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A place emptied of its habitual crowds, inhabited instead by composite geometry and neat lines outlining space and volume. Desolate, alone and broken, a strong visual metaphor of human being.<\/p>","excerpt_raw":"This series presents a vision of Shanghai as a state of mind, both oneiric and limitless in its stillness. A place emptied of its habitual crowds, inhabited instead by composite geometry and neat lines outlining space and volume. Desolate, alone and broken, a strong visual metaphor of human being.","body":"<p>Dust never sleeps. It covers, veiling surfaces, faking sleep. But then, always, disturbed by an event, a frenzy of activity, it awakes and continues its endless journey with its accomplice, time. Time and dust are consanguineous, joined in continuous, mutually beneficial dialogue. They formulate contracts presented to Death for signing.<\/p><p>Alessandro Zanoni\u2019s work is a journey of exploration into this relationship, a metaphorical dialogue between man\u2019s transient ingenuity and his arrogance challenging Nature, a dialogue which Zanoni silences. The silence occupies an abscence, as if humanity has disappeared. A kindled light under a soldier\u2019s watchful eye remains: the artist\u2019s light, the artist\u2019s eye.<\/p><p>This vision of difficult, inaccessible landscapes, of images regarding us like mute innocents questioning the culpable, is a journey into our humanity and our follies, vast landscapes which Zanoni captures with striking clarity. His landscapes witness a blindness and thoughtless growth in doomed sterile human apiaries.<\/p><p>This subtle, impalpable dust slowly settles diluting colours. Alessandro Zanoni offers us specks of dust to score our souls and lose our fragile, blinkered equilibrium, on which faded mankind sits desirous of profit. <\/p><p>Antonio Maiorino Marrazzo<\/p>","body_raw":"Dust never sleeps. It covers, veiling surfaces, faking sleep. But then, always, disturbed by an event, a frenzy of activity, it awakes and continues its endless journey with its accomplice, time. Time and dust are consanguineous, joined in continuous, mutually beneficial dialogue. They formulate contracts presented to Death for signing.\nAlessandro Zanoni\u2019s work is a journey of exploration into this relationship, a metaphorical dialogue between man\u2019s transient ingenuity and his arrogance challenging Nature, a dialogue which Zanoni silences. The silence occupies an abscence, as if humanity has disappeared. A kindled light under a soldier\u2019s watchful eye remains: the artist\u2019s light, the artist\u2019s eye.\nThis vision of difficult, inaccessible landscapes, of images regarding us like mute innocents questioning the culpable, is a journey into our humanity and our follies, vast landscapes which Zanoni captures with striking clarity. His landscapes witness a blindness and thoughtless growth in doomed sterile human apiaries.\nThis subtle, impalpable dust slowly settles diluting colours. Alessandro Zanoni offers us specks of dust to score our souls and lose our fragile, blinkered equilibrium, on which faded mankind sits desirous of profit. \nAntonio Maiorino Marrazzo","published_at":"2016-12-18 22:48:38","is_legacy":null,"legacy_id":null,"position":null,"created_at":"2016-12-18 22:24:01","updated_at":"2016-12-18 23:09:53","user_attributes":{"id":25062,"firstname":"Alessandro","lastname":"Zanoni","username":"alezano","name":"Alessandro Zanoni","profile":{"avatar":"\/users\/25062\/avatars\/oiek5h13d5e6b7d4.jpeg","cover_image":null,"nationality":null,"currently_in":{"id":82203,"city":"Milano","region":"Lombardy","country":"Italy","country_code":"IT","continent":"Europe","lat":"45.46427","lon":"9.18951","verified":1,"created_at":"-0001-11-30 00:00:00","updated_at":"2015-11-27 21:51:32","name":"Milano, Lombardy, Italy"},"bio":null}},"meta":{"is_liked":false,"like_count":1},"activity_attributes":{"place":"Shanghai Shi, China","image_filename":"\/users\/25062\/stories\/11984\/oiejyh1c05405e54.jpg","video_service":null,"video_code":null},"url":"\/alezano\/story\/dust-never-sleeps-74fa1fb3ad","comments":[],"cover_block_image":{"id":102023,"story_id":11984,"image_id":104845,"video_id":null,"caption":null,"caption_raw":null,"position":0,"is_explicit":null,"is_admin_explicit":null,"is_legacy":null,"legacy_id":null,"created_at":"2016-12-18 22:32:41","updated_at":"2016-12-18 22:32:41","meta":{"is_liked":false,"like_count":1},"activity_attributes":{"story":{"title":"Dust never sleeps","started_at":"2015-01-01 00:00:00","ended_at":"2015-01-01 00:00:00","slug":"dust-never-sleeps-74fa1fb3ad","place":"Shanghai Shi, China","user":{"firstname":"Alessandro","lastname":"Zanoni","username":"alezano","profile":{"avatar":"\/users\/25062\/avatars\/oiek5h13d5e6b7d4.jpeg"}}},"image_filename":"\/users\/25062\/stories\/11984\/oiejyh1c05405e54.jpg","video_meta":null},"image":{"id":104845,"filename":"\/users\/25062\/stories\/11984\/oiejyh1c05405e54.jpg","created_at":"2016-12-18 22:32:41","updated_at":"2016-12-18 22:32:41"},"video":null}}},{"id":24454,"user_id":25062,"object_id":3275,"object_type":"PMH\\Like","published_at":"2016-12-19 08:55:55","created_at":"2016-12-19 08:55:55","updated_at":"2016-12-19 08:55:55","user_attributes":{"id":25062,"firstname":"Alessandro","lastname":"Zanoni","username":"alezano","name":"Alessandro Zanoni","profile":{"avatar":"\/users\/25062\/avatars\/oiek5h13d5e6b7d4.jpeg","cover_image":null,"nationality":null,"currently_in":{"id":82203,"city":"Milano","region":"Lombardy","country":"Italy","country_code":"IT","continent":"Europe","lat":"45.46427","lon":"9.18951","verified":1,"created_at":"-0001-11-30 00:00:00","updated_at":"2015-11-27 21:51:32","name":"Milano, Lombardy, Italy"},"bio":null}},"object":{"id":3275,"user_id":25062,"likable_id":87234,"likable_type":"PMH\\StoryBlock","created_at":"2016-12-19 08:55:54","updated_at":"2016-12-19 08:55:54","deleted_at":null,"likable":{"id":87234,"story_id":7916,"image_id":88625,"video_id":null,"caption":null,"caption_raw":null,"position":0,"is_explicit":null,"is_admin_explicit":null,"is_legacy":null,"legacy_id":null,"created_at":"2016-06-13 18:23:36","updated_at":"2016-06-13 18:23:36","meta":{"is_liked":false,"like_count":2},"activity_attributes":{"story":{"title":"El Clot. 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It was no wonder that a draft blowing between the two could completely break the family at any time.<\/p><p>In Japan, legend has it that a man and woman who are predestined to meet have been tied at the little finger by an invisible red string since the time they were born. <\/p><p>Unfortunately, the red string tying my parents together came undone, broke, or perhaps was never even tied to begin with. But if the two had never met, I would never have been born into this world. If anything, you might say that there is an unbreakable red string of fate between parent and child. <\/p><p>Before long, I found myself thinking about the relationship between my parents and I. How many days could I see my parents living far away? What if I couldn't see them anymore? Since I couldn't help feeling extremely anxious about it, I was driven to visit my parents' house many times. <\/p><p>Every day I engage in awkward conversation with my parents, as if in a scene in their daily lives. I adapt myself to them, and they shift their attitude toward me. We do not give way entirely to the other side, but rather meet halfway. <\/p><p>Indeed family problems remain unresolved, although sometimes we tell allegorical stories and share feelings. It means a lot to us that our perspectives have changed with communication. <\/p><p>My family will probably never be all together again. But I feel without a doubt that there is proof inside of each of us that we once lived together. To ensure that the red string that ties my family together does not come undone, I want to reel it in and tie it tight. <\/p>","body_raw":"I received a text message. \"Today, our divorce was finalized.\" The message from my mother was written simply, even though she usually sends me messages with many pictures and symbols. \nI remember that I didn't feel any particular emotion, except that the time had come. \nBecause my parents continued to live apart in the same house for a long time, their relationship gently came to an end over the years. It was no wonder that a draft blowing between the two could completely break the family at any time.\n \nIn Japan, legend has it that a man and woman who are predestined to meet have been tied at the little finger by an invisible red string since the time they were born. \nUnfortunately, the red string tying my parents together came undone, broke, or perhaps was never even tied to begin with. But if the two had never met, I would never have been born into this world. If anything, you might say that there is an unbreakable red string of fate between parent and child. \n \nBefore long, I found myself thinking about the relationship between my parents and I. How many days could I see my parents living far away? What if I couldn't see them anymore? Since I couldn't help feeling extremely anxious about it, I was driven to visit my parents' house many times. \nEvery day I engage in awkward conversation with my parents, as if in a scene in their daily lives. I adapt myself to them, and they shift their attitude toward me. We do not give way entirely to the other side, but rather meet halfway. \nIndeed family problems remain unresolved, although sometimes we tell allegorical stories and share feelings. It means a lot to us that our perspectives have changed with communication. \n \nMy family will probably never be all together again. But I feel without a doubt that there is proof inside of each of us that we once lived together. To ensure that the red string that ties my family together does not come undone, I want to reel it in and tie it tight. \n ","published_at":"2016-06-06 13:25:30","is_legacy":null,"legacy_id":null,"position":2,"created_at":"2016-06-06 11:45:15","updated_at":"2016-06-06 13:28:59","user_attributes":{"id":23484,"firstname":"Yoshikatsu","lastname":"Fujii","username":"pigredmachine","name":"Yoshikatsu Fujii","profile":{"avatar":"\/users\/23484\/avatars\/o8cp6h6847b76c0a.jpg","cover_image":null,"nationality":"Japanese","currently_in":{"id":88665,"city":"Hiroshima","region":"Hiroshima","country":"Japan","country_code":"JP","continent":"Asia","lat":"34.4","lon":"132.45","verified":1,"created_at":"-0001-11-30 00:00:00","updated_at":"2015-11-27 21:51:41","name":"Hiroshima, Japan"},"bio":"Yoshikatsu Fujii, born and raised in Hiroshima City. Graduated from Tokyo Zokei University of Arts with BA in Art Film. He began photography work in 2006. He is currently living and working in Hiroshima. \nHis project \"Red String,\" was highly inspired by his parents' divorce and produced a hand-made photobook for a limited copy of 35 editions. He was nominated for several awards including the Paris Photo-Aperture Foundation Photobook Awards. The book was also selected by TIME magazine as one of the Best Photobooks of 2014. In 2015, it was part of the permanent collection at The Museum of Modern Art in New York Library and the New York and Italy based publisher Ceiba printed a trade edition in 2016.\nHis following project, \u201cIncipient Strangers\u201d, depicted a wider subject. The story was expanded from his parents to his extended family. A photobook with the same title, was published for the exhibition at Reminders Photography Stronghold in Tokyo which also won the Self Publishing PHOTOLUX Award.\nSince then, he has been developing a long-term research project called \"Hiroshima Graf.\" Through the eyes of a third\u2010generation atomic bomb victim in Hiroshima city. The photo series attempts at shedding new images of rediscovering the disappearing traces from the war, to pass it on to the future generation."}},"meta":{"is_liked":false,"like_count":2},"activity_attributes":{"place":"Hiroshima, Japan","image_filename":"\/users\/23484\/stories\/10379\/o8cm3iab679bc16f.jpg","video_service":null,"video_code":null},"url":"\/pigredmachine\/story\/red-string-5ace90c5f9","comments":[{"id":81,"user_id":8005,"commentable_id":10379,"commentable_type":"PMH\\Story","body":"This is heart warming. 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They come from all ages and in recent years have become a social phenomenon in the Bolivian capital.\n\nWhat characterizes this tribe is the use of ski masks so they will not be recognized by those around them. They confront the discrimination they face with these masks; in their neighbourhoods no one knows that they work as shoe shiners, at school they hide this fact, and even their own families believe they have a different job when they head down to the centre of the city from El Alto. \n \nThe mask is their strongest identity, what makes them invisible while at the same time unites them. This collective anonymity makes them tougher when facing the rest of society and is their resistance against the exclusion they suffer because they carry out this work. \n\nI was there and I can attest that there are shoes that blind you only by looking at them thanks to the family of shoe shiners in La Paz, the true shine heroes. \n","published_at":"2016-12-08 23:32:29","is_legacy":null,"legacy_id":null,"position":null,"created_at":"2016-04-03 00:28:43","updated_at":"2016-12-08 23:32:29","user_attributes":{"id":3684,"firstname":"Federico","lastname":"Estol","username":"federicoestol","name":"Federico Estol","profile":{"avatar":"\/users\/3684\/avatars\/nzgl5td31f146512.JPG","cover_image":null,"nationality":"Uruguayan","currently_in":{"id":147619,"city":null,"region":"Montevideo","country":"Uruguay","country_code":"UY","continent":"South Africa","lat":"-32.522779","lon":"-55.765835","verified":1,"created_at":"2015-11-18 16:32:03","updated_at":"2016-02-04 16:08:43","name":"Montevideo, Uruguay"},"bio":"Uruguayan photographer (1981), graduated from the Politechnic University of Catalu\u00f1a (Barcelona). He is currently working as a freelance photojournalist for local media and editorial assigments. He has participated in exhibitions and festivals in Uruguay, Argentina, Spain, Germany, Finland, Latvia, Brazil, the Netherlands and United States. The Treasure Island is his third published photobook after Fiestas del Uruguay and Hello Montevideo. He has received several awards, grants and scholarships. 