Dystopia

{"id":13186,"grant_id":10,"user_id":6652,"grant_submission_status_id":4,"grant_result_type_id":null,"cover_block_id":147972,"story_id":17491,"place_id":null,"title":"Dystopia","excerpt":null,"excerpt_raw":null,"body":"<p>Dystopia refers to an anti-utopia, where the promise of modernity to improve the quality of life of man happens to take the form, rather, of a Hypermodernity (Lipovesky), full of contradictions.\r<\/p><p> The present work seeks to project these issues into the near future. They are reflections about the transition to the post-human. What will be the new forms of behavior induced by technology, which at this moment are in primary phases of development but that, without doubt, will soon cease to be laboratory tests to be of daily use. The paradigms that will present, for example, what we can now consider as glimpses of the future: cloning, food, cybernetic devices, robotics, DNA manipulation, augmented reality or the search for new territories for migrations future. The panopticon as a symptom of a society that has lost its privacy.\r<\/p><p>We live the change generated by the digital before current paradigms, global behaviors defined by communication platforms, where we stop recognizing ourselves and getting to know each other organically.\r<\/p><p>Fernando Montiel Klint<\/p>","body_raw":"Dystopia refers to an anti-utopia, where the promise of modernity to improve the quality of life of man happens to take the form, rather, of a Hypermodernity (Lipovesky), full of contradictions.\r\n\r\n The present work seeks to project these issues into the near future. They are reflections about the transition to the post-human. What will be the new forms of behavior induced by technology, which at this moment are in primary phases of development but that, without doubt, will soon cease to be laboratory tests to be of daily use. The paradigms that will present, for example, what we can now consider as glimpses of the future: cloning, food, cybernetic devices, robotics, DNA manipulation, augmented reality or the search for new territories for migrations future. The panopticon as a symptom of a society that has lost its privacy.\r\n\r\nWe live the change generated by the digital before current paradigms, global behaviors defined by communication platforms, where we stop recognizing ourselves and getting to know each other organically.\r\n\r\nFernando Montiel Klint","is_shortlisted":1,"is_strong":0,"is_ongoing":1,"is_unpublished":0,"sent_first_email_reminder":0,"started_at":"2017-01-01 00:00:00","ended_at":null,"created_at":"2019-01-22 23:37:24","updated_at":"2019-03-07 16:42:18","place":null,"publications":[],"categories":[],"tags":[{"id":157,"tag":"portrait","created_at":"2015-12-07 17:05:38","updated_at":"2015-12-07 17:05:38","pivot":{"grant_submission_id":13186,"tag_id":157}},{"id":40,"tag":"landscape","created_at":"2015-12-07 17:05:37","updated_at":"2015-12-07 17:05:37","pivot":{"grant_submission_id":13186,"tag_id":40}},{"id":110,"tag":"latinamerica","created_at":"2015-12-07 17:05:38","updated_at":"2015-12-07 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19:30:20","deleted_at":null,"profile":{"id":6649,"user_id":6652,"born_in_id":null,"based_in_id":147555,"currently_in_id":null,"nationality_id":116,"avatar":"\/users\/6652\/avatars\/nyof1f3b26ad0ddf.jpeg","cover_image":null,"born_at":"1978-07-13 00:07:00","profession":null,"bio":null,"long_bio":"<p>Fernando Montiel Klint (Ciudad de M\u00e9xico, 1978). <\/p><p>Born in Mexico