Thank you mum

{"id":15415,"grant_id":10,"user_id":34999,"grant_submission_status_id":4,"grant_result_type_id":null,"cover_block_id":175474,"story_id":18906,"place_id":null,"title":"Thank you mum","excerpt":null,"excerpt_raw":null,"body":"<p>Creating and Loving\r<\/p><p>Alejandro Castellote\r<\/p><p>Translated from French by Gregg Ellis\r<\/p><p>The Italian neurobiologist, Giacomo Rizzolatti, and his colleagues announced the discovery of mirror neurons in 1996. The analysis of their functioning revealed how they are implicated in the behaviors of imitation and emulation which permit the brain to adopt another person\u2019s point of view while also allowing the subject to socialize and to learn about their environment. These neurons, responsible for human empathy, are particularly active during childhood and they explain why a baby will start to cry when they see another one crying.\r<\/p><p>The allegoric use of mirror neurons to analyze certain aspects of the composition of photography\u2019s DNA open a symbolic space which, in my opinion, explains the irresistible empathetic power of certain photographs. The images collaborate with the process of understanding the world and activate our synchrony with another person\u2019s subjectivity which echoes our own emotions and experiences. They contribute to put an ethical distance between the subject and their own life allowing us to go spontaneously from an individual self to a collective \u201cwe\u201d without the mediation of a judgement. \r<\/p><p>A large number of the images created by Charlotte Mano for her series Thank you Mum originate from this amniotic space that precedes creation. The drawing she made as a child of her mother is a poignant, radiant illustration of what is not visible or of what is not yet visible. That\u2019s why, perhaps, the images in this series do not form a linear narrative. They are created and ordered in the manner poets arrange words in their poems. They ignore standard syntax to free words of their referents and meanings to acquire multiple semantic and expressive potentialities. \r<\/p><p>The pain of loss and the anxiety in front of the irreversible \u2013 emotional epicenters of this work - coexist in this universe of entropy that brings us together with the most primal love, joining us to the one who gave us life. It is impossible to deploy these photographs, to put these emotional flashes in a chronological order. Like memories, they don\u2019t follow a clear temporal line. Charlotte Mano illustrates in a deliberate ambiguity these undetermined spaces that place the present in a timeless domain and constitute the multidimensional temporality of memory: an echo from the past that can still be heard in the present.\r<\/p><p>Her images are rich in echoes, reverberations and rituals whose morphology opens on the transvisible 1, a concept that represents the interstitial passage between the invisible and the visible, between what we know and what we don\u2019t know, between what we desire and what we fear. Profoundly distanced from the verbal, this is an area we all share through painful emotional experiences or when we are within their proximity, both scrutinize the unfathomable obscurity of suffering. But we manage to get by. And we come back to life. However, in that interval, we need to take a break and to be grateful. That\u2019s what makes rituals so efficient, in particular, those we know intuitively. They let us carry out intelligent acts without using our rational intelligence. That\u2019s how Charlotte Mano works, joining all the women who taught us how to give up our reticence and let the essence of our feelings flow. The judgement we cast on the aesthetic aspects of her work has no importance. It is the deep honesty of the process that is truly important.\r<\/p><p>1- The term \u201ctransvisible\u201d was coined by the French poet Serge Venturini (Paris, 1955) in his poem, \u201cLe pont franchi du transvisible\u201d (2008).\r<\/p><p>Thank You Mum is first of all a work of resistance which lives through different media: photographs, videos and installations. \r<\/p><p>Charlotte Mano is taking images of her mother since the latter has been diagnosed with an incurable disease.\r<\/p><p>What is there to be done when you find yourself in front of such an obscure destiny? When the countdown has started, what\u2019s left to do for your loved ones? \r<\/p><p>These are the questions the photographer asked herself whilst isolated at home, with her mother in the French countryside, Mano firstly tried to express the strong mother-daughter relationship which slowly evolved into a modest and poetic tribute to her mother. \r<\/p><p>We can\u2019t deny an eerie atmosphere, almost esoteric, like a ritual \u2013 as if the photographer was trying body and soul to reverse the curse, using anything to freeze time and keep her mother beside herself: asking for a miracle.\r<\/p><p>Mano\u2019s work is an ongoing project that grows everyday by documenting her daily life with her mother. She confides: \r<\/p><p>\u201cit\u2019s the most meaningful and powerful project I ever worked on as a photographer. I truly hope that the pieces of Thank You Mum that you are looking at now, will become over the years, the foundations of a life that everyone can reflect on\u201d.