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The great explorer believed that the arid West was not suitable for agricultural development, except for about two Percent of the lands that were near water sources. Since then the American West has turned into a hydrological society. Rivers run in concrete beds, across mountains and deserts and up towards money. But even where the eye sees a wild river or natural lake, chances are that nature is nothing more than an illusion in the artificial landscapes of the Anthropocene. <\/p>","body_raw":"\"Gentlemen, you are piling up a heritage of conflict and litigation over water rights, for there is not sufficient water to supply the land.\" John Wesley Powell remarked in 1883. The great explorer believed that the arid West was not suitable for agricultural development, except for about two Percent of the lands that were near water sources. Since then the American West has turned into a hydrological society. Rivers run in concrete beds, across mountains and deserts and up towards money. But even where the eye sees a wild river or natural lake, chances are that nature is nothing more than an illusion in the artificial landscapes of the Anthropocene. ","published_at":"2016-06-13 07:27:09","is_legacy":null,"legacy_id":null,"position":1,"created_at":"2016-06-13 07:14:08","updated_at":"2017-02-10 09:16:22","user_attributes":{"id":21621,"firstname":"Uwe H.","lastname":"Martin","username":"uwehmartin","name":"Uwe H. Martin","profile":{"avatar":"\/users\/21621\/avatars\/o8p9k7cd9be05970.jpg","cover_image":null,"nationality":"German","currently_in":null,"bio":"Uwe H. Martin is a visual storyteller and multimedia producer at the Bombay Flying Club. His long-term projects combine photography with documentary film, text and sound.\nCurrently he partners with Frauke Huber on a set of multimedia documentaries about the global commons water, seed and land: White Gold investigates the social and environmental effects of global cotton production. Their new visual research project LandRush explores the impact of large-scale agro investments on rural economies and land-rights, the boom of renewable fuels, the reallocation of land and the future of agriculture around the world. Both projects are part of World of Matter, which investigates primary materials and the complex ecologies of which they are a part.\nIn 2010 Uwe founded Aggreys Dream, a project supporting a school in a slum in Mombasa, Kenya, which became the blueprint for the establishing of the Freelens Foundation. \n\nOver the years Uwe H. Martin has received numerous recognitions and awards for his work including the German Reporter Award 2011, the Greenpeace Award in 2014 and the Development Media Award 2013. He also serves on the jury of the\u00a0Lumix Multimedia Award, the CPOY and the Bosch Masterclass \u201eFuture of Science Journalism\u201c, where he is also part of the faculty. \n\nUwe studied photojournalism in Hanover, Germany and with the support of a Fulbright grant at the Missouri School of Journalism. Besides his photographic practice Uwe is teaching photography and multimedia storytelling at many different locations around the world among them the Camera Arts program at Lucerne University, Akademie f\u00fcr Publizistik in Hamburg, the Freelens Multimedia Workshops, the Fachhochschule Bielefeld and the University for the Arts in Bremen."}},"meta":{"is_liked":false,"like_count":1},"activity_attributes":{"place":"United States","image_filename":"\/users\/21621\/stories\/10753\/o8p8dy820180d951.jpg","video_service":null,"video_code":null},"url":"\/uwehmartin\/story\/dry-west-moonscapes-6fa5111288","comments":[],"cover_block_image":{"id":86144,"story_id":10753,"image_id":87490,"video_id":null,"caption":"35\u00b01'54\"N \u00a0 119\u00b00'27\"W The Wheeler Ridge Pumping Plant lifts water 233 feet from the California Aqueduct. 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The California Aqueduct is a system of canals, tunnels, and pipelines that moves water originating in the Sierra Nevada Mountains and valleys of Northern and Central California from the San Joachim-Sacramento River Delta to arid Southern California.","position":0,"is_explicit":null,"is_admin_explicit":null,"is_legacy":null,"legacy_id":null,"created_at":"2016-06-13 07:20:22","updated_at":"2017-02-10 09:09:13","meta":{"is_liked":false,"like_count":0},"activity_attributes":{"story":{"title":"Dry West - Moonscapes","started_at":"2015-01-01 00:00:00","ended_at":null,"slug":"dry-west-moonscapes-6fa5111288","place":"United States","user":{"firstname":"Uwe H.","lastname":"Martin","username":"uwehmartin","profile":{"avatar":"\/users\/21621\/avatars\/o8p9k7cd9be05970.jpg"}}},"image_filename":"\/users\/21621\/stories\/10753\/o8p8dy820180d951.jpg","video_meta":null},"image":{"id":87490,"filename":"\/users\/21621\/stories\/10753\/o8p8dy820180d951.jpg","created_at":"2016-06-13 07:20:22","updated_at":"2016-06-13 07:20:22"},"video":null}}}},{"id":24502,"user_id":25062,"object_id":3296,"object_type":"PMH\\Like","published_at":"2016-12-20 10:06:20","created_at":"2016-12-20 10:06:20","updated_at":"2016-12-20 10:06:20","user_attributes":{"id":25062,"firstname":"Alessandro","lastname":"Zanoni","username":"alezano","name":"Alessandro Zanoni","profile":{"avatar":"\/users\/25062\/avatars\/oiek5h13d5e6b7d4.jpeg","cover_image":null,"nationality":null,"currently_in":{"id":82203,"city":"Milano","region":"Lombardy","country":"Italy","country_code":"IT","continent":"Europe","lat":"45.46427","lon":"9.18951","verified":1,"created_at":"-0001-11-30 00:00:00","updated_at":"2015-11-27 21:51:32","name":"Milano, Lombardy, Italy"},"bio":null}},"object":{"id":3296,"user_id":25062,"likable_id":8769,"likable_type":"PMH\\Story","created_at":"2016-12-20 10:06:20","updated_at":"2016-12-20 10:06:20","deleted_at":null,"likable":{"id":8769,"status_id":2,"user_id":15082,"cover_block_id":null,"place_id":null,"started_at":"2010-01-01 00:00:00","ended_at":"2011-01-01 00:00:00","is_ongoing":0,"is_unpublished":0,"title":"Luces de Neza York","slug":"luces-de-neza-york-2f3080d559","slug_hash":"2f3080d559","excerpt":"<p>In that place where flashes of light have become a sign of life, where every person and every place are always placed by bright colors, colors that let people know there is something beyond darkness.<\/p>","excerpt_raw":"In that place where flashes of light have become a sign of life, where every person and every place are always placed by bright colors, colors that let people know there is something beyond darkness.","body":"<p>In that place where flashes of light have become a sign of life, where every person and every place are always placed by bright colors, colors that let people know there is something beyond darkness. The town of Nezahualcoyotl, In the State of Mexico . A land adorned by the charm of light. It is better known by its habitants as \" Nezayork \" . <\/p><p>A territory which lives its nights on countless lighting scenarios with small lights, or startling neon lights that emphasize an environment where the lifestyle is shown.<\/p><p>Showing ingenious ways to promote a service, merchandise sales, decorate altars or display modified vehicles with the purpose of resemblance great world designs. Nezahualcoyotl, a neighborhood in constant changes where its characters transform what is \"common \" to quirky pictures that are stand out across the penumbra of the night. Where the main requirement of the beauty is arises from the darkness.<\/p><p>Aquel lugar donde las r\u00e1fagas de luz se han vuelto signo de vida, donde cada lugar siempre est\u00e1 enmarcado por colores brillantes, colores que hacen saber que hay algo m\u00e1s que oscuridad. <\/p><p>El municipio de Nezahualc\u00f3yotl, en el Estado de M\u00e9xico. Un territorio adornado por el encanto de la luz. Mejor conocido por sus habitantes como \u201cNezayork\u201d. Un territorio que vive sus noches en innumerables escenarios alumbrados con peque\u00f1os focos o llamativas luces ne\u00f3n que enfatizan los ambientes donde se plasma un estilo de vida.<\/p><p>Mostrando ingeniosas maneras de promocionar un servicio, vender mercanc\u00eda, adornar altares o exhibir veh\u00edculos modificados con el prop\u00f3sito de lograr parecido con los grandes dise\u00f1os mundiales.<\/p><p>Nezahualc\u00f3yotl, un barrio de cambios constantes donde sus personajes transforman lo \"com\u00fan\" en peculiares cuadros que se encienden entre la penumbra de la noche. Donde la belleza parece tener como requisito inicial, surgir entre la oscuridad.<\/p>","body_raw":"In that place where flashes of light have become a sign of life, where every person and every place are always placed by bright colors, colors that let people know there is something beyond darkness. The town of Nezahualcoyotl, In the State of Mexico . A land adorned by the charm of light. It is better known by its habitants as \" Nezayork \" . \nA territory which lives its nights on countless lighting scenarios with small lights, or startling neon lights that emphasize an environment where the lifestyle is shown.\nShowing ingenious ways to promote a service, merchandise sales, decorate altars or display modified vehicles with the purpose of resemblance great world designs. Nezahualcoyotl, a neighborhood in constant changes where its characters transform what is \"common \" to quirky pictures that are stand out across the penumbra of the night. Where the main requirement of the beauty is arises from the darkness.\n\n\n\nAquel lugar donde las r\u00e1fagas de luz se han vuelto signo de vida, donde cada lugar siempre est\u00e1 enmarcado por colores brillantes, colores que hacen saber que hay algo m\u00e1s que oscuridad. \nEl municipio de Nezahualc\u00f3yotl, en el Estado de M\u00e9xico. Un territorio adornado por el encanto de la luz. Mejor conocido por sus habitantes como \u201cNezayork\u201d. Un territorio que vive sus noches en innumerables escenarios alumbrados con peque\u00f1os focos o llamativas luces ne\u00f3n que enfatizan los ambientes donde se plasma un estilo de vida.\nMostrando ingeniosas maneras de promocionar un servicio, vender mercanc\u00eda, adornar altares o exhibir veh\u00edculos modificados con el prop\u00f3sito de lograr parecido con los grandes dise\u00f1os mundiales.\nNezahualc\u00f3yotl, un barrio de cambios constantes donde sus personajes transforman lo \"com\u00fan\" en peculiares cuadros que se encienden entre la penumbra de la noche. Donde la belleza parece tener como requisito inicial, surgir entre la oscuridad.","published_at":"2013-10-23 00:50:54","is_legacy":1,"legacy_id":"2be5e9a0-3b7d-11e3-8548-8fcdd2b82587","position":null,"created_at":"2015-12-05 18:52:52","updated_at":"2015-12-05 18:52:52","user_attributes":{"id":15082,"firstname":"Arturo","lastname":"Garc\u00eda","username":"arturogarciatrinidad","name":"Arturo Garc\u00eda","profile":{"avatar":"\/users\/15082\/avatars\/nyovje6d0ac199c5.jpeg","cover_image":null,"nationality":"Mexican","currently_in":null,"bio":"Arturo Garc\u00eda Trinidad. 1983\nSantiago Yolom\u00e9catl, Oaxaca. M\u00e9xico\n\nArquitecto por la Universidad Nacional Aut\u00f3noma de M\u00e9xico (2008), comenz\u00f3 su carrera profesional como fot\u00f3grafo en el a\u00f1o 2010. Las l\u00edneas en las que basa su trabajo art\u00edstico parten de los temas urbanos, paisajes y percepciones de la esencia espacial, la arquitectura y las modificaciones f\u00edsicas en los ambientes transformados o adaptados por sus usuarios.\n\nSu formaci\u00f3n fotogr\u00e1fica ha sido desarrollada en el Seminario de Fotograf\u00eda Contempor\u00e1nea del Centro de la Imagen, M\u00e9xico (2010), el Seminario en Arte Contempor\u00e1neo del Museo Universitario de Arte Contempor\u00e1neo de la UNAM (2011), El diplomado de Espacio y Lugar de la Fundaci\u00f3n Jumex y la Universidad del Claustro de Sor Juana (2013), etc.\n\nSu trayectoria art\u00edstica ha sido reconocida por el Programa Nacional de J\u00f3venes Creadores del Fondo Nacional para la Cultura y las Artes, M\u00e9xico (2010-11 y 2012-13); ha participado en el programa Trasatl\u00e1ntica - PhotoEspa\u00f1a en San Jos\u00e9 de Costa Rica (2012), fue seleccionado por la regi\u00f3n M\u00e9xico, Centroam\u00e9rica y el Caribe para postular al Joop Swart Masterclass del World Press Photo (2012) y el encuentro de Creativos de la Agencia Behance NY, en la Ciudad de M\u00e9xico (2013). En 2014 es invitado para participar en la presentaci\u00f3n de autores noveles del Tercer Encuentro de Investigaci\u00f3n sobre Fotograf\u00eda en San Luis Potos\u00ed, M\u00e9xico.\n\nEntre sus exposiciones se encuentran \"Take Over\" Times Square Nueva York 2014, \u201cThe Story of the Creative\u201d en la Galer\u00eda See Me de Nueva York (2013), \u201cCreaci\u00f3n en Movimiento\u201d FONCA Centro de las Artes de San Luis Potos\u00ed (2011) y en el Centro Cultural Borda en Cuernavaca Morelos, M\u00e9xico (2013), \u201cUna de Estas Noches\u201d para el Museo Universitario del Chopo, UNAM (2013), \u201cUrban Reallity Check\u201d en el Museo LAKMA para el Festival Grid en la Ciudad de Amersfoort, Pa\u00edses Bajos (2012), \u201cLente Latino\u201d en el Museo de Bellas Artes en Santiago de Chile (2012), \u201cThe Golden Projects\u201d Zona M\u00e9xico Arte Contempor\u00e1neo, MACO (2012) \u201cBorde\u201d para el Festival Fotogr\u00e1fico de Valpara\u00edso, Chile (2011), \u201cRelaciones y Relatos\u201d del Centro de la Imagen (2011), \u201cEmozioni di Colore\u201d Kreattivit\u00e1, Roma Italia (2010), etc."