"id":264252,"grant_submission_id":24124,"story_block_id":null,"image_id":385488,"position":4,"created_at":"2020-02-19T00:49:47.000000Z","updated_at":"2020-02-19T02:10:09.000000Z","caption":"First Signs, 2019 | Pole behind a war memorial, at the border of the forest close to my grandparents\u2019 house.","caption_raw":"First Signs, 2019 | Pole behind a war memorial, at the border of the forest close to my grandparents\u2019 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The figurines and houses are in\r\nthe family collection since more than 100 years. His \u201cKrippenlandschaft\u201d is open to visitors in fall and\r\nwinter, who come from all over the world to see it. During spring and summer, we refresh the greens.","caption_raw":"The Spiral, 2019 | Four ball pythons enveloping one of my grandfather\u2019s model houses, taken from his model-landscape,\r\nwhich he altered and rebuilt every year. The figurines and houses are in\r\nthe family collection since more than 100 years. His \u201cKrippenlandschaft\u201d is open to visitors in fall and\r\nwinter, who come from all over the world to see it. During spring and summer, we refresh the greens.","deleted_at":null,"image":{"id":385479,"filename":"\/users\/47041\/grant-submissions\/24124\/q5xbmx02a872ac42.jpg","has_tried_to_detect_moderation_labels":1,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2020-02-19T00:49:46.000000Z","updated_at":"2021-03-04T10:07:39.000000Z"},"story_block":null},{"id":264250,"grant_submission_id":24124,"story_block_id":null,"image_id":385486,"position":8,"created_at":"2020-02-19T00:49:47.000000Z","updated_at":"2020-02-19T02:10:09.000000Z","caption":"The Black Hole, 2019 | A page of a magazine found in the attic, called \u201cFuer alle Welt\u201d (translated: \u201cFor the whole World\u201d), ca.\r\n1911.","caption_raw":"The Black Hole, 2019 | A page of a magazine found in the attic, called \u201cFuer alle Welt\u201d (translated: \u201cFor the whole World\u201d), ca.\r\n1911.","deleted_at":null,"image":{"id":385486,"filename":"\/users\/47041\/grant-submissions\/24124\/q5xbmye6d5bfbfca.jpg","has_tried_to_detect_moderation_labels":1,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2020-02-19T00:49:47.000000Z","updated_at":"2021-03-04T10:07:40.000000Z"},"story_block":null},{"id":264239,"grant_submission_id":24124,"story_block_id":null,"image_id":385475,"position":9,"created_at":"2020-02-19T00:49:45.000000Z","updated_at":"2020-02-19T02:10:09.000000Z","caption":"Grandma, 2018 | When my grandmother died some years ago, I became aware of the many things I forgot to ask her\r\nwhen she was still alive.","caption_raw":"Grandma, 2018 | When my grandmother died some years ago, I became aware of the many things I forgot to ask her\r\nwhen she was still alive.","deleted_at":null,"image":{"id":385475,"filename":"\/users\/47041\/grant-submissions\/24124\/q5xbmxf78483ce8f.jpg","has_tried_to_detect_moderation_labels":1,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2020-02-19T00:49:45.000000Z","updated_at":"2021-03-04T10:07:40.000000Z"},"story_block":null},{"id":264247,"grant_submission_id":24124,"story_block_id":null,"image_id":385483,"position":10,"created_at":"2020-02-19T00:49:46.000000Z","updated_at":"2020-02-19T02:10:09.000000Z","caption":"Portrait of A. Hitler, 2018 | Backside of a found portrait from the family archive.","caption_raw":"Portrait of A. Hitler, 2018 | Backside of a found portrait from the family archive.","deleted_at":null,"image":{"id":385483,"filename":"\/users\/47041\/grant-submissions\/24124\/q5xbmy19beb0240c.jpg","has_tried_to_detect_moderation_labels":1,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2020-02-19T00:49:46.000000Z","updated_at":"2021-03-04T10:07:41.000000Z"},"story_block":null},{"id":264236,"grant_submission_id":24124,"story_block_id":null,"image_id":385472,"position":11,"created_at":"2020-02-19T00:49:43.000000Z","updated_at":"2020-02-19T02:10:09.000000Z","caption":"In the Walls, in the Blood, 2019 | Mice from an infestation in my grandparents\u2019 house.","caption_raw":"In the Walls, in the Blood, 2019 | Mice from an infestation in my grandparents\u2019 house.","deleted_at":null,"image":{"id":385472,"filename":"\/users\/47041\/grant-submissions\/24124\/q5xbmv009ba636c4.jpg","has_tried_to_detect_moderation_labels":1,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2020-02-19T00:49:43.000000Z","updated_at":"2021-03-04T10:07:42.000000Z"},"story_block":null},{"id":264245,"grant_submission_id":24124,"story_block_id":null,"image_id":385481,"position":12,"created_at":"2020-02-19T00:49:46.000000Z","updated_at":"2020-02-19T02:10:09.000000Z","caption":"Anticipation, 2019 | Jewellery Box carved by my great-grandfather before his disappearance.","caption_raw":"Anticipation, 2019 | Jewellery Box carved by my great-grandfather before his disappearance.","deleted_at":null,"image":{"id":385481,"filename":"\/users\/47041\/grant-submissions\/24124\/q5xbmyebf15bbd49.jpg","has_tried_to_detect_moderation_labels":1,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2020-02-19T00:49:46.000000Z","updated_at":"2021-03-04T10:07:42.000000Z"},"story_block":null},{"id":264241,"grant_submission_id":24124,"story_block_id":null,"image_id":385477,"position":13,"created_at":"2020-02-19T00:49:45.000000Z","updated_at":"2020-02-19T02:10:09.000000Z","caption":"Dissection, 2020","caption_raw":"Dissection, 2020","deleted_at":null,"image":{"id":385477,"filename":"\/users\/47041\/grant-submissions\/24124\/q5xbmx8c370d0372.jpg","has_tried_to_detect_moderation_labels":1,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2020-02-19T00:49:45.000000Z","updated_at":"2021-03-04T10:07:43.000000Z"},"story_block":null},{"id":264240,"grant_submission_id":24124,"story_block_id":null,"image_id":385476,"position":14,"created_at":"2020-02-19T00:49:45.000000Z","updated_at":"2020-02-19T02:10:09.000000Z","caption":"Conversations, 2018","caption_raw":"Conversations, 2018","deleted_at":null,"image":{"id":385476,"filename":"\/users\/47041\/grant-submissions\/24124\/q5xbmx787ab6233d.jpg","has_tried_to_detect_moderation_labels":1,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2020-02-19T00:49:45.000000Z","updated_at":"2021-03-04T10:07:44.000000Z"},"story_block":null},{"id":264237,"grant_submission_id":24124,"story_block_id":null,"image_id":385473,"position":15,"created_at":"2020-02-19T00:49:45.000000Z","updated_at":"2020-02-19T02:10:09.000000Z","caption":"Mother Tongue, 2019 | Disfigured feather duster used by my grandmother to clean the house back then,\r\nprobably also used by my grandfather's mother.","caption_raw":"Mother Tongue, 2019 | Disfigured feather duster used by my grandmother to clean the house back then,\r\nprobably also used by my grandfather's mother.","deleted_at":null,"image":{"id":385473,"filename":"\/users\/47041\/grant-submissions\/24124\/q5xbmx95973c1290.jpg","has_tried_to_detect_moderation_labels":1,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2020-02-19T00:49:45.000000Z","updated_at":"2021-03-04T10:07:44.000000Z"},"story_block":null},{"id":264294,"grant_submission_id":24124,"story_block_id":null,"image_id":385530,"position":16,"created_at":"2020-02-19T00:57:05.000000Z","updated_at":"2020-02-19T02:10:09.000000Z","caption":"Gate, 2018 | Mirror from the corridor, of which I was scared as a child, fearing an evil version of myself would pull\r\nme in and take my place in the real world.","caption_raw":"Gate, 2018 | Mirror from the corridor, of which I was scared as a child, fearing an evil version of myself would pull\r\nme in and take my place in the real world.","deleted_at":null,"image":{"id":385530,"filename":"\/users\/47041\/grant-submissions\/24124\/q5xbz52619df8f01.jpg","has_tried_to_detect_moderation_labels":1,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2020-02-19T00:57:05.000000Z","updated_at":"2021-03-04T10:07:45.000000Z"},"story_block":null},{"id":264254,"grant_submission_id":24124,"story_block_id":null,"image_id":385490,"position":17,"created_at":"2020-02-19T00:49:47.000000Z","updated_at":"2020-02-19T02:10:09.000000Z","caption":"Instruction, 