Two Times Mary | Awarded Project - PhMuseum

Two Times Mary

{"id":25776,"grant_id":13,"user_id":52184,"grant_submission_status_id":4,"grant_result_type_id":null,"cover_block_id":282821,"story_id":null,"place_id":null,"title":"Two Times Mary","excerpt":null,"excerpt_raw":null,"body":"<p>The starting point is July 21st of 1976, the night the armed forces forced into my maternal grandparents house in Buenos Aires, Argentina. The message was clear: if they found my mother they were going to kill her, who at only 21 years old went alone into exile. Uruguay was the first stop, then Brazil and finally she arrived to Mexico.\r<\/p><p>Time, in general, tends to deceive us. But it happens the exact opposite if we assimilate and study the past as a time we need to rummage and put in front of us. Walter Benjamin once wrote that \"it's the ones before us who invokes us to make justice\". But the question is who can and should grant it?\r<\/p><p>This project retrieves corporal and emotional memory from what detonated that night with my family. Some kind of -micro- \"sociology os absences\". A process in which I try to transform impossible objects into possible objects, absent objets into present objects, silenced and repressed stories in told and known stories, individual and oppressed ailments into collective healings.\r<\/p><p>In that sense, in what ways and manners are we thinking on one another? how does that pain, that we're not conscious of but it's there, impregnates our corporal memories? What kinds of pain are kept in the archives of remembrance? How do you organize the memory and who omits and distorts it? Even more, are memories a possibility of the politicization through which empathy is rooted in those long pains?<\/p>","body_raw":"The starting point is July 21st of 1976, the night the armed forces forced into my maternal grandparents house in Buenos Aires, Argentina. The message was clear: if they found my mother they were going to kill her, who at only 21 years old went alone into exile. Uruguay was the first stop, then Brazil and finally she arrived to Mexico.\r\n\r\nTime, in general, tends to deceive us. But it happens the exact opposite if we assimilate and study the past as a time we need to rummage and put in front of us. Walter Benjamin once wrote that \"it's the ones before us who invokes us to make justice\". But the question is who can and should grant it?\r\n\r\nThis project retrieves corporal and emotional memory from what detonated that night with my family. Some kind of -micro- \"sociology os absences\". A process in which I try to transform impossible objects into possible objects, absent objets into present objects, silenced and repressed stories in told and known stories, individual and oppressed ailments into collective healings.\r\n\r\nIn that sense, in what ways and manners are we thinking on one another? how does that pain, that we're not conscious of but it's there, impregnates our corporal memories? What kinds of pain are kept in the archives of remembrance? How do you organize the memory and who omits and distorts it? Even more, are memories a possibility of the politicization through which empathy is rooted in those long pains?","social_approval":1,"is_shortlisted":1,"is_other":0,"is_good":null,"is_strong":0,"is_ongoing":1,"is_unpublished":0,"sent_first_email_reminder":0,"awaiting_payment":1,"has_started_payment":0,"has_started_paypal_payment":0,"is_public":0,"media_ok":0,"has_tracked":1,"amount_paid":23,"original_price":0,"external_id":null,"payment_id":"23V97743073339935","session_id":null,"token":null,"grant_order_id":8843,"submitted_at":"2020-09-04T02:01:50.000000Z","affiliate_id":null,"is_forced_public":1,"address_1":null,"city":null,"region":null,"country":null,"postcode":null,"codice_fiscale":null,"started_at":"2019-01-01T00:00:00.000000Z","ended_at":null,"created_at":"2020-09-03T17:50:10.000000Z","updated_at":"2020-09-07T08:48:24.000000Z","place":null,"publications":[],"categories":[],"tags":[{"id":31269,"tag":"latin america social 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17:50:09","timezone":null,"is_legacy":0,"is_collateral_juror":0,"legacy_id":null,"accepted_tandcs_may18_at":"2020-09-03 17:50:09","last_logged_in_at":"2022-01-26T18:27:16.000000Z","last_logged_in_country":"MX","registered_country":null,"is_not_spam":0,"when_legacy_potd":null,"delete_at":null,"created_at":"2020-09-03T17:50:09.000000Z","updated_at":"2022-01-26T18:27:16.000000Z","deleted_at":null,"profile":{"id":52120,"user_id":52184,"born_in_id":null,"based_in_id":147555,"currently_in_id":null,"nationality_id":116,"avatar":"\/users\/52184\/avatars\/qg3h9h8ceb037d35.jpg","cover_image":null,"born_at":"1994-04-27T00:00:00.000000Z","profession":null,"bio":"Argentine-mexican photographer.","long_bio":"<p>Argentine-Mexican photographer (b.1994).