}},"meta":{"is_liked":false,"like_count":1},"activity_attributes":{"place":null,"image_filename":"\/users\/15082\/stories\/8769\/nywwy9679b334ff2.jpeg","video_service":null,"video_code":null},"url":"\/arturogarciatrinidad\/story\/luces-de-neza-york-2f3080d559","comments":[],"cover_block_image":null,"blocks":[{"id":56882,"story_id":8769,"image_id":56886,"video_id":null,"caption":"","caption_raw":null,"position":0,"is_explicit":null,"is_admin_explicit":null,"is_legacy":1,"legacy_id":"13814000-1dd2-11b2-b363-efbea351e424","created_at":"2015-12-06 01:18:10","updated_at":"2015-12-06 01:18:10","meta":{"is_liked":false,"like_count":1},"activity_attributes":{"story":{"title":"Luces de Neza York","started_at":"2010-01-01 00:00:00","ended_at":"2011-01-01 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Zanoni","profile":{"avatar":"\/users\/25062\/avatars\/oiek5h13d5e6b7d4.jpeg","cover_image":null,"nationality":null,"currently_in":{"id":82203,"city":"Milano","region":"Lombardy","country":"Italy","country_code":"IT","continent":"Europe","lat":"45.46427","lon":"9.18951","verified":1,"created_at":"-0001-11-30 00:00:00","updated_at":"2015-11-27 21:51:32","name":"Milano, Lombardy, Italy"},"bio":null}},"object":{"id":3297,"user_id":25062,"likable_id":4065,"likable_type":"PMH\\Story","created_at":"2016-12-20 10:06:33","updated_at":"2016-12-20 10:06:33","deleted_at":null,"likable":{"id":4065,"status_id":2,"user_id":15082,"cover_block_id":null,"place_id":null,"started_at":"2012-01-01 00:00:00","ended_at":"2013-01-01 00:00:00","is_ongoing":0,"is_unpublished":0,"title":"Buenos D\u00edas Minezota","slug":"buenos-dias-minezota-45b260efa1","slug_hash":"45b260efa1","excerpt":"<p>La ciudad entendida como un conjunto conformado por la diversidad de estructuras en las que se alojan distintos modelos de habitabilidad, es la premisa para abordar por medio de la imagen fotogr\u00e1fica los proyectos \"Luces de Neza York\" y \"Buenos D\u00edas Minezota\".<\/p>","excerpt_raw":"La ciudad entendida como un conjunto conformado por la diversidad de estructuras en las que se alojan distintos modelos de habitabilidad, es la premisa para abordar por medio de la imagen fotogr\u00e1fica los proyectos \"Luces de Neza York\" y \"Buenos D\u00edas Minezota\".","body":"<p>La ciudad entendida como un conjunto conformado por la diversidad de estructuras en las que se alojan distintos modelos de habitabilidad, es la premisa para abordar por medio de la imagen fotogr\u00e1fica los proyectos \"Luces de Neza York\" y \"Buenos D\u00edas Minezota\".<\/p><p>A mediados del siglo XX, la capital de M\u00e9xico tuvo un importante planteamiento de modelos urbanos, as\u00ed como una nutrida migraci\u00f3n que se concentr\u00f3 en distintos puntos de la periferia al Distrito Federal.<\/p><p>Al oriente de la ciudad, el municipio de Nezahualc\u00f3yotl en el Estado de M\u00e9xico, fue fraccionado como un enorme barrio dormitorio asentado en un esquema reticular de terrenos con precarios servicios e infraestructura. En la actualidad es el cuarto municipio mas poblado de M\u00e9xico y su aspecto se ha traducido en vertiginosos cambios f\u00edsicos planteados desde la autoconstrucci\u00f3n y llevados al modo de sus habitantes.<\/p><p>\u201cNeza York\u201d, sobrenombre cargado de iron\u00eda pero tambi\u00e9n en gran medida de un significado de pertenencia e identidad, es el nombre que utilic\u00e9 para desarrollar en una serie de im\u00e1genes nocturnas los diferentes escenarios que se plantean a lo largo de las avenidas de esa localidad.<\/p><p>\u201cMinezota\u201d, otro de los sobrenombres para referirse a este territorio mexiquense, es la parte que complementa al primer proyecto. Esta serie est\u00e1 planteada para captar los escenarios en el d\u00eda, una manera de acercarse a los habitantes desde una perspectiva del paisaje urbano, donde la materializaci\u00f3n de las construcciones son el marco perfecto que dan testimonio de la tipolog\u00eda que se repite en todas sus calles, caracterizando en distintos contextos una realidad del urbanismo mexicano.<\/p><p>The city understood as a combination of the diversity of structures in which different models of habitability are put up, is the premise aboarding through the photographic image projects \"Luces de Neza York\u201d (Lights of Neza York) and \"Buenos D\u00edas Minezota\u201d (Good Morning Minezota).<\/p><p>At mid-twentieth century, Mexico city had an important approach in urban models and a large migration at that time, which focused on different outlying points to Distrito Federal.<\/p><p>At the East of the City, Nezahualc\u00f3yotl town in the state of M\u00e9xico, was fractionated as a huge \u201cbedroom\u201d area established in a reticular diagramed land with precarious infrastructure and services. Today is the fourth most populated town of M\u00e9xico, its appearance has resulted in rapid physical changes arising from self construction and habitant\u2019s ways of living.<\/p><p>Neza York, a nickname loaded with irony but also with a great meaning of belonging and identity, is the name I am using to develop a series of night time images of the different scenarios that arise along the avenues of that town.<\/p><p>Modified environments by architectural and graphic elements which every user brings up from their imaginary, imitating and imposing unique styles by promoting their services. Full coloured islands, emphasised by neon lights or small bulb lights that indicates peculiar ways of surviving and coexisting in the competitive territory of offers and services. Luces de Neza York (Lights of Neza York) is a representation of contemporary Neza, a population expressing through their image their ideal aspirations.<\/p><p>Minezota, another nickname referring to this mexican territory, is the missing piece that complements the first project. This series is considered to capture the scenarios on daylight, a way to approach the habitants from a urban landscape perspective, where realization of constructions are the perfect setting that testify the typology that repeats itself in every street, characterising in different contexts a urban Mexican reality.<\/p>","body_raw":"La ciudad entendida como un conjunto conformado por la diversidad de estructuras en las que se alojan distintos modelos de habitabilidad, es la premisa para abordar por medio de la imagen fotogr\u00e1fica los proyectos \"Luces de Neza York\" y \"Buenos D\u00edas Minezota\".\n\nA mediados del siglo XX, la capital de M\u00e9xico tuvo un importante planteamiento de modelos urbanos, as\u00ed como una nutrida migraci\u00f3n que se concentr\u00f3 en distintos puntos de la periferia al Distrito Federal.\n\nAl oriente de la ciudad, el municipio de Nezahualc\u00f3yotl en el Estado de M\u00e9xico, fue fraccionado como un enorme barrio dormitorio asentado en un esquema reticular de terrenos con precarios servicios e infraestructura. En la actualidad es el cuarto municipio mas poblado de M\u00e9xico y su aspecto se ha traducido en vertiginosos cambios f\u00edsicos planteados desde la autoconstrucci\u00f3n y llevados al modo de sus habitantes.\n\n\u201cNeza York\u201d, sobrenombre cargado de iron\u00eda pero tambi\u00e9n en gran medida de un significado de pertenencia e identidad, es el nombre que utilic\u00e9 para desarrollar en una serie de im\u00e1genes nocturnas los diferentes escenarios que se plantean a lo largo de las avenidas de esa localidad.\n\n\u201cMinezota\u201d, otro de los sobrenombres para referirse a este territorio mexiquense, es la parte que complementa al primer proyecto. Esta serie est\u00e1 planteada para captar los escenarios en el d\u00eda, una manera de acercarse a los habitantes desde una perspectiva del paisaje urbano, donde la materializaci\u00f3n de las construcciones son el marco perfecto que dan testimonio de la tipolog\u00eda que se repite en todas sus calles, caracterizando en distintos contextos una realidad del urbanismo mexicano.\n\nThe city understood as a combination of the diversity of structures in which different models of habitability are put up, is the premise aboarding through the photographic image projects \"Luces de Neza York\u201d (Lights of Neza York) and \"Buenos D\u00edas Minezota\u201d (Good Morning Minezota).\nAt mid-twentieth century, Mexico city had an important approach in urban models and a large migration at that time, which focused on different outlying points to Distrito Federal.\nAt the East of the City, Nezahualc\u00f3yotl town in the state of M\u00e9xico, was fractionated as a huge \u201cbedroom\u201d area established in a reticular diagramed land with precarious infrastructure and services. Today is the fourth most populated town of M\u00e9xico, its appearance has resulted in rapid physical changes arising from self construction and habitant\u2019s ways of living.\nNeza York, a nickname loaded with irony but also with a great meaning of belonging and identity, is the name I am using to develop a series of night time images of the different scenarios that arise along the avenues of that town.\nModified environments by architectural and graphic elements which every user brings up from their imaginary, imitating and imposing unique styles by promoting their services. Full coloured islands, emphasised by neon lights or small bulb lights that indicates peculiar ways of surviving and coexisting in the competitive territory of offers and services. Luces de Neza York (Lights of Neza York) is a representation of contemporary Neza, a population expressing through their image their ideal aspirations.\nMinezota, another nickname referring to this mexican territory, is the missing piece that complements the first project. This series is considered to capture the scenarios on daylight, a way to approach the habitants from a urban landscape perspective, where realization of constructions are the perfect setting that testify the typology that repeats itself in every street, characterising in different contexts a urban Mexican reality.","published_at":"2014-09-26 15:24:01","is_legacy":1,"legacy_id":"24d18630-4591-11e4-ae1e-815ac1656b4e","position":null,"created_at":"2015-12-01 22:58:12","updated_at":"2015-12-01 22:58:13","user_attributes":{"id":15082,"firstname":"Arturo","lastname":"Garc\u00eda","username":"arturogarciatrinidad","name":"Arturo Garc\u00eda","profile":{"avatar":"\/users\/15082\/avatars\/nyovje6d0ac199c5.jpeg","cover_image":null,"nationality":"Mexican","currently_in":null,"bio":"Arturo Garc\u00eda Trinidad. 1983\nSantiago Yolom\u00e9catl, Oaxaca. M\u00e9xico\n\nArquitecto por la Universidad Nacional Aut\u00f3noma de M\u00e9xico (2008), comenz\u00f3 su carrera profesional como fot\u00f3grafo en el a\u00f1o 2010. Las l\u00edneas en las que basa su trabajo art\u00edstico parten de los temas urbanos, paisajes y percepciones de la esencia espacial, la arquitectura y las modificaciones f\u00edsicas en los ambientes transformados o adaptados por sus usuarios.\n\nSu formaci\u00f3n fotogr\u00e1fica ha sido desarrollada en el Seminario de Fotograf\u00eda Contempor\u00e1nea del Centro de la Imagen, M\u00e9xico (2010), el Seminario en Arte Contempor\u00e1neo del Museo Universitario de Arte Contempor\u00e1neo de la UNAM (2011), El diplomado de Espacio y Lugar de la Fundaci\u00f3n Jumex y la Universidad del Claustro de Sor Juana (2013), etc.\n\nSu trayectoria art\u00edstica ha sido reconocida por el Programa Nacional de J\u00f3venes Creadores del Fondo Nacional para la Cultura y las Artes, M\u00e9xico (2010-11 y 2012-13); ha participado en el programa Trasatl\u00e1ntica - PhotoEspa\u00f1a en San Jos\u00e9 de Costa Rica (2012), fue seleccionado por la regi\u00f3n M\u00e9xico, Centroam\u00e9rica y el Caribe para postular al Joop Swart Masterclass del World Press Photo (2012) y el encuentro de Creativos de la Agencia Behance NY, en la Ciudad de M\u00e9xico (2013). En 2014 es invitado para participar en la presentaci\u00f3n de autores noveles del Tercer Encuentro de Investigaci\u00f3n sobre Fotograf\u00eda en San Luis Potos\u00ed, M\u00e9xico.\n\nEntre sus exposiciones se encuentran \"Take Over\" Times Square Nueva York 2014, \u201cThe Story of the Creative\u201d en la Galer\u00eda See Me de Nueva York (2013), \u201cCreaci\u00f3n en Movimiento\u201d FONCA Centro de las Artes de San Luis Potos\u00ed (2011) y en el Centro Cultural Borda en Cuernavaca Morelos, M\u00e9xico (2013), \u201cUna de Estas Noches\u201d para el Museo Universitario del Chopo, UNAM (2013), \u201cUrban Reallity Check\u201d en el Museo LAKMA para el Festival Grid en la Ciudad de Amersfoort, Pa\u00edses Bajos (2012), \u201cLente Latino\u201d en el Museo de Bellas Artes en Santiago de Chile (2012), \u201cThe Golden Projects\u201d Zona M\u00e9xico Arte Contempor\u00e1neo, MACO (2012) \u201cBorde\u201d para el Festival Fotogr\u00e1fico de Valpara\u00edso, Chile (2011), \u201cRelaciones y Relatos\u201d del Centro de la Imagen (2011), \u201cEmozioni di Colore\u201d Kreattivit\u00e1, Roma Italia (2010), etc."}},"meta":{"is_liked":false,"like_count":1},"activity_attributes":{"place":null,"image_filename":"\/users\/15082\/stories\/4065\/nyq4oa3f523d72f9.jpeg","video_service":null,"video_code":null},"url":"\/arturogarciatrinidad\/story\/buenos-dias-minezota-45b260efa1","comments":[],"cover_block_image":null,"blocks":[{"id":10351,"story_id":4065,"image_id":10353,"video_id":null,"caption":"de la serie\nBuenos D\u00edas Minezota","caption_raw":"de la serie\nBuenos D\u00edas Minezota","position":0,"is_explicit":null,"is_admin_explicit":null,"is_legacy":1,"legacy_id":"13814000-1dd2-11b2-995b-e16d6f9daec4","created_at":"2015-12-02 09:21:47","updated_at":"2015-12-02 09:21:47","meta":{"is_liked":false,"like_count":0},"activity_attributes":{"story":{"title":"Buenos D\u00edas Minezota","started_at":"2012-01-01 00:00:00","ended_at":"2013-01-01 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serie\r\nBuenos D\u00edas Minezota","caption_raw":"de la serie\r\nBuenos D\u00edas Minezota","position":8,"is_explicit":null,"is_admin_explicit":null,"is_legacy":1,"legacy_id":"13814000-1dd2-11b2-968a-27dffa6132f2","created_at":"2015-12-04 09:52:30","updated_at":"2015-12-04 09:52:30","meta":{"is_liked":false,"like_count":0},"activity_attributes":{"story":{"title":"Buenos D\u00edas Minezota","started_at":"2012-01-01 00:00:00","ended_at":"2013-01-01 00:00:00","slug":"buenos-dias-minezota-45b260efa1","place":null,"user":{"firstname":"Arturo","lastname":"Garc\u00eda","username":"arturogarciatrinidad","profile":{"avatar":"\/users\/15082\/avatars\/nyovje6d0ac199c5.jpeg"}}},"image_filename":"\/users\/15082\/stories\/4065\/nytvfi16ce379802.jpeg","video_meta":null},"image":{"id":54091,"filename":"\/users\/15082\/stories\/4065\/nytvfi16ce379802.jpeg","created_at":"2015-12-04 09:52:30","updated_at":"2015-12-04 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10:08:48","deleted_at":null,"likable":{"id":11800,"status_id":2,"user_id":22425,"cover_block_id":99042,"place_id":145467,"started_at":"2015-01-01 00:00:00","ended_at":null,"is_ongoing":1,"is_unpublished":0,"title":"City of Flies","slug":"city-of-flies-666696d454","slug_hash":"666696d454","excerpt":"<p>Antananarivo, capital of Madagascar, is home to one of the largest dumpsites of the African continent. Around 3000 people live and work here, collecting plastic and metals. Residents of the capital commonly refer to this place as \u201cRalalitra\u201d: the city of flies.