city1978, studied photography at Escuela Activa de Fotograf\u00eda and Centro de la Imagen. <\/p><p>His work is part of the collections like Museum of Art Guangdong, in China; Keny\u00e9rgy\u00e1r Siofok 320, in Hungary; Museum of photographic arts SD MOPA, in U.S.A; Museo de Arte Contempor\u00e1neo, in Chile; Maison Europ\u00e9enne de la Photographie, in France; Collection BanRegio, in Mexico; Nave K, in Spain; Fototeca Nacional, in Mexico; Museo de Arte Moderno de Aguascalientes, in M\u00e9xico; Pinacoteca de Concepci\u00f3n, in Chile; The collection Wittliff Texas State University, en U.S.A; Colecci\u00f3n Televisa, in Mexico; Colecci\u00f3n Les Recontres d\u00c1rles, en France and in the Collection Fototeca Latinoam\u00e9ricana, FOLA, in Argentina.<\/p><p>Recently obtain the First prize, win the prize of acquisition at the Tercer concurso de Fotograf\u00eda Contempor\u00e1nea M\u00e9xico and participate on the Biennial Photoquai at Quai Branly museum, in Paris, Francia, 2015 and on the Dong Gang Photo Festival, in Corea, 2016. <\/p><p>His work has shown individually internationally, some places are: Les Recontres d\u00c1rles (2011), in Francia; at the Galer\u00eda Chile Arte (2014), in Chile; in Ra Gallery, Kiev (2012), in Ucrania; Actos de Fe in PH 11 (2011), in Spain; No Escape, at the San Antonio Museum of Art (2010), in U.S.A; Fotoencuentros 08 (2008), in Spain; Nirvana, in the Museo Archivo de la Fotograf\u00eda (2008), in Mexico; Nirvana, in Cero Galer\u00eda (2008), in Bogot\u00e1, Colombia; Nirvana (2007), at the Fototeca Nacional de Mexico; Tiempos Modernos (2007), en el Centro de la Imagen en M\u00e9xico (2005).<\/p><p>His work participate on Collective exhibitions like: Point Counterpoint, MOPA (2017); Develate and Detonate, Mint Museum, Charlotte (2017); Ouroboros a Mexican Cycle, Pingyao China, curate by Alasdair Foster (2014); Develar y Detonar, Fotograf\u00eda Mexicana, in Spain and Mexico (2015); A Process, Galeria H\u00f6hmannhaus, in Augsburg, Germany (2015); Posible Worlds at the Art Museum of the Americas (2015); 45 Mexican Photographers, Hubei Art Museum, China (2008); The Case of the 45 Mexican Photographers, Guandong Museum of Art, China (2007). Has selected at the XI, XII, XIII, XIV, XV, Bienales de fotograf\u00eda del Centro de la Imagen en M\u00e9xico de 2004 a 2015.<\/p><p>First prize at Tercer Concurso de Fotograf\u00eda Contempor\u00e1nea M\u00e9xico 2017, with the proyecto Distop\u00eda (Aquisition Prize);<\/p><p>First prize at Premio Omnilife, 2004 (Aquisition Prize); First prize at the contest organize by ID magazine 2005 with the Reforma Newspaper, Mexico; Aquisition Prize at XXXII Encuentro Nacional de Arte Joven 2006,in M\u00e9xico and Honorable Mention at XXXIII Encuentro Nacional de Arte Joven M\u00e9xico 2005; Honorable Mention at XII y XVI Bienal de fotograf\u00eda Mexico. <\/p><p>Receive the grant of J\u00f3venes Creadores, FONCA (2005) y Coinversiones del FONCA (2006).<\/p><p>Photo on the Stopmotion short movie La \u00daltima Cena. 2015<\/p><p>Has given workshops in Saudi Arabia, Colombia, Argentina, Chile, Ecuador and Mexico. <\/p><p>He is co- director Klint and Photo. <\/p><p>Actually is tutor at FONCA Jovenes Creadores and Member of the National System of Creators.