2019 | Instruction from an architectural kit found in a storage room in my grandparents\u2019 house.","caption_raw":"Instruction, 2019 | Instruction from an architectural kit found in a storage room in my grandparents\u2019 house.","deleted_at":null,"image":{"id":385490,"filename":"\/users\/47041\/grant-submissions\/24124\/q5xbmy0becd9bca0.jpg","has_tried_to_detect_moderation_labels":1,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2020-02-19T00:49:47.000000Z","updated_at":"2021-03-04T10:07:46.000000Z"},"story_block":null},{"id":264238,"grant_submission_id":24124,"story_block_id":null,"image_id":385474,"position":18,"created_at":"2020-02-19T00:49:45.000000Z","updated_at":"2020-02-19T02:10:09.000000Z","caption":"Invocation, 2019 | Reconstructed building from the found architectural kit and instruction,improvised due to many parts\r\nbeing broken or missing. During the attempt to reconstruct it, the building was destroyed twice.","caption_raw":"Invocation, 2019 | Reconstructed building from the found architectural kit and instruction,improvised due to many parts\r\nbeing broken or missing. During the attempt to reconstruct it, the building was destroyed twice.","deleted_at":null,"image":{"id":385474,"filename":"\/users\/47041\/grant-submissions\/24124\/q5xbmxf8158ab18d.jpg","has_tried_to_detect_moderation_labels":1,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2020-02-19T00:49:45.000000Z","updated_at":"2021-03-04T10:07:46.000000Z"},"story_block":null}],"cover_block_image":{"id":264248,"grant_submission_id":24124,"story_block_id":null,"image_id":385484,"position":-1,"created_at":"2020-02-19T00:49:47.000000Z","updated_at":"2020-02-19T02:10:09.000000Z","caption":"The Source, 2020 | Leftovers from some of my grandfather's pigeons, which he had to slaughter.","caption_raw":"The Source, 2020 | Leftovers from some of my grandfather's pigeons, which he had to slaughter.","deleted_at":null,"image":{"id":385484,"filename":"\/users\/47041\/grant-submissions\/24124\/q5xbmy81f8b7d6f2.jpg","has_tried_to_detect_moderation_labels":1,"has_moderation_labels":0,"moderation_label_json":null,"is_explicit":0,"is_not_explicit":0,"explicit_percentage":0,"created_at":"2020-02-19T00:49:47.000000Z","updated_at":"2021-03-04T10:07:33.000000Z"}},"user":{"id":47041,"firstname":"Elena","lastname":"Helfrecht","username":"ehelfrecht","can_skip_grant_payment":0,"is_unsubscribed_from_grant_emails":0,"disabled_at":null,"gender":"female","has_agreed_to_newsletter":0,"has_agreed_to_newsletter_at":null,"timezone":null,"is_legacy":0,"is_collateral_juror":0,"legacy_id":null,"accepted_tandcs_may18_at":"2020-02-18 22:52:42","last_logged_in_at":"2020-04-06T12:13:32.000000Z","last_logged_in_country":null,"registered_country":null,"is_not_spam":0,"created_at":"2020-02-18T22:52:42.000000Z","updated_at":"2021-01-28T13:39:06.000000Z","deleted_at":null,"profile":{"id":46978,"user_id":47041,"born_in_id":null,"based_in_id":58741,"currently_in_id":null,"nationality_id":68,"avatar":"\/users\/47041\/avatars\/q8ffre3077d4fe9b.jpg","cover_image":null,"born_at":"1992-05-12T00:00:00.000000Z","profession":null,"bio":null,"long_bio":"<p>Elena Helfrecht (b. 1992 in Bavaria; based in London and Bavaria) is a visual artist working with photography.<\/p><p>In 2019 she completed her MA in Photography at the Royal College of Art in London, after receiving her BA in Art History and Book Science from Friedrich-Alexander-University in Erlangen in 2015 and briefly studying Art and Image History at Humboldt-University in Berlin from 2016 to 2017.