<\/p>","excerpt_raw":"Antananarivo, capital of Madagascar, is home to one of the largest dumpsites of the African continent. Around 3000 people live and work here, collecting plastic and metals. Residents of the capital commonly refer to this place as \u201cRalalitra\u201d: the city of flies.","body":"<p>Antananarivo, capital of Madagascar, is home to one of the largest dumpsites of the African continent, operative since the \u201860s . The dumpsite, which now covers over 45 acres and is still expanding, receives between 350 and 550 tons of new waste each day. Fire burns endlessly in the midst of the hills of garbage, which can reach up to 15 meters in height, and the unnatural landscape is constantly imbued with a toxic fog.<\/p><p>Around 3000 people currently live and work here, collecting plastic (sold for 0,05 $\/ Kg) and metals (0,50 $\/Kg). Many of them came to Antananarivo hoping to find better living conditions and fortune, now they live in one of the place on Earth with more unreported cases of pneumonic plague, the most infective type of the so called Black Death.<\/p><p>The core of the dumpsite is scattered with small tombs, marking the bodies of fetuses and unwanted newborns. The ones who managed to survive, live permanently in the dumpsite as a community of orphaned children.<\/p><p>Residents of the capital commonly refer to this place as \u201cRalalitra\u201d: the City of Flies.<\/p>","body_raw":"Antananarivo, capital of Madagascar, is home to one of the largest dumpsites of the African continent, operative since the \u201860s . The dumpsite, which now covers over 45 acres and is still expanding, receives between 350 and 550 tons of new waste each day. Fire burns endlessly in the midst of the hills of garbage, which can reach up to 15 meters in height, and the unnatural landscape is constantly imbued with a toxic fog.\n\nAround 3000 people currently live and work here, collecting plastic (sold for 0,05 $\/ Kg) and metals (0,50 $\/Kg). Many of them came to Antananarivo hoping to find better living conditions and fortune, now they live in one of the place on Earth with more unreported cases of pneumonic plague, the most infective type of the so called Black Death.\n\nThe core of the dumpsite is scattered with small tombs, marking the bodies of fetuses and unwanted newborns. The ones who managed to survive, live permanently in the dumpsite as a community of orphaned children.\nResidents of the capital commonly refer to this place as \u201cRalalitra\u201d: the City of Flies.\n","published_at":"2016-10-18 00:19:24","is_legacy":null,"legacy_id":null,"position":null,"created_at":"2016-10-18 00:02:25","updated_at":"2016-10-18 00:52:14","user_attributes":{"id":22425,"firstname":"Riccardo","lastname":"Bononi","username":"riccardo_bononi","name":"Riccardo Bononi","profile":{"avatar":"\/users\/22425\/avatars\/o3oepu5e5d95e013.jpg","cover_image":null,"nationality":"Italian","currently_in":{"id":81606,"city":"Padova","region":"Veneto","country":"Italy","country_code":"IT","continent":"Europe","lat":"45.40797","lon":"11.88586","verified":1,"created_at":"-0001-11-30 00:00:00","updated_at":"2015-11-27 21:51:31","name":"Padova, Veneto, Italy"},"bio":"Graduated in two different fields of social sciences, psychology and anthropology, since 2010 Riccardo worked as visual anthropologist at the Irfoss Institute in Padua, Italy. Since 2015 his works are represented by Prospekt Photographers photo agency. \n\nWhile combining photography and audiovisual as privileged research approaches, he has been working in Africa, South and North America, Asia and Europe. Since 2006 he worked as a field researcher in Madagascar, especially focusing on the taboos concerning illness and death.\n\nIn 2015 he was nominated \"Best Photographer of the Year - Professional Sport Category\" at Sony World Photography Awards. His pictures have been exhibited in London, Italy, Berlin, Bucharest, Paris, Beijing and Lishui, and have been published by several international magazines.\n\nIn his vision, documentary photography is much more than a mere tool for data collection: it is the base for an universal language, a bridge between people and places that allows to overcome the invisible borders among cultures."}},"meta":{"is_liked":false,"like_count":1},"activity_attributes":{"place":"Madagascar","image_filename":"\/users\/22425\/stories\/11800\/of7vid9a504f7c7b.jpg","video_service":null,"video_code":null},"url":"\/riccardo_bononi\/story\/city-of-flies-666696d454","comments":[],"cover_block_image":{"id":99042,"story_id":11800,"image_id":101150,"video_id":null,"caption":null,"caption_raw":null,"position":0,"is_explicit":null,"is_admin_explicit":null,"is_legacy":null,"legacy_id":null,"created_at":"2016-10-18 00:18:13","updated_at":"2016-10-18 00:18:13","meta":{"is_liked":false,"like_count":0},"activity_attributes":{"story":{"title":"City of Flies","started_at":"2015-01-01 00:00:00","ended_at":null,"slug":"city-of-flies-666696d454","place":"Madagascar","user":{"firstname":"Riccardo","lastname":"Bononi","username":"riccardo_bononi","profile":{"avatar":"\/users\/22425\/avatars\/o3oepu5e5d95e013.jpg"}}},"image_filename":"\/users\/22425\/stories\/11800\/of7vid9a504f7c7b.jpg","video_meta":null},"image":{"id":101150,"filename":"\/users\/22425\/stories\/11800\/of7vid9a504f7c7b.jpg","created_at":"2016-10-18 00:18:13","updated_at":"2016-10-18 00:18:13"},"video":null}}}},{"id":24508,"user_id":25062,"object_id":3299,"object_type":"PMH\\Like","published_at":"2016-12-20 10:17:02","created_at":"2016-12-20 10:17:02","updated_at":"2016-12-20 10:17:02","user_attributes":{"id":25062,"firstname":"Alessandro","lastname":"Zanoni","username":"alezano","name":"Alessandro Zanoni","profile":{"avatar":"\/users\/25062\/avatars\/oiek5h13d5e6b7d4.jpeg","cover_image":null,"nationality":null,"currently_in":{"id":82203,"city":"Milano","region":"Lombardy","country":"Italy","country_code":"IT","continent":"Europe","lat":"45.46427","lon":"9.18951","verified":1,"created_at":"-0001-11-30 00:00:00","updated_at":"2015-11-27 21:51:32","name":"Milano, Lombardy, Italy"},"bio":null}},"object":{"id":3299,"user_id":25062,"likable_id":11137,"likable_type":"PMH\\Story","created_at":"2016-12-20 10:17:02","updated_at":"2016-12-20 10:17:02","deleted_at":null,"likable":{"id":11137,"status_id":2,"user_id":23974,"cover_block_id":90723,"place_id":145573,"started_at":"2014-01-01 00:00:00","ended_at":"2016-01-01 00:00:00","is_ongoing":0,"is_unpublished":0,"title":"Dads","slug":"dads-0a6f8f41fa","slug_hash":"0a6f8f41fa","excerpt":"<p>I\u2019ve ironically used photography to convey absence - a media often, and almost automatically used to reframe memory.<\/p>","excerpt_raw":"I\u2019ve ironically used photography to convey absence - a media often, and almost automatically used to reframe memory.\n","body":"<p>This project very much focuses on highlighting the loss of a relative, or their missing. As something physical and thus wishes to capture its essence. By materializing the absence one is undeniably transforming it into an actual physical form.<\/p><p>One might forget features of a face but remembers the loss or sentiment of emptiness. I made new family albums from scratch with pictures I'd edit so they'd be more accurate in telling the story of our life. Aiming to create a visual discomfort by recreating in a way, pictures I grew up with. They could have been thrown away but remained in the albums, either torn up or cut out which I\u2019ve always found to be quite a powerful statement. As if this faceless form was illustrating our education and shaping our identity.<\/p><p>As if we we going to ignore, to forget this gap in our family story and had forever to visualise its existence.<\/p><p>But these new edited pictures didn\u2019t remain in photo albums. Wanting to create another layer of depth to the project, I placed these images in staged sceneries. By photographing these modified pictures I was giving them a newfound echo in a setting wavering between fantasy and reality. These pictures had to exist in a new dimension in which they were surrounded by my belongings, muddling up the truth and the lies whether it was in the content or in the setting. Pictures that had never existed in my past where brought to light in this artificial new reality questioning the place memory was taking in the process of acquiring my identity.<\/p><p>Dads is a blunt testimony of absence, a disturbing hole in the most powerful piece of evidence.<\/p><p>You can\u2019t forget what you\u2019ve never known but can choose to remember its absence.<\/p>","body_raw":"This project very much focuses on highlighting the loss of a relative, or their missing. As something physical and thus wishes to capture its essence. By materializing the absence one is undeniably transforming it into an actual physical form.\nOne might forget features of a face but remembers the loss or sentiment of emptiness. I made new family albums from scratch with pictures I'd edit so they'd be more accurate in telling the story of our life. Aiming to create a visual discomfort by recreating in a way, pictures I grew up with. They could have been thrown away but remained in the albums, either torn up or cut out which I\u2019ve always found to be quite a powerful statement. As if this faceless form was illustrating our education and shaping our identity.\nAs if we we going to ignore, to forget this gap in our family story and had forever to visualise its existence.\nBut these new edited pictures didn\u2019t remain in photo albums. Wanting to create another layer of depth to the project, I placed these images in staged sceneries. By photographing these modified pictures I was giving them a newfound echo in a setting wavering between fantasy and reality. These pictures had to exist in a new dimension in which they were surrounded by my belongings, muddling up the truth and the lies whether it was in the content or in the setting. Pictures that had never existed in my past where brought to light in this artificial new reality questioning the place memory was taking in the process of acquiring my identity.\nDads is a blunt testimony of absence, a disturbing hole in the most powerful piece of evidence.\nYou can\u2019t forget what you\u2019ve never known but can choose to remember its absence.","published_at":"2016-06-14 20:07:23","is_legacy":null,"legacy_id":null,"position":null,"created_at":"2016-06-14 20:03:15","updated_at":"2016-06-15 10:43:09","user_attributes":{"id":23974,"firstname":"Camille","lastname":"L\u00e9v\u00eaque","username":"CamilleLeveque","name":"Camille L\u00e9v\u00eaque","profile":{"avatar":"\/users\/23974\/avatars\/o8rs3xd03128f62f.jpg","cover_image":null,"nationality":"French","currently_in":null,"bio":"Camille L\u00e9v\u00eaque (1985) is a freelance photographer born and raised in Paris, France. \n\nShe graduated from university in Paris with a degree in Fine Arts and Literature. Along those years she taught herself photography as well as the technicalities of a dark chamber. After graduating, she traveled worldwide for several years and documented her travels in black and white with analog equipment. \nFrom 2007 to 2008 she lived in Armenia, where she was commissioned by the French Embassy and the UNHCR to assemble a year-long reportage on post Karabagh war refugees situation in Armenia. \nBack in Paris she was then an intern for the agency Tendance Floue, and studio assistant for food industry shoots. \nIn 2010 she started working as an Editorial Assistant for MAGNUM PHOTOS in Paris, to eventually move back to the US in 2011 in order to focus on personal projects.\nWhile constantly developing her photography practice, she mainly explores intimacy and builds narrative series blending straight documentary works with an artistic and personal approach. \nHer works think about relationships, matters of identity and origins - often looking at family as the cornerstone of her analysis. \n\nHer works have been featured on various publications, online and in print, and have been exhibited in the US and in Europe.\nCamille shoots in film and digital, she is based in Los Angeles but available for commissions and assignments worldwide. \n\nShe is founder and member of the LIVE WILD collective"}},"meta":{"is_liked":false,"like_count":1},"activity_attributes":{"place":"United States","image_filename":"\/users\/23974\/stories\/11137\/o8s2hw117d1294c4.JPG","video_service":null,"video_code":null},"url":"\/CamilleLeveque\/story\/dads-0a6f8f41fa","comments":[],"cover_block_image":{"id":90723,"story_id":11137,"image_id":92203,"video_id":null,"caption":null,"caption_raw":null,"position":0,"is_explicit":null,"is_admin_explicit":null,"is_legacy":null,"legacy_id":null,"created_at":"2016-06-14 20:05:56","updated_at":"2016-06-14 20:05:56","meta":{"is_liked":false,"like_count":0},"activity_attributes":{"story":{"title":"Dads","started_at":"2014-01-01 00:00:00","ended_at":"2016-01-01 00:00:00","slug":"dads-0a6f8f41fa","place":"United States","user":{"firstname":"Camille","lastname":"L\u00e9v\u00eaque","username":"CamilleLeveque","profile":{"avatar":"\/users\/23974\/avatars\/o8rs3xd03128f62f.jpg"}}},"image_filename":"\/users\/23974\/stories\/11137\/o8s2hw117d1294c4.JPG","video_meta":null},"image":{"id":92203,"filename":"\/users\/23974\/stories\/11137\/o8s2hw117d1294c4.JPG","created_at":"2016-06-14 20:05:56","updated_at":"2016-06-14 20:05:56"},"video":null}}}},{"id":24716,"user_id":25062,"object_id":3336,"object_type":"PMH\\Like","published_at":"2016-12-26 17:55:50","created_at":"2016-12-26 17:55:50","updated_at":"2016-12-26 17:55:50","user_attributes":{"id":25062,"firstname":"Alessandro","lastname":"Zanoni","username":"alezano","name":"Alessandro Zanoni","profile":{"avatar":"\/users\/25062\/avatars\/oiek5h13d5e6b7d4.jpeg","cover_image":null,"nationality":null,"currently_in":{"id":82203,"city":"Milano","region":"Lombardy","country":"Italy","country_code":"IT","continent":"Europe","lat":"45.46427","lon":"9.18951","verified":1,"created_at":"-0001-11-30 00:00:00","updated_at":"2015-11-27 21:51:32","name":"Milano, Lombardy, Italy"},"bio":null}},"object":{"id":3336,"user_id":25062,"likable_id":10134,"likable_type":"PMH\\Story","created_at":"2016-12-26 17:55:49","updated_at":"2016-12-26 17:55:49","deleted_at":null,"likable":{"id":10134,"status_id":2,"user_id":22910,"cover_block_id":null,"place_id":145383,"started_at":"2013-01-01 00:01:00","ended_at":null,"is_ongoing":1,"is_unpublished":0,"title":"PRIMAL PLANET","slug":"primal-planet-60fd8f7ba3","slug_hash":"60fd8f7ba3","excerpt":"<p>\"To the place where light never changes,<\/p><p>and people stroll through the dust,<\/p><p>where a thousand miles of river hidden in the fog.