By Sarah Pannell

Beyond that of a mere travelogue, Tabriz to Shiraz assumes a position that flits between the poetic, intimate, incisive and playful in its unlayering of contemporary Iran’s visual, cultural and architectural languages and subjectivities. Across photographic modes spanning portraiture, landscape, architecture and impromptu formalism, this series offers vantages on a place that proves at once familiar, foreign, and happily jarring in its multiplicity.