<\/p><p><a href=\"http:\/\/www.fernandomontielklint.com\" target=\"_blank\">www.fernandomontielklint.com<\/a><\/p>","long_bio_raw":"Fernando Montiel Klint (Ciudad de M\u00e9xico, 1978). \n\nBorn in Mexico city1978, studied photography at Escuela Activa de Fotograf\u00eda and Centro de la Imagen. \nHis work is part of the collections like Museum of Art Guangdong, in China; Keny\u00e9rgy\u00e1r Siofok 320, in Hungary; Museum of photographic arts SD MOPA, in U.S.A; Museo de Arte Contempor\u00e1neo, in Chile; Maison Europ\u00e9enne de la Photographie, in France; Collection BanRegio, in Mexico; Nave K, in Spain; Fototeca Nacional, in Mexico; Museo de Arte Moderno de Aguascalientes, in M\u00e9xico; Pinacoteca de Concepci\u00f3n, in Chile; The collection Wittliff Texas State University, en U.S.A; Colecci\u00f3n Televisa, in Mexico; Colecci\u00f3n Les Recontres d\u00c1rles, en France and in the Collection Fototeca Latinoam\u00e9ricana, FOLA, in Argentina.\nRecently obtain the First prize, win the prize of acquisition at the Tercer concurso de Fotograf\u00eda Contempor\u00e1nea M\u00e9xico and participate on the Biennial Photoquai at Quai Branly museum, in Paris, Francia, 2015 and on the Dong Gang Photo Festival, in Corea, 2016. \nHis work has shown individually internationally, some places are: Les Recontres d\u00c1rles (2011), in Francia; at the Galer\u00eda Chile Arte (2014), in Chile; in Ra Gallery, Kiev (2012), in Ucrania; Actos de Fe in PH 11 (2011), in Spain; No Escape, at the San Antonio Museum of Art (2010), in U.S.A; Fotoencuentros 08 (2008), in Spain; Nirvana, in the Museo Archivo de la Fotograf\u00eda (2008), in Mexico; Nirvana, in Cero Galer\u00eda (2008), in Bogot\u00e1, Colombia; Nirvana (2007), at the Fototeca Nacional de Mexico; Tiempos Modernos (2007), en el Centro de la Imagen en M\u00e9xico (2005).\nHis work participate on Collective exhibitions like: Point Counterpoint, MOPA (2017); Develate and Detonate, Mint Museum, Charlotte (2017); Ouroboros a Mexican Cycle, Pingyao China, curate by Alasdair Foster (2014); Develar y Detonar, Fotograf\u00eda Mexicana, in Spain and Mexico (2015); A Process, Galeria H\u00f6hmannhaus, in Augsburg, Germany (2015); Posible Worlds at the Art Museum of the Americas (2015); 45 Mexican Photographers, Hubei Art Museum, China (2008); The Case of the 45 Mexican Photographers, Guandong Museum of Art, China (2007). Has selected at the XI, XII, XIII, XIV, XV, Bienales de fotograf\u00eda del Centro de la Imagen en M\u00e9xico de 2004 a 2015.\nFirst prize at Tercer Concurso de Fotograf\u00eda Contempor\u00e1nea M\u00e9xico 2017, with the proyecto Distop\u00eda (Aquisition Prize);\nFirst prize at Premio Omnilife, 2004 (Aquisition Prize); First prize at the contest organize by ID magazine 2005 with the Reforma Newspaper, Mexico; Aquisition Prize at XXXII Encuentro Nacional de Arte Joven 2006,in M\u00e9xico and Honorable Mention at XXXIII Encuentro Nacional de Arte Joven M\u00e9xico 2005; Honorable Mention at XII y XVI Bienal de fotograf\u00eda Mexico. \nReceive the grant of J\u00f3venes Creadores, FONCA (2005) y Coinversiones del FONCA (2006).\nPhoto on the Stopmotion short movie La \u00daltima Cena. 2015\nHas given workshops in Saudi Arabia, Colombia, Argentina, Chile, Ecuador and Mexico. \nHe is co- director Klint and Photo. \nActually is tutor at FONCA Jovenes Creadores and Member of the National System of Creators.\nwww.fernandomontielklint.com","twitter_handle":null,"facebook_handle":null,"skype_handle":null,"google_plus_handle":null,"pinterest_handle":null,"instagram_handle":"ferklint","vimeo_handle":null,"youtube_handle":null,"telephone":null,"show_explicit_content":"","created_at":"2015-12-01 11:10:23","updated_at":"2019-01-24 02:19:32"}}}