<\/p><p>To the first place I have been, but don\u2019t know much about.\"<\/p>","excerpt_raw":"\"To the place where light never changes,\nand people stroll through the dust,\nwhere a thousand miles of river hidden in the fog.\nTo the first place I have been, but don\u2019t know much about.\"","body":"<p>\"To the place where light never changes,<\/p><p>and people stroll through the dust,<\/p><p>where a thousand miles of river hidden in the fog.<\/p><p>To the first place I have been, but don\u2019t know much about.\"<\/p><p>I tried to reconnect with Hunan, a southern province of China, where everything seems suspended and eternal. It was the first place I had ever been in the world. I also turned to the place I grew up, Shenzhen, a city as young as me, where everything is marked by perpetual movement and rapid change.<\/p><p>The population of Shenzhen grew from 30,000 to 15,000,000 in the span of thirty years, which made me curious and aware of the relation between the limitations of space and the sudden expansion of the city. I look into both the new and the old in modern China by photographing between these two places.<\/p><p>I am particularly interested in how human experiences are distinct yet connected.<\/p>","body_raw":"\"To the place where light never changes,\nand people stroll through the dust,\nwhere a thousand miles of river hidden in the fog.\nTo the first place I have been, but don\u2019t know much about.\"\n\nI tried to reconnect with Hunan, a southern province of China, where everything seems suspended and eternal. It was the first place I had ever been in the world. I also turned to the place I grew up, Shenzhen, a city as young as me, where everything is marked by perpetual movement and rapid change.\n\nThe population of Shenzhen grew from 30,000 to 15,000,000 in the span of thirty years, which made me curious and aware of the relation between the limitations of space and the sudden expansion of the city. I look into both the new and the old in modern China by photographing between these two places.\n\nI am particularly interested in how human experiences are distinct yet connected.","published_at":"2016-05-25 21:07:14","is_legacy":null,"legacy_id":null,"position":null,"created_at":"2016-05-19 20:21:25","updated_at":"2016-05-25 21:08:23","user_attributes":{"id":22910,"firstname":"Ke","lastname":"Peng","username":"kpeng","name":"Ke Peng","profile":{"avatar":"\/users\/22910\/avatars\/o7fy2ma59016154b.jpg","cover_image":null,"nationality":"Chinese","currently_in":{"id":146148,"city":null,"region":"California","country":"United States","country_code":"US","continent":"North America","lat":"37.09024","lon":"-95.712891","verified":1,"created_at":"2015-11-18 16:32:01","updated_at":"2016-02-04 16:08:42","name":"California, United States"},"bio":"Ke Peng \u5f6d\u53ef (b. 1992, Hunan, raised in Shenzhen, China) lives and works in Los Angeles, CA and southern China. She is interested in how the different connect, and distinctions within similarity. The urge, burden and limitation of being in a specific space, as well as active looking is very important to her, while constantly thinking about one's own self is the least important. She spends an unbelievable amount of time observing people, space.. and cute animals. She is also very fond of milk, jackfruit and canele. She received a BFA in Photography from Rhode Island School of Design."}},"meta":{"is_liked":false,"like_count":3},"activity_attributes":{"place":"China","image_filename":"\/users\/22910\/stories\/10134\/o7r3fjaea8b85db4.jpg","video_service":null,"video_code":null},"url":"\/kpeng\/story\/primal-planet-60fd8f7ba3","comments":[],"cover_block_image":null,"blocks":[{"id":80263,"story_id":10134,"image_id":81035,"video_id":null,"caption":"Untitled, Shenzhen, China, 2015","caption_raw":"Untitled, Shenzhen, China, 2015","position":null,"is_explicit":null,"is_admin_explicit":null,"is_legacy":null,"legacy_id":null,"created_at":"2016-05-25 20:54:56","updated_at":"2016-05-25 20:56:23","meta":{"is_liked":false,"like_count":2},"activity_attributes":{"story":{"title":"PRIMAL PLANET","started_at":"2013-01-01 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Backyard is a mythical, fairytale-like photo series about the dream of flying, of freedom and creativity.<\/p><p>All over the country in China, in the most unexpected of places, farmers rise up to build their own aircraft. They don't work in fancy hangars with all the equipment one could wish for, they simply play around in their backyards, recycling scrap metal and using household tools. They are self-educated, self-employed and penniless.<\/p><p>Some of these aeronauts have worked for decades but never achieved to get airborne. Although that might sound like a waste of time, they see it differently. For them, the game is not about how far or high they can fly, it's about pushing their boundaries in order to achieve the impossible. They call it real-life science-fiction.<\/p><p>Driven by questions of why, of all people, Chinese farmers have the guts and skills to become aeronauts, even though they lack both education and resources, and how they manage to achieve such dazzling goals while working full-time jobs on the side and taking care of their families on a daily basis,<\/p><p>In early 2015 I drove across China's extensive land for several months, residing in eight different villages spread out over three major provinces, meeting and interviewing eight different aeronauts. Although coming from similar backgrounds, all eight have completely different ways of building their machines, and all carry countless unique stories with them.<\/p><p>I recorded their tales, took pictures and simultaneously collected many original aircraft drawings and technical documents. All these little artefacts will be brought together in the book, thereby unveiling the hidden world of Chinese aeronautics in full detail for the first time.<\/p><p>With this project I want to show the creativity of individual farmer. I am deeply touched by their resourcefulness, flexibility, positivity, playfulness and childishness.<\/p>","body_raw":"AeronauticsIn The Backyard is a mythical, fairytale-like photo series about the dream of flying, of freedom and creativity.\n\nAll over the country in China, in the most unexpected of places, farmers rise up to build their own aircraft. They don't work in fancy hangars with all the equipment one could wish for, they simply play around in their backyards, recycling scrap metal and using household tools. They are self-educated, self-employed and penniless.\n\nSome of these aeronauts have worked for decades but never achieved to get airborne. Although that might sound like a waste of time, they see it differently. 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Zanoni","profile":{"avatar":"\/users\/25062\/avatars\/oiek5h13d5e6b7d4.jpeg","cover_image":null,"nationality":null,"currently_in":{"id":82203,"city":"Milano","region":"Lombardy","country":"Italy","country_code":"IT","continent":"Europe","lat":"45.46427","lon":"9.18951","verified":1,"created_at":"-0001-11-30 00:00:00","updated_at":"2015-11-27 21:51:32","name":"Milano, Lombardy, Italy"},"bio":null}},"object":{"id":12729,"status_id":2,"user_id":25062,"cover_block_id":112763,"place_id":146912,"started_at":"2016-01-01 00:00:00","ended_at":"2016-01-01 00:00:00","is_ongoing":0,"is_unpublished":0,"title":"Postcards from the anthropocene","slug":"postcards-from-the-anthropocene-3f2330eed3","slug_hash":"3f2330eed3","excerpt":"<p>A visual journey into the Inner Mongolia Autonomous Region depicting the transformation of urban areas driven by the profound Chinese process of economic and social change, the photo series reveals the core of the urbanization processes in industrial and postindustrial societies. <\/p>","excerpt_raw":"A visual journey into the Inner Mongolia Autonomous Region depicting the transformation of urban areas driven by the profound Chinese process of economic and social change, the photo series reveals the core of the urbanization processes in industrial and postindustrial societies. ","body":"<p>A visual journey into the Inner Mongolia Autonomous Region depicting the transformation of urban areas driven by the profound Chinese process of economic and social change, the photo series reveals the core of the urbanization processes in industrial and postindustrial societies. Each shot shares the same visual patterns of the urban landscape, though the contexts, cultures, and geographical areas are far and diverse. These images evoke representations of the modernization of post-war Italian society, such as the bright and desolating urban landscapes shot by Pierpaolo Pasolini, Michelangelo Antonioni and Francesco Rosi, whose visual patterns are surprisingly similar to the shots taken in Ordos, Baotou, and Hohhot. Moreover, this photo project witnesses the present geological era, the Anthropocene, where landscape, as well as earth system processes and dynamics are altered by humans. These visual notes document the \u201cabsolute particular\u201d [Barthes 1980] of the massive economic and social transformation process. Such processes transform the inevitable rubble of rural flight into the hope of a wealthy future made of asphalt surfaces and modern dwellings. The light and shade of architectural shapes define an empty space, where the skyscraper prevails, becoming a totem. The sparsity of human presence marks the pace of social adaptation to change. The force of urbanization represents more than just the human presence; it is a human footprint on the planet. These images are non judgemental, as to the model of growth and development. They are mere visual observations of the Anthropocene, recording how we, as human beings, transform and shape the environment we are living in.<\/p>","body_raw":"A visual journey into the Inner Mongolia Autonomous Region depicting the transformation of urban areas driven by the profound Chinese process of economic and social change, the photo series reveals the core of the urbanization processes in industrial and postindustrial societies. Each shot shares the same visual patterns of the urban landscape, though the contexts, cultures, and geographical areas are far and diverse. These images evoke representations of the modernization of post-war Italian society, such as the bright and desolating urban landscapes shot by Pierpaolo Pasolini, Michelangelo Antonioni and Francesco Rosi, whose visual patterns are surprisingly similar to the shots taken in Ordos, Baotou, and Hohhot. Moreover, this photo project witnesses the present geological era, the Anthropocene, where landscape, as well as earth system processes and dynamics are altered by humans. These visual notes document the \u201cabsolute particular\u201d [Barthes 1980] of the massive economic and social transformation process. Such processes transform the inevitable rubble of rural flight into the hope of a wealthy future made of asphalt surfaces and modern dwellings. The light and shade of architectural shapes define an empty space, where the skyscraper prevails, becoming a totem. The sparsity of human presence marks the pace of social adaptation to change. The force of urbanization represents more than just the human presence; it is a human footprint on the planet. These images are non judgemental, as to the model of growth and development. They are mere visual observations of the Anthropocene, recording how we, as human beings, transform and shape the environment we are living in.","published_at":"2017-04-14 10:37:56","is_legacy":null,"legacy_id":null,"position":3,"created_at":"2017-04-14 10:27:29","updated_at":"2017-04-14 10:37:56","user_attributes":{"id":25062,"firstname":"Alessandro","lastname":"Zanoni","username":"alezano","name":"Alessandro Zanoni","profile":{"avatar":"\/users\/25062\/avatars\/oiek5h13d5e6b7d4.jpeg","cover_image":null,"nationality":null,"currently_in":{"id":82203,"city":"Milano","region":"Lombardy","country":"Italy","country_code":"IT","continent":"Europe","lat":"45.46427","lon":"9.18951","verified":1,"created_at":"-0001-11-30 00:00:00","updated_at":"2015-11-27 21:51:32","name":"Milano, Lombardy, Italy"},"bio":null}},"meta":{"is_liked":false,"like_count":1},"activity_attributes":{"place":"Inner Mongolia, China","image_filename":"\/users\/25062\/stories\/12729\/ooeah1a0619e7b57.jpg","video_service":null,"video_code":null},"url":"\/alezano\/story\/postcards-from-the-anthropocene-3f2330eed3","comments":[],"cover_block_image":{"id":112763,"story_id":12729,"image_id":136863,"video_id":null,"caption":null,"caption_raw":null,"position":0,"is_explicit":null,"is_admin_explicit":null,"is_legacy":null,"legacy_id":null,"created_at":"2017-04-14 10:29:26","updated_at":"2017-04-14 10:29:26","meta":{"is_liked":false,"like_count":0},"activity_attributes":{"story":{"title":"Postcards from the anthropocene","started_at":"2016-01-01 00:00:00","ended_at":"2016-01-01 00:00:00","slug":"postcards-from-the-anthropocene-3f2330eed3","place":"Inner Mongolia, China","user":{"firstname":"Alessandro","lastname":"Zanoni","username":"alezano","profile":{"avatar":"\/users\/25062\/avatars\/oiek5h13d5e6b7d4.jpeg"}}},"image_filename":"\/users\/25062\/stories\/12729\/ooeah1a0619e7b57.jpg","video_meta":null},"image":{"id":136863,"filename":"\/users\/25062\/stories\/12729\/ooeah1a0619e7b57.jpg","created_at":"2017-04-14 10:29:26","updated_at":"2017-04-14 10:29:26"},"video":null}}},{"id":29224,"user_id":25062,"object_id":4358,"object_type":"PMH\\Like","published_at":"2017-04-14 20:24:21","created_at":"2017-04-14 20:24:21","updated_at":"2017-04-14 20:24:21","user_attributes":{"id":25062,"firstname":"Alessandro","lastname":"Zanoni","username":"alezano","name":"Alessandro Zanoni","profile":{"avatar":"\/users\/25062\/avatars\/oiek5h13d5e6b7d4.jpeg","cover_image":null,"nationality":null,"currently_in":{"id":82203,"city":"Milano","region":"Lombardy","country":"Italy","country_code":"IT","continent":"Europe","lat":"45.46427","lon":"9.18951","verified":1,"created_at":"-0001-11-30 00:00:00","updated_at":"2015-11-27 21:51:32","name":"Milano, Lombardy, Italy"},"bio":null}},"object":{"id":4358,"user_id":25062,"likable_id":8811,"likable_type":"PMH\\Story","created_at":"2017-04-14 20:24:21","updated_at":"2017-04-14 20:24:21","deleted_at":null,"likable":{"id":8811,"status_id":2,"user_id":16758,"cover_block_id":66063,"place_id":145357,"started_at":"2014-01-01 00:00:00","ended_at":"2014-01-01 00:00:00","is_ongoing":0,"is_unpublished":1,"title":"Then The Sky Crashed Down Upon Us","slug":"then-the-sky-crashed-down-upon-us-9dd7ee65fd","slug_hash":"9dd7ee65fd","excerpt":"<p>One year after the RanaPlaza tragedy still hundreds of people suffer from invisible, intangibles wounds.