<\/p><p>Elena\u2019s work revolves around the inner space and the phenomena of consciousness, emerging from an autobiographical context and opening up to the surreal and fantastic, at times grotesque. Interweaving memories, experiences, and imagination, she creates an inextricable narrative with multiple layers of meaning characterised by a visceral iconography. Within her practice, she regards photography as a performative action and an extended form of procreation. Engaging in experimentation and play becomes a direct connection between the internal and the external realm. Through this process, she relates individual experiences to a collective history and turns personal involvement into a shared understanding. Growing up in the Bavarian countryside, the folklore and landscapes from her childhood are rooted in her heart and constantly influence her work, as does her love for Art History, Literature, and Psychology.<\/p><p>In 2020, her work was nominated for the Foam Paul Huf Award and selected as a finalist for the Sony World Photography Awards, HSBC Prix pour la Photographie, The Aftermath Project Grant, and as a winner of Camera Work hosted by Palazzo Rasponi 2. She was one of the Bloomberg New Contemporaries in 2019, showing at South London Gallery and Leeds Art Gallery, and a Jury Favourite for the Le Bal Award for Young Creation, as well as a winner of the AOP Student Awards, Magenta Flash Forward, and the Ginnel Foto Award in the same year. Recent publications include the British Journal of Photography, HANT Magazin, Der Greif and \u2018On Death\u2019 by Kris Graves Projects and the Humble Arts Foundation.<\/p>","long_bio_raw":"Elena Helfrecht (b. 1992 in Bavaria; based in London and Bavaria) is a visual artist working with photography.\n\nIn 2019 she completed her MA in Photography at the Royal College of Art in London, after receiving her BA in Art History and Book Science from Friedrich-Alexander-University in Erlangen in 2015 and briefly studying Art and Image History at Humboldt-University in Berlin from 2016 to 2017.\n\nElena\u2019s work revolves around the inner space and the phenomena of consciousness, emerging from an autobiographical context and opening up to the surreal and fantastic, at times grotesque. Interweaving memories, experiences, and imagination, she creates an inextricable narrative with multiple layers of meaning characterised by a visceral iconography. Within her practice, she regards photography as a performative action and an extended form of procreation. Engaging in experimentation and play becomes a direct connection between the internal and the external realm. Through this process, she relates individual experiences to a collective history and turns personal involvement into a shared understanding. Growing up in the Bavarian countryside, the folklore and landscapes from her childhood are rooted in her heart and constantly influence her work, as does her love for Art History, Literature, and Psychology.\n\nIn 2020, her work was nominated for the Foam Paul Huf Award and selected as a finalist for the Sony World Photography Awards, HSBC Prix pour la Photographie, The Aftermath Project Grant, and as a winner of Camera Work hosted by Palazzo Rasponi 2. She was one of the Bloomberg New Contemporaries in 2019, showing at South London Gallery and Leeds Art Gallery, and a Jury Favourite for the Le Bal Award for Young Creation, as well as a winner of the AOP Student Awards, Magenta Flash Forward, and the Ginnel Foto Award in the same year. Recent publications include the British Journal of Photography, HANT Magazin, Der Greif and \u2018On Death\u2019 by Kris Graves Projects and the Humble Arts Foundation.","display_name":null,"website_url":null,"profile_type_id":2,"show_age":0,"twitter_handle":null,"facebook_handle":null,"linkedin_handle":null,"skype_handle":null,"google_plus_handle":null,"pinterest_handle":null,"instagram_handle":"elenahelfrecht","vimeo_handle":null,"youtube_handle":null,"telephone":null,"company_name":null,"address_1":null,"address_2":null,"city":null,"region":null,"country":null,"postcode":null,"vat_id":null,"codice_fiscale":null,"codice_destinatario":null,"pec_destinatario":null,"show_explicit_content":"0","created_at":"2020-02-18T22:52:42.000000Z","updated_at":"2021-01-28T14:07:43.000000Z"}}}