Ke LEFA LAKA : HER-STORY

Lebohang Kganye

2012 - 2013

Johannesburg, Gauteng, South Africa

The idea of ‘the ghost’ started to emerge in my work. Like a presence that isn’t, of which Roland Barthes speaks about in his book ‘Camera Lucida’ in which he explores “various photographs from his family album as he searches for a likeness that can begin to represent his feelings for and memory of his mother, who had recently died”. (Barthes, 1981, 96)

My reconnection with her became a visual manipulation of ‘her-our’ histories. I began inserting myself into her pictorial narrative by emulating these snaps of her from my family album. I would dress in the exact clothes that she was wearing in these thirty-year-old photographs and mimic the same poses. This was my way of marrying the two memories (mine and of my mother). I later developed digital photomontages where I juxtaposed old photographs of my mother retrieved from the family archives with photographs of a ‘present version of her’ - me, to reconstruct a new story and a commonality – she is me, I am her and there remains in this commonality so much difference, and so much distance in space and time. I realised that I was scared that I was beginning to forget what my mother looked like, what she sounded like, and her defining gestures. The photomontages became a substitute for the paucity of memory, a forged identification and imagined conversation.

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  • Habo Patience ka bokhathe II

  • Kwana Germiston bosiu I

  • Ngwana o tshwana le dinaledi I

  • Sefateng khoneng I

  • Ka mose wa malomo kwana 44 II

  • 3-phisi yaka ya letlalo II

  • Ke tsamaya masiu II

  • Ke eme ka diaparo tsa sekolo II

  • Ka 2-phisi yaka e pinky II

  • Kwana borayeng Phadima II

  • Jwang ba hae I

  • Moketeng wa letsatsi la tswalo la motswalle II

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  • Moketeng wa letsatsi la tswalo la ho qala la moradi waka II

  • Re tantshetsa phaposing ya sekolo II

  • Ke dutse pela dipalesa II

  • Tshimong ka hara toropo II

  • Ke le motle ka bulumase le bodisi II

  • Ke bapala seyalemoya bosiu ka naeterese II

  • Re intshitse mosebetsing II

  • Ke bala buka ke apere naeterese II

  • Re shapa setepe sa lenyalo II

  • Setshwantso le ngwanaka II

  • Ke bapala seyalemoya bosiu ka naeterese I

  • Setupung sa kwana hae II


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