<\/p>","excerpt_raw":"One year after the RanaPlaza tragedy still hundreds of people suffer from invisible, intangibles wounds.","body":"<p>One year after the RanaPlaza tragedy still hundreds of people suffer from invisible, intangibles wounds. Trauma is a normal response to a disaster like this, but still too many people suffer panic attacks or memory losses, hear continuously mourning voices imploring help or even see dead workers laying beside them. Although I'm still alive, Rana Plaza changed the course of my life - says a survivor. His conditions are common to hundreds of victims and their relatives, who are still unable to recover physically and, especially, psychologically from the trauma.The tragedy and pain are far from over. <\/p>","body_raw":"One year after the RanaPlaza tragedy still hundreds of people suffer from invisible, intangibles wounds. Trauma is a normal response to a disaster like this, but still too many people suffer panic attacks or memory losses, hear continuously mourning voices imploring help or even see dead workers laying beside them. Although I'm still alive, Rana Plaza changed the course of my life - says a survivor. His conditions are common to hundreds of victims and their relatives, who are still unable to recover physically and, especially, psychologically from the trauma.The tragedy and pain are far from over. ","published_at":"2017-02-06 11:10:05","is_legacy":1,"legacy_id":"37bc9aa0-c726-11e4-989a-d704923b167a","position":3,"created_at":"2015-12-05 18:53:01","updated_at":"2017-02-06 11:14:51","user_attributes":{"id":16758,"firstname":"Annalisa","lastname":"Natali Murri","username":"annalisanatalimurri","name":"Annalisa Natali Murri","profile":{"avatar":"\/users\/16758\/avatars\/nyp0b5f1fb0b1945.jpeg","cover_image":null,"nationality":null,"currently_in":null,"bio":"Annalisa Natali Murri (1982), freelance photograher, approached for the first time to photography at age 27, while attending Architectural and Urban Photography School at EAF, in Valencia (Spain). \nAfter completing her studies in engineering, soon she began to alternate her work to photography, focusing on personal research works and documentary projects, mainly inspired by social issues and their psychological consequences. In 2012 her project Cinderellas about the harsh living conditions faced by transgender communities in Bangladesh is awarded at 70th POYi.\nShe currently lives and works in Bologna, Italy. "}},"meta":{"is_liked":false,"like_count":14},"activity_attributes":{"place":"Bangladesh","image_filename":"\/users\/16758\/stories\/8811\/nyxew0c8d2347bb9.jpeg","video_service":null,"video_code":null},"url":"\/annalisanatalimurri\/story\/then-the-sky-crashed-down-upon-us-9dd7ee65fd","comments":[],"cover_block_image":{"id":66063,"story_id":8811,"image_id":66067,"video_id":null,"caption":"\u201cI dreamt about my husband calling my name. I thought he was alive. But they found his body lifeless after 17 days. It was like dying\u201d (Sheuly, 26)","caption_raw":"\u201cI dreamt about my husband calling my name. I thought he was alive. But they found his body lifeless after 17 days. It was like dying\u201d (Sheuly, 26)","position":9,"is_explicit":null,"is_admin_explicit":null,"is_legacy":1,"legacy_id":"13814000-1dd2-11b2-bcfe-6f3c9dbc461e","created_at":"2015-12-06 07:45:36","updated_at":"2015-12-06 07:45:36","meta":{"is_liked":false,"like_count":0},"activity_attributes":{"story":{"title":"Then The Sky Crashed Down Upon Us","started_at":"2014-01-01 00:00:00","ended_at":"2014-01-01 00:00:00","slug":"then-the-sky-crashed-down-upon-us-9dd7ee65fd","place":"Bangladesh","user":{"firstname":"Annalisa","lastname":"Natali Murri","username":"annalisanatalimurri","profile":{"avatar":"\/users\/16758\/avatars\/nyp0b5f1fb0b1945.jpeg"}}},"image_filename":"\/users\/16758\/stories\/8811\/nyxew0c8d2347bb9.jpeg","video_meta":null},"image":{"id":66067,"filename":"\/users\/16758\/stories\/8811\/nyxew0c8d2347bb9.jpeg","created_at":"2015-12-06 07:45:36","updated_at":"2015-12-06 07:45:36"},"video":null}}}},{"id":29229,"user_id":25062,"object_id":4362,"object_type":"PMH\\Like","published_at":"2017-04-16 08:53:19","created_at":"2017-04-16 08:53:19","updated_at":"2017-04-16 08:53:19","user_attributes":{"id":25062,"firstname":"Alessandro","lastname":"Zanoni","username":"alezano","name":"Alessandro Zanoni","profile":{"avatar":"\/users\/25062\/avatars\/oiek5h13d5e6b7d4.jpeg","cover_image":null,"nationality":null,"currently_in":{"id":82203,"city":"Milano","region":"Lombardy","country":"Italy","country_code":"IT","continent":"Europe","lat":"45.46427","lon":"9.18951","verified":1,"created_at":"-0001-11-30 00:00:00","updated_at":"2015-11-27 21:51:32","name":"Milano, Lombardy, Italy"},"bio":null}},"object":{"id":4362,"user_id":25062,"likable_id":7314,"likable_type":"PMH\\Story","created_at":"2017-04-16 08:53:19","updated_at":"2017-04-16 08:53:19","deleted_at":null,"likable":{"id":7314,"status_id":2,"user_id":16758,"cover_block_id":6990,"place_id":146426,"started_at":"2012-01-01 00:00:00","ended_at":null,"is_ongoing":0,"is_unpublished":1,"title":"Cinderellas","slug":"cinderellas-59ed2caa5b","slug_hash":"59ed2caa5b","excerpt":"<p>There was a time when \u201cHijras\u201d were revered as demigod.<\/p>","excerpt_raw":"There was a time when \u201cHijras\u201d were revered as demigod.","body":"<p>There was a time when \u201cHijras\u201d were revered as demigod. Hijras communities in Bangladesh, namely transgender people, have been believed for thousands years to bring people fertility and good luck. But times have changed, and their lives have become extremely harder. Being \u201cHijra\u201d now leaves many without an official identity: as doesn\u2019t exist officially, whoever is born Hijra can't inherit property and should be expelled from the community by birth. Access to education and employment, as well as having a passport, a bank account or a driving licence is strictly precluded them. Moreover, Bangladesh seems to be no more concerned about the 35000 and more Hijras living there, and its interest in their condition has declined: a lack of assistance and alternative work opportunities have forced many of them into sex work and prostitution. <\/p><p>Hijras are permanently marked by their sexual diversity. If the government recognised them and gave them job opportunities, as already happens in India and Pakistan, less money could be spent on HIV-awareness campaigns and health programmes. \u201cProbably we would not need to prostitute ourselves anymore\u201d- said one of them - \u201cand our lives would be better. But, as always, we'll just make and dress up...and take to the streets\u201d.<\/p>","body_raw":"There was a time when \u201cHijras\u201d were revered as demigod. Hijras communities in Bangladesh, namely transgender people, have been believed for thousands years to bring people fertility and good luck. But times have changed, and their lives have become extremely harder. Being \u201cHijra\u201d now leaves many without an official identity: as doesn\u2019t exist officially, whoever is born Hijra can't inherit property and should be expelled from the community by birth. Access to education and employment, as well as having a passport, a bank account or a driving licence is strictly precluded them. Moreover, Bangladesh seems to be no more concerned about the 35000 and more Hijras living there, and its interest in their condition has declined: a lack of assistance and alternative work opportunities have forced many of them into sex work and prostitution. \nHijras are permanently marked by their sexual diversity. If the government recognised them and gave them job opportunities, as already happens in India and Pakistan, less money could be spent on HIV-awareness campaigns and health programmes. \u201cProbably we would not need to prostitute ourselves anymore\u201d- said one of them - \u201cand our lives would be better. But, as always, we'll just make and dress up...and take to the streets\u201d.","published_at":"2017-02-06 11:08:28","is_legacy":1,"legacy_id":"d9064890-5a9a-11e2-8da5-8bf2d9a46f7c","position":4,"created_at":"2015-12-01 23:17:36","updated_at":"2017-02-06 11:14:52","user_attributes":{"id":16758,"firstname":"Annalisa","lastname":"Natali Murri","username":"annalisanatalimurri","name":"Annalisa Natali Murri","profile":{"avatar":"\/users\/16758\/avatars\/nyp0b5f1fb0b1945.jpeg","cover_image":null,"nationality":null,"currently_in":null,"bio":"Annalisa Natali Murri (1982), freelance photograher, approached for the first time to photography at age 27, while attending Architectural and Urban Photography School at EAF, in Valencia (Spain). \nAfter completing her studies in engineering, soon she began to alternate her work to photography, focusing on personal research works and documentary projects, mainly inspired by social issues and their psychological consequences. In 2012 her project Cinderellas about the harsh living conditions faced by transgender communities in Bangladesh is awarded at 70th POYi.\nShe currently lives and works in Bologna, Italy. "}},"meta":{"is_liked":false,"like_count":13},"activity_attributes":{"place":"Dhaka, Bangladesh","image_filename":"\/users\/16758\/stories\/7314\/nypxrc40786784bc.jpeg","video_service":null,"video_code":null},"url":"\/annalisanatalimurri\/story\/cinderellas-59ed2caa5b","comments":[],"cover_block_image":{"id":6990,"story_id":7314,"image_id":6992,"video_id":null,"caption":"","caption_raw":null,"position":3,"is_explicit":null,"is_admin_explicit":null,"is_legacy":1,"legacy_id":"13814000-1dd2-11b2-aba3-2907db9df210","created_at":"2015-12-02 06:52:24","updated_at":"2015-12-02 06:52:24","meta":{"is_liked":false,"like_count":1},"activity_attributes":{"story":{"title":"Cinderellas","started_at":"2012-01-01 00:00:00","ended_at":null,"slug":"cinderellas-59ed2caa5b","place":"Dhaka, Bangladesh","user":{"firstname":"Annalisa","lastname":"Natali Murri","username":"annalisanatalimurri","profile":{"avatar":"\/users\/16758\/avatars\/nyp0b5f1fb0b1945.jpeg"}}},"image_filename":"\/users\/16758\/stories\/7314\/nypxrc40786784bc.jpeg","video_meta":null},"image":{"id":6992,"filename":"\/users\/16758\/stories\/7314\/nypxrc40786784bc.jpeg","created_at":"2015-12-02 06:52:24","updated_at":"2015-12-02 06:52:24"},"video":null}}}},{"id":30055,"user_id":25062,"object_id":4640,"object_type":"PMH\\Like","published_at":"2017-06-06 08:20:31","created_at":"2017-06-06 08:20:31","updated_at":"2017-06-06 08:20:31","user_attributes":{"id":25062,"firstname":"Alessandro","lastname":"Zanoni","username":"alezano","name":"Alessandro Zanoni","profile":{"avatar":"\/users\/25062\/avatars\/oiek5h13d5e6b7d4.jpeg","cover_image":null,"nationality":null,"currently_in":{"id":82203,"city":"Milano","region":"Lombardy","country":"Italy","country_code":"IT","continent":"Europe","lat":"45.46427","lon":"9.18951","verified":1,"created_at":"-0001-11-30 00:00:00","updated_at":"2015-11-27 21:51:32","name":"Milano, Lombardy, Italy"},"bio":null}},"object":{"id":4640,"user_id":25062,"likable_id":12782,"likable_type":"PMH\\Story","created_at":"2017-06-06 08:20:31","updated_at":"2017-06-06 08:20:31","deleted_at":null,"likable":{"id":12782,"status_id":2,"user_id":26204,"cover_block_id":113759,"place_id":145505,"started_at":"2015-01-01 00:01:00","ended_at":null,"is_ongoing":1,"is_unpublished":0,"title":"Habibi","slug":"habibi-a0585aafa7","slug_hash":"a0585aafa7","excerpt":"<p>This is the story of Palestinian prisoners\u2019 wives who have turned to sperm smuggling in order to conceive children from their husbands who are serving long-term sentences in Israeli jails.<\/p>","excerpt_raw":"This is the story of Palestinian prisoners\u2019 wives who have turned to sperm smuggling in order to conceive children from their husbands who are serving long-term sentences in Israeli jails.","body":"<p>Habibi is the story of Palestinian prisoners\u2019 wives who have turned to sperm smuggling in order to conceive children through in vitro fertilization (IVF) from their husbands who are serving long-term sentences in Israeli jails. In the past 3 years, 60 babies have been born. <\/p><p>There are around 7,000 Palestinians, classified as \"security prisoners\u201d, facing sentences of 25 years or more. Israel detains them if their alleged or convicted offenses are deemed threats, or potential threats, to national security.<\/p><p>Conjugal visits are denied, Palestinian prisoners see their immediate family for just 45 minutes every two weeks, if at all. While kept physically separated from visiting spouses and adults, inmates can play with their children for ten minutes at the end of each session. During these short visitations, some of the prisoners have smuggled sperm to their kids. This is one of the methods used, but not the only one, however, is the only known at the moment.<\/p><p>Fertility clinics in the occupied territories increasingly offer Ivf treatment to prisoners' wives free of charge. The Razan fertility clinic in Nablus and the al Basma fertility clinic in Gaza have frozen numerous sperm samples recently smuggled from behind bars.<\/p><p>Women in the \u201cIvf\u201d program believe that one day the prisoners will be released, and when they do return home, they should have a family waiting for them.<\/p><p>My work is mostly focused on Asia and the Middle East, principally in Palestine, covering social, political and cultural issues. Documenting the aftermath of Palestinian-Israeli conflict in Gaza, I sought to unveil and highlight the humanitarian issues hidden within one of the world\u2019s most reported conflicts. <\/p>","body_raw":"Habibi is the story of Palestinian prisoners\u2019 wives who have turned to sperm smuggling in order to conceive children through in vitro fertilization (IVF) from their husbands who are serving long-term sentences in Israeli jails. In the past 3 years, 60 babies have been born. \nThere are around 7,000 Palestinians, classified as \"security prisoners\u201d, facing sentences of 25 years or more. Israel detains them if their alleged or convicted offenses are deemed threats, or potential threats, to national security.