The invisible me

  • Dates
    2019 - Ongoing
  • Author
  • Location Bikaner, India

'The invisible me' is a series dedicated to the lives of all the women who practice the culture of ghunghat (veil) system. In urban areas, women have moved from the traditional role of only being the

The Invisible Me

This is a story of one woman. That's her.

Her name is Dhanno. She is 23 years old. Lives in Bikaner, Rajasthan. Married at 16. Has two children. Spends most of her time at home, no, infact, all of her time inside the four walls. Those are her walls. Her world. Her husband is a gardner and is out of home throughout the day.

Dhanno cooks, feeds her children and the house-cows. There is not much of a problem with water, however, she cleans her utensils solely with the desert sand. Its mesmerising to see her do that. She owns only two pairs of clothes for daily-wear. One is washed and hung in the sun to dry while the other is worn with grace. Oiling hair is the first step of daily grooming. With a streak of sindoor (vermilion) on the forehead, there she puts on a ghunghat (veil). Like a warrior. Hiding her face in the battlefield of men and traditions. Everyday.

After I lived with her for a few days, she remarked, “tu mari photo lene duniya ne vatavi, ve pusila, aa kunn hai? (when you take my photo to the world, they will question ‘Who is she?’)” to which I replied, "woh iss tohh, aap kunn ho? (that's the question, who are you?)”

----------------------------------------------------------------------------------------------------------------------

Women in ghunghat are a common sight in rural regions of India. Sometimes, this practice becomes a performance for others - it is even considered a tourist attraction for western travelers due to its vibrant colors and is imagined as a part of India's rich cultural heritage. Should rich cultural heritage like this be preserved or is it okay to let go of traditions that impinge on people's basic rights to live freely? Ghunghat is rather easily accepted as a common sight in rural areas and measures are hardly taken to abandon the deep rooted practice. This series not only witnesses the practice of ghunghat but also the everyday life of a woman in rural society.

Latest Projects

  • Like the Waves Appear and Disappear and Appear Again

  • Angle of Draw

  • You Are Everything to Me

  • Close to the ground, far from heaven

  • You Wouldn't Be So Depressed if You Really Believed in God

  • Strawberry blue

Sign up to our weekly newsletter

Stay in the loop


We will send you weekly news on contemporary photography. You can change your mind at any time. We will treat your data with respect. For more information please visit our privacy policy. By ticking here, you agree that we may process your information in accordance with them. This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.