<\/p>","body_raw":"Creating and Loving\r\nAlejandro Castellote\r\nTranslated from French by Gregg Ellis\r\n\r\nThe Italian neurobiologist, Giacomo Rizzolatti, and his colleagues announced the discovery of mirror neurons in 1996. The analysis of their functioning revealed how they are implicated in the behaviors of imitation and emulation which permit the brain to adopt another person\u2019s point of view while also allowing the subject to socialize and to learn about their environment. These neurons, responsible for human empathy, are particularly active during childhood and they explain why a baby will start to cry when they see another one crying.\r\n\r\nThe allegoric use of mirror neurons to analyze certain aspects of the composition of photography\u2019s DNA open a symbolic space which, in my opinion, explains the irresistible empathetic power of certain photographs. The images collaborate with the process of understanding the world and activate our synchrony with another person\u2019s subjectivity which echoes our own emotions and experiences. They contribute to put an ethical distance between the subject and their own life allowing us to go spontaneously from an individual self to a collective \u201cwe\u201d without the mediation of a judgement. \r\n\r\nA large number of the images created by Charlotte Mano for her series Thank you Mum originate from this amniotic space that precedes creation. The drawing she made as a child of her mother is a poignant, radiant illustration of what is not visible or of what is not yet visible. That\u2019s why, perhaps, the images in this series do not form a linear narrative. They are created and ordered in the manner poets arrange words in their poems. They ignore standard syntax to free words of their referents and meanings to acquire multiple semantic and expressive potentialities. \r\n\r\nThe pain of loss and the anxiety in front of the irreversible \u2013 emotional epicenters of this work - coexist in this universe of entropy that brings us together with the most primal love, joining us to the one who gave us life. It is impossible to deploy these photographs, to put these emotional flashes in a chronological order. Like memories, they don\u2019t follow a clear temporal line. Charlotte Mano illustrates in a deliberate ambiguity these undetermined spaces that place the present in a timeless domain and constitute the multidimensional temporality of memory: an echo from the past that can still be heard in the present.\r\n\r\nHer images are rich in echoes, reverberations and rituals whose morphology opens on the transvisible 1, a concept that represents the interstitial passage between the invisible and the visible, between what we know and what we don\u2019t know, between what we desire and what we fear. Profoundly distanced from the verbal, this is an area we all share through painful emotional experiences or when we are within their proximity, both scrutinize the unfathomable obscurity of suffering. But we manage to get by. And we come back to life. However, in that interval, we need to take a break and to be grateful. That\u2019s what makes rituals so efficient, in particular, those we know intuitively. They let us carry out intelligent acts without using our rational intelligence. That\u2019s how Charlotte Mano works, joining all the women who taught us how to give up our reticence and let the essence of our feelings flow. The judgement we cast on the aesthetic aspects of her work has no importance. It is the deep honesty of the process that is truly important.\r\n\r\n1- The term \u201ctransvisible\u201d was coined by the French poet Serge Venturini (Paris, 1955) in his poem, \u201cLe pont franchi du transvisible\u201d (2008).\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\nThank You Mum is first of all a work of resistance which lives through different media: photographs, videos and installations. \r\nCharlotte Mano is taking images of her mother since the latter has been diagnosed with an incurable disease.\r\nWhat is there to be done when you find yourself in front of such an obscure destiny? When the countdown has started, what\u2019s left to do for your loved ones? \r\nThese are the questions the photographer asked herself whilst isolated at home, with her mother in the French countryside, Mano firstly tried to express the strong mother-daughter relationship which slowly evolved into a modest and poetic tribute to her mother. \r\nWe can\u2019t deny an eerie atmosphere, almost esoteric, like a ritual \u2013 as if the photographer was trying body and soul to reverse the curse, using anything to freeze time and keep her mother beside herself: asking for a miracle.\r\nMano\u2019s work is an ongoing project that grows everyday by documenting her daily life with her mother. She confides: \r\n\u201cit\u2019s the most meaningful and powerful project I ever worked on as a photographer. I truly hope that the pieces of Thank You Mum that you are looking at now, will become over the years, the foundations of a life that everyone can reflect on\u201d.","is_shortlisted":1,"is_strong":0,"is_ongoing":1,"is_unpublished":0,"sent_first_email_reminder":0,"awaiting_payment":0,"has_started_payment":0,"has_started_paypal_payment":0,"is_public":0,"media_ok":0,"has_tracked":0,"amount_paid":0,"external_id":null,"payment_id":null,"session_id":null,"token":null,"grant_order_id":0,"submitted_at":null,"started_at":"2017-01-01 00:00:00","ended_at":null,"created_at":"2019-02-21 21:24:08","updated_at":"2019-02-22 19:26:30","place":null,"publications":[],"categories":[],"tags":[{"id":1287,"tag":"motherhood","created_at":"2015-12-07 17:05:45","updated_at":"2015-12-07 17:05:45","pivot":{"grant_submission_id":15415,"tag_id":1287}},{"id":4610,"tag":"humanity","created_at":"2015-12-07 17:06:30","updated_at":"2015-12-07 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