\nConjugal visits are denied, Palestinian prisoners see their immediate family for just 45 minutes every two weeks, if at all. While kept physically separated from visiting spouses and adults, inmates can play with their children for ten minutes at the end of each session. During these short visitations, some of the prisoners have smuggled sperm to their kids. This is one of the methods used, but not the only one, however, is the only known at the moment.\nFertility clinics in the occupied territories increasingly offer Ivf treatment to prisoners' wives free of charge. The Razan fertility clinic in Nablus and the al Basma fertility clinic in Gaza have frozen numerous sperm samples recently smuggled from behind bars.\nWomen in the \u201cIvf\u201d program believe that one day the prisoners will be released, and when they do return home, they should have a family waiting for them.\n\nMy work is mostly focused on Asia and the Middle East, principally in Palestine, covering social, political and cultural issues. Documenting the aftermath of Palestinian-Israeli conflict in Gaza, I sought to unveil and highlight the humanitarian issues hidden within one of the world\u2019s most reported conflicts. ","published_at":"2017-05-12 15:27:49","is_legacy":0,"legacy_id":null,"position":0,"created_at":"2017-05-12 15:27:48","updated_at":"2017-05-12 15:27:49","user_attributes":{"id":26204,"firstname":"Antonio","lastname":"Faccilongo","username":"AntonioFaccilongo","name":"Antonio Faccilongo","profile":{"avatar":"\/users\/26204\/avatars\/oqgxnqc172673294.JPG","cover_image":"\/users\/26204\/cover_images\/oqgxpz9e1cc85945.jpg","nationality":"Italian","currently_in":{"id":80809,"city":"Rome","region":"Latium","country":"Italy","country_code":"IT","continent":"Europe","lat":"41.89193","lon":"12.51133","verified":1,"created_at":"-0001-11-30 00:00:00","updated_at":"2015-11-27 21:51:30","name":"Rome, Latium, Italy"},"bio":"Antonio Faccilongo is an Italian documentary photographer.\n\nAfter graduating in communication sciences and then obtaining a masters in photojournalism he complemented his training through workshops, seminars and courses with industry professionals including Stefano De Luigi (VII), Elena Boille (Internazionale), Francesco Zizola and Yuri Kozyrev (Noor), Christian Caujolle (Agence\u00a0VU) and Tiziana Faraoni (L\u2019Espresso).\u00a0\n\nHis work is mostly focused on Asia and the Middle East, principally in Israel and Palestine, covering social, political and cultural issues.\u00a0Documenting the aftermath of Palestinian-Israeli conflict in Gaza, he sought to unveil and highlight the humanitarian issues hidden within one of the world\u2019s most reported conflicts.\u00a0\n\nHis long term projects about\u00a0Women in Palestine, \"Habibi\" and \u00a0\"(Single) Women\",\u00a0have\u00a0received several awards\u00a0and have\u00a0been exhibited internationally in numerous shows and festivals.\n\nHis work and assignments have been published in some of the most prominent international publications including National Geograpghic Usa, L'Espresso,\u00a0Time, Stern, Der Spiegel, Le Monde, New York Times, Geo, The Guardian, Daily Mail, Focus Magazin, Vice, Liberation, Die Zeit, Marie Claire, Internazionale, Wired, Vsd, Polka, Swide, Le Tube, Wirtschafts Woche, Taz Die, Days Japan, Tagesanzeiger, The Sun, Piel de Foto, Panorama, Days Japan, Youth Vision,\u00a0Oggi, Gente."}},"meta":{"is_liked":false,"like_count":1},"activity_attributes":{"place":"Palestinian Territory","image_filename":"\/users\/26204\/grant-submissions\/2762\/olf7c63ac9a71b6c.JPG","video_service":null,"video_code":null},"url":"\/AntonioFaccilongo\/story\/habibi-a0585aafa7","comments":[],"cover_block_image":{"id":113759,"story_id":12782,"image_id":128147,"video_id":null,"caption":"Kobar, Palestine.\nSigns of a life suspended at Iman Al Barghouti's home. Her husband, Nael Al Barghouti, has spent 38 years in prison. He was arrested on 4 April 1978 after carrying out a commando operation in which one Israeli was killed. He was released in Shalit agreement between Hamas and Israel in 2011 but he has been arrested again and sentenced to a life imprisonment. \n\nAfter undertaking various trips and becoming close to people there, I realized the value of the family, which is still the strongest social structure there. But one of the troubles involving the Palestinian people, in addition to the difficult socio-political situation, is that a very large number of their men are in Israeli prisons. This picture tells the story of the mothers, wives and daughters of Palestinian political prisoners in Israeli prisons. Waiting for the return of their men, these women struggle to support their families, both economically and emotionally, often finding themselves with many children to raise, and this picture shows how the lives of these women are suspended as they wait for the return of their men.","caption_raw":"Kobar, Palestine.\nSigns of a life suspended at Iman Al Barghouti's home. Her husband, Nael Al Barghouti, has spent 38 years in prison. He was arrested on 4 April 1978 after carrying out a commando operation in which one Israeli was killed. He was released in Shalit agreement between Hamas and Israel in 2011 but he has been arrested again and sentenced to a life imprisonment. \n\nAfter undertaking various trips and becoming close to people there, I realized the value of the family, which is still the strongest social structure there. But one of the troubles involving the Palestinian people, in addition to the difficult socio-political situation, is that a very large number of their men are in Israeli prisons. This picture tells the story of the mothers, wives and daughters of Palestinian political prisoners in Israeli prisons. Waiting for the return of their men, these women struggle to support their families, both economically and emotionally, often finding themselves with many children to raise, and this picture shows how the lives of these women are suspended as they wait for the return of their men.","position":1,"is_explicit":null,"is_admin_explicit":null,"is_legacy":0,"legacy_id":null,"created_at":"2017-05-12 15:27:48","updated_at":"2017-05-12 15:27:48","meta":{"is_liked":false,"like_count":0},"activity_attributes":{"story":{"title":"Habibi","started_at":"2015-01-01 00:01:00","ended_at":null,"slug":"habibi-a0585aafa7","place":"Palestinian Territory","user":{"firstname":"Antonio","lastname":"Faccilongo","username":"AntonioFaccilongo","profile":{"avatar":"\/users\/26204\/avatars\/oqgxnqc172673294.JPG"}}},"image_filename":"\/users\/26204\/grant-submissions\/2762\/olf7c63ac9a71b6c.JPG","video_meta":null},"image":{"id":128147,"filename":"\/users\/26204\/grant-submissions\/2762\/olf7c63ac9a71b6c.JPG","created_at":"2017-02-15 14:38:30","updated_at":"2017-02-15 14:38:30"},"video":null}}}},{"id":30057,"user_id":25062,"object_id":12842,"object_type":"PMH\\Story","published_at":"2017-06-06 08:38:21","created_at":"2017-06-06 08:38:21","updated_at":"2017-06-06 08:38:21","user_attributes":{"id":25062,"firstname":"Alessandro","lastname":"Zanoni","username":"alezano","name":"Alessandro Zanoni","profile":{"avatar":"\/users\/25062\/avatars\/oiek5h13d5e6b7d4.jpeg","cover_image":null,"nationality":null,"currently_in":{"id":82203,"city":"Milano","region":"Lombardy","country":"Italy","country_code":"IT","continent":"Europe","lat":"45.46427","lon":"9.18951","verified":1,"created_at":"-0001-11-30 00:00:00","updated_at":"2015-11-27 21:51:32","name":"Milano, Lombardy, Italy"},"bio":null}},"object":{"id":12842,"status_id":2,"user_id":25062,"cover_block_id":114716,"place_id":14449,"started_at":"2016-01-01 00:00:00","ended_at":"2016-01-01 00:00:00","is_ongoing":0,"is_unpublished":0,"title":"Wuhan boulevard","slug":"wuhan-boulevard-129894a2ac","slug_hash":"129894a2ac","excerpt":"<p>Wuhan Boulevard is an invitation to a journey through a city in progress where time stands still. A journey through an elevated urban railway located in the capital of Hubei province traversed by the Yangtze River: Wuhan.<\/p>","excerpt_raw":"Wuhan Boulevard is an invitation to a journey through a city in progress where time stands still. A journey through an elevated urban railway located in the capital of Hubei province traversed by the Yangtze River: Wuhan.","body":"<p>Wuhan Boulevard is an invitation to a journey through a city in progress where time stands still. A journey through an elevated urban railway located in the capital of Hubei province traversed by the Yangtze River: Wuhan. Consciously or unconsciously, deliberately or unthinkingly, the focus on a specific mode of transportation is of particular interest. Wuhan is indeed a major transport and logistic hub connecting key provinces in China, notably thanks to its port. Yet the usual watery landscapes that surround the city are not the focal point of this visual journey. Wuhan Boulevard is in truth one of the stops of the metro line one Zanoni has used to travel across the city. Immediately struck by this appellation, the artist chooses it while thumbing his nose at the fantasy about the Western famous boulevards, such as the Sunset Boulevard: the legendary route to fame and success in Los Angeles. But here the glamour and the density have turned into a rather unsettling and abandoned urban environment. Here we embark on a train that leads to an infinite landscape made of concrete and empty skyscrapers, an endless road towards unceasing urbanization.<\/p><p>Wuhan Boulevard seizes non-places, in other words transitional spaces which are supposed to be crossed. Probing into social commentary, the series reifies the notion of unqualified city. It allows us to look behind giant advertising panels, unveiling a dreamt city struggling to be completed, a city made of brand-new skycrapers that cohabit with old crumbling housing, a city built to welcome more inhabitants while excluding others. In fact Wuhan is the most populous city in Central China, but it seems its inhabitants have been discarded from these photographs. Where are the people? Only a lone wanderer here and there, or some cloths hung outside testify to the human presence. What is left of their houses then? Are they under construction or being knocked down? Zanoni\u2019s pictures unveil an anxiety about modernization. A sense of dehumanization, of alienation, while enhancing at the same time local attempts to take over these non-places.<\/p><p>Zanoni does not only document what contemporary Chinese metropolises are made of today. He embraces the role of the urban fl\u00e2neur by exploring the ways in which inhabitants can move or are prevented from moving across their environment. Zanoni climbs up the ground hills, cuts across rubbish mounds, wanders around forbidden construction areas, while gazing from above on the elevated railway. As an attempt to depict a city on the move populated with people on the move, these photographs reinforce the fact that paths are alternatively opened and obstructed.<\/p><p>In sum Wuhan Boulevard intertwines the notions of order with disorder, hope with disillusion, leftover past with uncertain future. It caught a glimpse of Chinese urban life as the train is passing by.<\/p><p>Marine Cabos, Art historian - Photography of China<\/p>","body_raw":"Wuhan Boulevard is an invitation to a journey through a city in progress where time stands still. A journey through an elevated urban railway located in the capital of Hubei province traversed by the Yangtze River: Wuhan. Consciously or unconsciously, deliberately or unthinkingly, the focus on a specific mode of transportation is of particular interest. Wuhan is indeed a major transport and logistic hub connecting key provinces in China, notably thanks to its port. Yet the usual watery landscapes that surround the city are not the focal point of this visual journey. Wuhan Boulevard is in truth one of the stops of the metro line one Zanoni has used to travel across the city. Immediately struck by this appellation, the artist chooses it while thumbing his nose at the fantasy about the Western famous boulevards, such as the Sunset Boulevard: the legendary route to fame and success in Los Angeles. But here the glamour and the density have turned into a rather unsettling and abandoned urban environment. Here we embark on a train that leads to an infinite landscape made of concrete and empty skyscrapers, an endless road towards unceasing urbanization.\nWuhan Boulevard seizes non-places, in other words transitional spaces which are supposed to be crossed. Probing into social commentary, the series reifies the notion of unqualified city. It allows us to look behind giant advertising panels, unveiling a dreamt city struggling to be completed, a city made of brand-new skycrapers that cohabit with old crumbling housing, a city built to welcome more inhabitants while excluding others. In fact Wuhan is the most populous city in Central China, but it seems its inhabitants have been discarded from these photographs. Where are the people? Only a lone wanderer here and there, or some cloths hung outside testify to the human presence. What is left of their houses then? Are they under construction or being knocked down? Zanoni\u2019s pictures unveil an anxiety about modernization. A sense of dehumanization, of alienation, while enhancing at the same time local attempts to take over these non-places.\nZanoni does not only document what contemporary Chinese metropolises are made of today. He embraces the role of the urban fl\u00e2neur by exploring the ways in which inhabitants can move or are prevented from moving across their environment. Zanoni climbs up the ground hills, cuts across rubbish mounds, wanders around forbidden construction areas, while gazing from above on the elevated railway. As an attempt to depict a city on the move populated with people on the move, these photographs reinforce the fact that paths are alternatively opened and obstructed.\nIn sum Wuhan Boulevard intertwines the notions of order with disorder, hope with disillusion, leftover past with uncertain future. It caught a glimpse of Chinese urban life as the train is passing by.