In This Place

A story of love and loss with social inequality at its heart.

‘In This Place’ looks at family and home, connections and place, raising issues of social and personal inertia. In this cycle of inequality across generations, the personal and the political are intertwined in questions on how society operates - on social environment, choices offered and opportunities given. Are the choices we have ultimately predetermined by whether we are born into disadvantage or privilege?

20 years after the first project, Family (1994), this work revisits my sister’s three children—Steven, Kellie and Chick—and updates the story of where their lives have taken them in adulthood. The photographs trace the story of their present-day lives and that of their own children. In the intervening years, their mother has died, and all the children from the earlier project have moved from one estate in Stirling poised to undergo urban regeneration to another, living in pockets yet to be touched by redevelopment.

‘In This Place’ raises questions about choice—do we have choices in life, or are some predetermined and made for us? Where a ‘place’ becomes both mental and physical; a place we put ourselves and where we are put, sometimes by others and sometimes by circumstance. Being told what we can and cannot do, what we can and cannot achieve.

Life feels somewhat static in the housing estates of central Scotland; as the world changes, the lives portrayed here remain relatively still and immobile. Within this social landscape, movement has occurred—but only from one area that scores high in government statistics on deprivation to another. A simple bus ride across town.

Through parental loss and limited opportunities, a glue binds the original three siblings together, intertwined and interdependent as they were as children in 1994. Through this personal geography of one family, the social impact is evident. Choice is not equal for all.

'In This Place' updates the work ‘Family’ (1994). Both series are published by Bluecoat Press in the book ‘Passage’