\r<\/p><p>Photography studies at the Escuela Activa de Fotograf\u00eda (2013-2015) and a major degree in Social Communication by the Universidad Aut\u00f3noma Metropolitana (2014-2018). Specialized studies in Photographic Production (Centro de la Imagen, Mexico, 2019-2020).\r<\/p><p>Her work crosses the boundaries of fiction and collective memory. Through personal and autobiographical narratives she seeks to materialize the intangible. Her work is an exploration based on disruptive staging to expose the boundaries of hegemonic narratives. \r<\/p><p>In 2021 she was selected winner of the first edition of Intersection, a collaborative program between PhMuseum and Fonderia 20.9. She was a finalist in the Photographic Museum of Humanity 2020 Woman Photographers Grant, where she received an honorable mention in the New Generation Prize category. She was also a finalist in PoyLatam 2021, where she received an Honorable Mention in the Nuestra Mirada category. That same year, she was selected for Descubrimiento Photo Espa\u00f1a 2021.\r<\/p><p>She has participated in several solo and group exhibitions. Highlights include the Festival de la Memoria (2018), U-topicas Gallery (2019), Feminasty (2019), Feminist Art Colective (2020), Tbilisi Photo Festival (2020), Indian Photo Festival (2020), Photo Vogue Festival (2020), Photographic Exploration Project (2021), Centro de la Imagen (2021) and Fonderia 20.9 (2021). Some of these exhibitions were held in Guatemala, Mexico, Canada, Georgia, India, Italy and Germany. \u200b\r<\/p><p>Obtained the second place in the National Photography Competition in Human Rights (2019). In 2018, published six palindromen in the magazine \"Otros Di\u00e1logos\", edited by El Colegio de M\u00e9xico. In 2020 she was nominated by Yolanda Escobar Jim\u00e9nez for the 6x6 North And Central America Talents by the World Press Photo. \r<\/p><p>She is currently under the fellowship of the J\u00f3venes Creadores program of the Fondo Nacional para la Cultura y las Artes Mexico (2021-2022). \r<\/p><p>Her work is part of digital platforms such as PICS, Index - Femgraf\u00eda, and Hydra + Fotograf\u00eda.<\/p>","long_bio_raw":"Argentine-Mexican photographer (b.1994).\r\n \r\nPhotography studies at the Escuela Activa de Fotograf\u00eda (2013-2015) and a major degree in Social Communication by the Universidad Aut\u00f3noma Metropolitana (2014-2018). Specialized studies in Photographic Production (Centro de la Imagen, Mexico, 2019-2020).\r\n \r\nHer work crosses the boundaries of fiction and collective memory. Through personal and autobiographical narratives she seeks to materialize the intangible. Her work is an exploration based on disruptive staging to expose the boundaries of hegemonic narratives. \r\n \r\nIn 2021 she was selected winner of the first edition of Intersection, a collaborative program between PhMuseum and Fonderia 20.9. She was a finalist in the Photographic Museum of Humanity 2020 Woman Photographers Grant, where she received an honorable mention in the New Generation Prize category. She was also a finalist in PoyLatam 2021, where she received an Honorable Mention in the Nuestra Mirada category. That same year, she was selected for Descubrimiento Photo Espa\u00f1a 2021.\r\n \r\nShe has participated in several solo and group exhibitions. Highlights include the Festival de la Memoria (2018), U-topicas Gallery (2019), Feminasty (2019), Feminist Art Colective (2020), Tbilisi Photo Festival (2020), Indian Photo Festival (2020), Photo Vogue Festival (2020), Photographic Exploration Project (2021), Centro de la Imagen (2021) and Fonderia 20.9 (2021). Some of these exhibitions were held in Guatemala, Mexico, Canada, Georgia, India, Italy and Germany. \u200b\r\n \r\nObtained the second place in the National Photography Competition in Human Rights (2019). In 2018, published six palindromen in the magazine \"Otros Di\u00e1logos\", edited by El Colegio de M\u00e9xico. In 2020 she was nominated by Yolanda Escobar Jim\u00e9nez for the 6x6 North And Central America Talents by the World Press Photo. \r\n \r\nShe is currently under the fellowship of the J\u00f3venes Creadores program of the Fondo Nacional para la Cultura y las Artes Mexico (2021-2022). \r\n \r\nHer work is part of digital platforms such as PICS, Index - Femgraf\u00eda, and Hydra + Fotograf\u00eda.","display_name":"Valeria Arendar","website_url":"https:\/\/www.valeriaarendar.com\/","profile_type_id":2,"show_age":1,"twitter_handle":null,"facebook_handle":null,"linkedin_handle":null,"skype_handle":null,"google_plus_handle":null,"pinterest_handle":null,"instagram_handle":"valearendar","vimeo_handle":null,"youtube_handle":null,"telephone":null,"company_name":null,"address_1":null,"address_2":null,"city":null,"region":null,"country":null,"postcode":null,"vat_id":null,"codice_fiscale":null,"codice_destinatario":null,"pec_destinatario":null,"show_explicit_content":"0","created_at":"2020-09-03T17:50:09.000000Z","updated_at":"2022-03-04T05:24:24.000000Z"}}}