\n\nMarine Cabos, Art historian - Photography of China","published_at":"2017-06-06 08:38:21","is_legacy":null,"legacy_id":null,"position":3,"created_at":"2017-06-06 08:21:48","updated_at":"2017-06-06 08:38:21","user_attributes":{"id":25062,"firstname":"Alessandro","lastname":"Zanoni","username":"alezano","name":"Alessandro Zanoni","profile":{"avatar":"\/users\/25062\/avatars\/oiek5h13d5e6b7d4.jpeg","cover_image":null,"nationality":null,"currently_in":{"id":82203,"city":"Milano","region":"Lombardy","country":"Italy","country_code":"IT","continent":"Europe","lat":"45.46427","lon":"9.18951","verified":1,"created_at":"-0001-11-30 00:00:00","updated_at":"2015-11-27 21:51:32","name":"Milano, Lombardy, Italy"},"bio":null}},"meta":{"is_liked":false,"like_count":1},"activity_attributes":{"place":"Wuhan, Hubei, China","image_filename":"\/users\/25062\/stories\/12842\/or4afr9309129099.jpg","video_service":null,"video_code":null},"url":"\/alezano\/story\/wuhan-boulevard-129894a2ac","comments":[],"cover_block_image":{"id":114716,"story_id":12842,"image_id":138578,"video_id":null,"caption":null,"caption_raw":null,"position":8,"is_explicit":null,"is_admin_explicit":null,"is_legacy":null,"legacy_id":null,"created_at":"2017-06-06 08:33:27","updated_at":"2017-06-06 08:33:27","meta":{"is_liked":false,"like_count":0},"activity_attributes":{"story":{"title":"Wuhan boulevard","started_at":"2016-01-01 00:00:00","ended_at":"2016-01-01 00:00:00","slug":"wuhan-boulevard-129894a2ac","place":"Wuhan, Hubei, China","user":{"firstname":"Alessandro","lastname":"Zanoni","username":"alezano","profile":{"avatar":"\/users\/25062\/avatars\/oiek5h13d5e6b7d4.jpeg"}}},"image_filename":"\/users\/25062\/stories\/12842\/or4afr9309129099.jpg","video_meta":null},"image":{"id":138578,"filename":"\/users\/25062\/stories\/12842\/or4afr9309129099.jpg","created_at":"2017-06-06 08:33:27","updated_at":"2017-06-06 08:33:27"},"video":null}}},{"id":30549,"user_id":25062,"object_id":4733,"object_type":"PMH\\Like","published_at":"2017-07-16 12:45:34","created_at":"2017-07-16 12:45:34","updated_at":"2017-07-16 12:45:34","user_attributes":{"id":25062,"firstname":"Alessandro","lastname":"Zanoni","username":"alezano","name":"Alessandro Zanoni","profile":{"avatar":"\/users\/25062\/avatars\/oiek5h13d5e6b7d4.jpeg","cover_image":null,"nationality":null,"currently_in":{"id":82203,"city":"Milano","region":"Lombardy","country":"Italy","country_code":"IT","continent":"Europe","lat":"45.46427","lon":"9.18951","verified":1,"created_at":"-0001-11-30 00:00:00","updated_at":"2015-11-27 21:51:32","name":"Milano, Lombardy, Italy"},"bio":null}},"object":{"id":4733,"user_id":25062,"likable_id":6393,"likable_type":"PMH\\Story","created_at":"2017-07-16 12:45:34","updated_at":"2017-07-16 12:45:34","deleted_at":null,"likable":{"id":6393,"status_id":2,"user_id":3493,"cover_block_id":null,"place_id":null,"started_at":"2014-01-01 00:00:00","ended_at":"2014-01-01 00:00:00","is_ongoing":0,"is_unpublished":0,"title":"Domestic Border","slug":"domestic-border-58d5efbf90","slug_hash":"58d5efbf90","excerpt":"<p>We live in a time of changes; the communication changes, the ways in which people interact changes, the time and the ways to reach places changes, and finally the space and the territory definition change too.<\/p>","excerpt_raw":"We live in a time of changes; the communication changes, the ways in which people interact changes, the time and the ways to reach places changes, and finally the space and the territory definition change too.","body":"<p>We live in a time of changes; the communication changes, the ways in which people interact changes, the time and the ways to reach places changes, and finally the space and the territory definition change too. The frontier between Portugal and Spain is known as \u201cthe Raia\u201d. In the north of Portugal the border between the two countries consist in the Minho River. The Raia was the most ancient frontier of Europe, now \u2013 after the Schengen Treaty and with the European unification \u2014 the border is gone. Just the Minho River, with its dark waters, is what has left: a liquid frontier between two apparently distinct countries. The river defines the communities, the interaction and the contacts between Spain and Portugal, where the territory and the communities shape reciprocally around a specific space \u2013 physical, human and cultural \u2013 that get dissolved in the water of the Raia. Empty of its political value, the Raia become just a line on a map. The emptiness of the frontier get reflected in the territory, the time get stopped and while the world around is changing, on Raia border the space is empty, and the time is frozen in a far past. The Raia become a route where each photos is a stop on the way, not searching for answer but interrogating the social reality, the relations between habitants and the territory. Domestic Border ends up being an unusual and unexpected trip, a dystopian portrait of the relationships between and across the border, showing the challenges of living out of time, in an empty space.<\/p>","body_raw":"We live in a time of changes; the communication changes, the ways in which people interact changes, the time and the ways to reach places changes, and finally the space and the territory definition change too. The frontier between Portugal and Spain is known as \u201cthe Raia\u201d. In the north of Portugal the border between the two countries consist in the Minho River. The Raia was the most ancient frontier of Europe, now \u2013 after the Schengen Treaty and with the European unification \u2014 the border is gone. Just the Minho River, with its dark waters, is what has left: a liquid frontier between two apparently distinct countries. The river defines the communities, the interaction and the contacts between Spain and Portugal, where the territory and the communities shape reciprocally around a specific space \u2013 physical, human and cultural \u2013 that get dissolved in the water of the Raia. Empty of its political value, the Raia become just a line on a map. The emptiness of the frontier get reflected in the territory, the time get stopped and while the world around is changing, on Raia border the space is empty, and the time is frozen in a far past. The Raia become a route where each photos is a stop on the way, not searching for answer but interrogating the social reality, the relations between habitants and the territory. Domestic Border ends up being an unusual and unexpected trip, a dystopian portrait of the relationships between and across the border, showing the challenges of living out of time, in an empty space.","published_at":"2014-12-03 11:54:19","is_legacy":1,"legacy_id":"1cff0490-7ae3-11e4-9c39-99ea79855925","position":null,"created_at":"2015-12-01 23:12:10","updated_at":"2015-12-01 23:12:10","user_attributes":{"id":3493,"firstname":"Tommaso","lastname":"Rada","username":"tommasorada","name":"Tommaso Rada","profile":{"avatar":"\/users\/3493\/avatars\/o2dmq2e505be6c54.jpg","cover_image":null,"nationality":"Italian","currently_in":{"id":148425,"city":null,"region":"S\u00e3o Paulo","country":"Brazil","country_code":"BR","continent":"South Africa","lat":"-14.235004","lon":"-51.92528","verified":1,"created_at":"2015-11-18 16:32:03","updated_at":"2016-02-04 16:08:43","name":"S\u00e3o Paulo, Brazil"},"bio":"Tommaso Rada is specialized in documentary photography and his works has been published in several newspaper and magazine such as Financial Time Germany, Der Spiegel, Expresso (Portugal), Monocle, Courrier Internacional, Popoli, Helsingin Sanomat, Forbes Brazil. He collaborated with NGO and UN agencies like Comunit\u00e1 di Sant'egidio, Habitat for Humanity Portugal, Unicef Mozambque.\nIn 2012 he won the first prize of the Environmental Category of the \"Esta\u00e7\u00e3o de Imagem\", the main photojournalistic portuguese award; in 2013 he has been shortlisted in the Concurso de Fotografia Documental Addretouch."}},"meta":{"is_liked":false,"like_count":1},"activity_attributes":{"place":null,"image_filename":"\/users\/3493\/stories\/6393\/nyprr5642d38f469.jpeg","video_service":null,"video_code":null},"url":"\/tommasorada\/story\/domestic-border-58d5efbf90","comments":[],"cover_block_image":null,"blocks":[{"id":4160,"story_id":6393,"image_id":4162,"video_id":null,"caption":"A picture of the Portuguese border and the frontier is represented on a hill of A Guarda","caption_raw":"A picture of the Portuguese border and the frontier is represented on a hill of A Guarda","position":0,"is_explicit":null,"is_admin_explicit":null,"is_legacy":1,"legacy_id":"13814000-1dd2-11b2-bcbb-d74180278354","created_at":"2015-12-02 04:42:41","updated_at":"2015-12-02 04:42:41","meta":{"is_liked":false,"like_count":0},"activity_attributes":{"story":{"title":"Domestic Border","started_at":"2014-01-01 00:00:00","ended_at":"2014-01-01 00:00:00","slug":"domestic-border-58d5efbf90","place":null,"user":{"firstname":"Tommaso","lastname":"Rada","username":"tommasorada","profile":{"avatar":"\/users\/3493\/avatars\/o2dmq2e505be6c54.jpg"}}},"image_filename":"\/users\/3493\/stories\/6393\/nyprr5642d38f469.jpeg","video_meta":null},"image":{"id":4162,"filename":"\/users\/3493\/stories\/6393\/nyprr5642d38f469.jpeg","created_at":"2015-12-02 04:42:41","updated_at":"2015-12-02 04:42:41"},"video":null},{"id":5934,"story_id":6393,"image_id":5936,"video_id":null,"caption":"A team of oar train in an indoor pool loacted in front of the Minho River.","caption_raw":"A team of oar train in an indoor pool loacted in front of the Minho River.","position":1,"is_explicit":null,"is_admin_explicit":null,"is_legacy":1,"legacy_id":"13814000-1dd2-11b2-a78c-6385eaba131e","created_at":"2015-12-02 06:04:07","updated_at":"2015-12-02 06:04:07","meta":{"is_liked":false,"like_count":0},"activity_attributes":{"story":{"title":"Domestic Border","started_at":"2014-01-01 00:00:00","ended_at":"2014-01-01 00:00:00","slug":"domestic-border-58d5efbf90","place":null,"user":{"firstname":"Tommaso","lastname":"Rada","username":"tommasorada","profile":{"avatar":"\/users\/3493\/avatars\/o2dmq2e505be6c54.jpg"}}},"image_filename":"\/users\/3493\/stories\/6393\/nypviv67ce0dcba1.jpeg","video_meta":null},"image":{"id":5936,"filename":"\/users\/3493\/stories\/6393\/nypviv67ce0dcba1.jpeg","created_at":"2015-12-02 06:04:07","updated_at":"2015-12-02 06:04:07"},"video":null},{"id":9952,"story_id":6393,"image_id":9954,"video_id":null,"caption":"A prostitute stand in a country roead in Portugal. Despite prostitution is legal in Spain and in Portugal, human traffic is not. A lot of women fromoutside europe are brought to Portugal and Spain to be \"used\" as prostitute.","caption_raw":"A prostitute stand in a country roead in Portugal. Despite prostitution is legal in Spain and in Portugal, human traffic is not. 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His pictures have been exhibited in London, Italy, Berlin, Bucharest, Paris, Beijing and Lishui, and have been published by several international magazines.\n\nIn his vision, documentary photography is much more than a mere tool for data collection: it is the base for an universal language, a bridge between people and places that allows to overcome the invisible borders among cultures."}},"object":{"id":9568,"user_id":22425,"follower_id":25062,"created_at":"2016-12-20 10:09:16","updated_at":"2016-12-20 10:09:16","deleted_at":null,"followee_attributes":{"id":22425,"firstname":"Riccardo","lastname":"Bononi","username":"riccardo_bononi","profile":{"based_in_name":"Padova, Veneto, Italy","avatar":"\/users\/22425\/avatars\/o3oepu5e5d95e013.jpg","cover_image":null}},"meta":{"follower_count":1,"following_count":0,"auth_user_follows":false,"is_photographer":true,"is_editor":false}}}],"published_at":"2016-12-20 10:17:21","created_at":"2016-12-20 10:17:21","updated_at":"2016-12-20 10:17:21","user_attributes":{"id":25062,"firstname":"Alessandro","lastname":"Zanoni","username":"alezano","name":"Alessandro Zanoni","profile":{"avatar":"\/users\/25062\/avatars\/oiek5h13d5e6b7d4.jpeg","cover_image":null,"nationality":null,"currently_in":{"id":82203,"city":"Milano","region":"Lombardy","country":"Italy","country_code":"IT","continent":"Europe","lat":"45.46427","lon":"9.18951","verified":1,"created_at":"-0001-11-30 00:00:00","updated_at":"2015-11-27 21:51:32","name":"Milano, Lombardy, Italy"},"bio":null}}},{"user_id":25062,"object_id":null,"object_type":"PMH\\FollowGroup","objects":[{"id":9553,"user_id":25062,"object_id":9553,"object_type":"PMH\\Follow","published_at":"2016-12-19 08:17:39","created_at":"2016-12-19 08:17:39","updated_at":"2016-12-19 08:17:39","follower_id":25062,"deleted_at":null,"user_attributes":{"id":25062,"firstname":"Alessandro","lastname":"Zanoni","username":"alezano","name":"Alessandro Zanoni","profile":{"avatar":"\/users\/25062\/avatars\/oiek5h13d5e6b7d4.jpeg","cover_image":null,"nationality":null,"currently_in":{"id":82203,"city":"Milano","region":"Lombardy","country":"Italy","country_code":"IT","continent":"Europe","lat":"45.46427","lon":"9.18951","verified":1,"created_at":"-0001-11-30 00:00:00","updated_at":"2015-11-27 21:51:32","name":"Milano, Lombardy, Italy"},"bio":null}},"object":{"id":9553,"user_id":22954,"follower_id":25062,"created_at":"2016-12-19 08:17:39","updated_at":"2016-12-19 08:17:39","deleted_at":null,"followee_attributes":{"id":22954,"firstname":"Bertrand","lastname":"Cavalier","username":"bertrandcavalier","profile":{"based_in_name":"Brussels Capital, Belgium","avatar":"\/users\/22954\/avatars\/o7dlr6135f9c89cc.jpg","cover_image":null}},"meta":{"follower_count":3,"following_count":1,"auth_user_follows":false,"is_photographer":true,"is_editor":false}}},{"id":9552,"user_id":6519,"object_id":9552,"object_type":"PMH\\Follow","published_at":"2016-12-19 08:17:21","created_at":"2016-12-19 08:17:21","updated_at":"2017-03-13 21:29:47","follower_id":25062,"deleted_at":"2017-03-13 21:29:47","user_attributes":null,"object":null}],"published_at":"2016-12-19 08:17:39","created_at":"2016-12-19 08:17:39","updated_at":"2016-12-19 08:17:39","user_attributes":{"id":25062,"firstname":"Alessandro","lastname":"Zanoni","username":"alezano","name":"Alessandro Zanoni","profile":{"avatar":"\/users\/25062\/avatars\/oiek5h13d5e6b7d4.jpeg","cover_image":null,"nationality":null,"currently_in":{"id":82203,"city":"Milano","region":"Lombardy","country":"Italy","country_code":"IT","continent":"Europe","lat":"45.46427","lon":"9.18951","verified":1,"created_at":"-0001-11-30 00:00:00","updated_at":"2015-11-27 21:51:32","name":"Milano, Lombardy, Italy"},"bio":null}}}]